Mixed Race Studies

‘My mum always told me I was white, like her. Now I know the truth’

The Guardian
2017-03-18

Georgina Lawton

Georgina Lawton: ‘Even though I would look in the mirror and see a brown, dark-eyed girl, I couldn’t identify as black.’

As a child in a white Anglo-Irish family, Georgina Lawton’s curiosity about her dark skin colour was constantly brushed aside. Only when her father died did the truth surface

You might not think it to look at me, but my upbringing was a very Anglo-Irish affair. I grew up on the outskirts of London with my blue-eyed younger brother, British father and Irish mother. Many happy weeks of the school holidays were spent in Ireland and I was educated at a Catholic school in Surrey. We ate roast beef and yorkshire puddings on Sundays, and Thin Lizzy, Van Morrison and the Clash formed the soundtrack to our lazy weekends.

The only peculiar aspect to all this was the defining aspect of my identity. Because, although I look mixed-race, or black, my whole family is white. And until the man I called Dad died two years ago, I did not know the truth about my existence. Now, age 24, I’m starting to uncover where I come from…

Read the entire article here.

Misty Copeland: dancing into history

The Guardian
2017-03-05

Aaron Hicklin

Born to dance: Copeland’s story is, for millions of Americans, an archetypal story of triumph over adversity. Photograph: Danielle Levitt for the Observer

She was caught between her impoverished mother and the ballet mistress who offered her a way out. Aaron Hicklin meets Misty Copeland, the first black principal at the American Ballet Theatre

We cannot know whether Misty Copeland would have become America’s most celebrated ballet dancer if she had not met Cindy Bradley, the flame-haired instructor who first recognised and then sharpened her talents, but it seems unlikely. Then again, it’s doubtful that Copeland would have met Bradley if not for Elizabeth Cantine, the coach of her school drill team who urged her to check out the free ballet class at the Boys & Girls Club of San Pedro. Nor is it clear that Copeland would have joined Cantine’s squad without the encouragement of her adored older sister, Erica, a drill team star. It was Erica who helped Copeland choreograph an audition piece to George Michael’s I Want Your Sex. And who, knowing her story, can omit the Romanian gymnast Nadia Comaneci from this roll call? As a seven-year-old, trying to emulate Comaneci’s pyrotechnics, Copeland instinctively understood “that rhythmic motion came as naturally to me as breathing,” to quote from her memoir, Life in Motion…

Read the entire article here.

Rachel Dolezal: ‘I’m not going to stoop and apologise and grovel’

The Guardian
2017-02-25

Decca Aitkenhead

Two years ago, she was a respected black rights activist and teacher. Then she was exposed as a white woman who had deceived almost everyone she knew. Why did she do it?

Spokane is a modest town of wide streets and snow-capped horizons in Washington state, 90 miles from the Canadian border. Its population is 91% white, and voted heavily for Donald Trump. The lunchtime crowd in a downtown hotel bar is too absorbed in the ice hockey game on big screens to notice the woman who sidles into the lobby, and though curious to see what kind of attention she would attract, I feel relieved for her. Her great spiralled mane bounces as she approaches in a jade dress and heels, but only a fool would mistake the look for self-assurance.

Two years ago, life was going well for Dolezal. Branch president of the National Association for the Advancement of Colored People (NAACP) and chair of Spokane’s police ombudsman commission, she was well known and respected for her civil rights activism. Her Eastern Washington University students adored her; her 21-year-old son was about to intern for a diversity advocacy group in Washington DC; her younger son was doing well in high school. When a local TV news crew arrived one afternoon to interview her, Dolezal thought they were there to talk about hate crimes.

“Are you,” asked the reporter, “African American?” Like a cartoon, her features froze. “I don’t understand the question.” The reporter pressed, “Are your parents white?” Dolezal turned from the camera and fled…

…The 39-year-old says she can count the friends she has left in town on her fingers. “Right now the only place that I feel understood and completely accepted is with my kids and my sister.” She has written a memoir, titled In Full Color, but 30 publishing houses turned her down before she found one willing to print it. “The narrative was that I’d offended both communities in an unforgivable way, so anybody who gave me a dime would be contributing to wrong and oppression and bad things. To a liar and a fraud and a con.”….

Read the entire article here.

Ireland’s forgotten mixed-race child abuse victims – video

The Guardian
2017-02-24

Hen Norton, Dan Dennison, Mary Carson, Laurence Topham, Dan Susman and Mustafa Khalili

Rosemary Adaser was one of many mixed-race children considered illegitimate who was brought up in institutions run by the Catholic church in Ireland between the 1950s and 1970s. She tells of the abuse and racist treatment she suffered, and returns to her school in Kilkenny for the first time in 40 years and attempts to answer questions about her past

Watch the video here.

President with a torpedo in his crotch: how the works of Lubaina Himid speak to Trump times

The Guardian
2017-01-17

Hettie Judah

Lubaina Himid among the cutouts of slaves that form her 2004 piece Naming the Money, at Spike Island contemporary art centre in Bristol. Photograph: Adrian Sherratt for the Guardian

Born in Zanzibar and raised in Britain, Lubaina Himid makes work about everything from slavery to Thatcher to the cotton trade. Now in her 60s, she’s finally getting the recognition she deserves

Lubaina Himid was just four months old when her father died. It was 1954 and her Blackpool-born mother decided to leave their home in Zanzibar and head back to Britain, where she brought her daughter up as a Londoner. Himid would not return to the place of her birth for 43 years…

Read the entire article here.

For African Americans, Obama’s presidency had been largely defined by his reluctance to engage with the ways that racial discrimination was blunting the impact of his administration’s recovery efforts. Obama has not shown nearly the same reticence when publicly chastising African Americans for a range of behaviors that read like a handbook on anti-black stereotypes, from parenting skills and dietary choices to sexual mores and television-watching habits.

Keeanga-Yamahtta Taylor, ”Barack Obama’s original sin: America’s post-racial illusion,” The Guardian, January 13, 2017. https://www.theguardian.com/us-news/2017/jan/13/barack-obama-legacy-racism-criminal-justice-system.

Barack Obama’s original sin: America’s post-racial illusion

The Guardian
2017-01-13

Keeanga-Yamahtta Taylor, Assistant Professor of African American Studies
Princeton University

Illustration by Joe Magee

Barack Obama’s refusal to use his position as president to intervene on behalf of African Americans is a stain on his record many activists will never forget

In the first hours of the new year in 2009, just weeks before Barack Obama was to be inaugurated as the next president, shots rang out in Oakland, California. A transit officer named Johannes Mehserle shot an unarmed 22-year-old black man who lay face-down in handcuffs on a public transportation platform. His name was Oscar Grant…

Read the entire article here.

Pity the sad legacy of Barack Obama

The Guardian
2017-01-09

Cornel West, Professor of Philosophy and Christian Practice
Union Theological Seminary, New York, New York

Our hope and change candidate fell short time and time again. Obama cheerleaders who refused to make him accountable bear some responsibility

Eight years ago the world was on the brink of a grand celebration: the inauguration of a brilliant and charismatic black president of the United States of America. Today we are on the edge of an abyss: the installation of a mendacious and cathartic white president who will replace him…

Read the entire article here.

David Olusoga: ‘There’s a dark side to British history, and we saw a flash of it this summer’

The Guardian
2016-11-04

Arifa Akbar

‘People used to shout “Go back to Africa” at us’ … David Olusoga. Photograph: Martin Godwin for the Guardian

The writer and broadcaster on reassessing black history and the fallout from the Brexit vote

For as long as David Olusoga has been writing and broadcasting on black British history (almost two decades), he has received infuriated letters from the public. Nowadays, there are tweets too, which employ the same fulminating tone.

“The number of people who say, ‘I’m sick of hearing about slavery’, or ‘black people are always talking about slavery’. My response to them is ‘Name a British plantation. Name a slave trader. Name a British slave ship.’ Normally they can’t, because we don’t know that much about slavery. It’s not a central part of our national story.”

Olusoga’s new book, Black and British: A Forgotten History, is not about slavery as such, but it is a radical reappraisal of the parameters of history, exposing lacunae in the nation’s version of its past. Domestic history cannot be separated from the vast former empire building, he argues, which was inextricably bound to the economics of global slavery. Joining up history at home and abroad makes it harder to gloss over Britain’s part in the slave trade…

Read the entire article here.

Black and British by David Olusoga review – reclaiming a lost past

The Guardian
2016-11-17

Colin Grant

David Olusoga at St Michael’s Church, Burgh-by-Sands. Photograph: Des Willie/BBC/Des Willie

Olusoga’s insightful ‘forgotten history’ amounts to much more than a text to accompany a TV series. Yet despite its many attributes, is it too temperate?

How do you make black British history palatable to white Britons? Actually, hold on a second. How do you make it palatable to black Britons? Let’s start again. How do you compose a history of Britain’s involvement with black people? The answer during my childhood was to accentuate the positive; to tweak the past, for instance, so that schoolchildren were left with the impression that slavery was somehow an abhorrent North American practice and that the British, through the good works of William Wilberforce, should be commended for their part in bringing about the end of the Atlantic slave trade.

Three decades ago Peter Fryer offered a corrective, stripping off the historical bandage. Fryer’s Staying Power: The History of Black People in Britain was an excoriating book by a tireless Marxist historian skewering British imperial mendacity, which, when young black readers stumble across it, delivers a punch to the sternum, a remembrance real or imagined of tragedy and sorrow. But it also elicits a flush of excitement and pride. At last! A history that is not sanitised or sugar-coated; and one written by a proxy black man, namely a white man who in his own apologia aimed to “think black”. The British-Nigerian David Olusoga has a head start on Fryer. But whereas Fryer had an independent radical publisher (Pluto) at his elbow, Olusoga had to satisfy BBC managers – the book accompanies a TV series – who are largely petrified about “race”…

Read the entire review here.