Mixed Race Studies
Scholarly perspectives on the mixed race experience.
recent posts
- The Routledge International Handbook of Interracial and Intercultural Relationships and Mental Health
- Loving Across Racial and Cultural Boundaries: Interracial and Intercultural Relationships and Mental Health Conference
- Call for Proposals: 2026 Critical Mixed Race Studies Conference at UCLA
- Participants Needed for a Paid Research Study: Up to $100
- You were either Black or white. To claim whiteness as a mixed child was to deny and hide Blackness. Our families understood that the world we were growing into would seek to denigrate this part of us and we would need a community that was made up, always and already, of all shades of Blackness.
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Tag: American Ballet Theater
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“What’s interesting is when I started ballet at 13 years old, I was told I had everything that it took to be a ballet dancer, physically, artistically. So that’s why there’s kind of this interesting dichotomy when I think about Black women specifically in ballet and the language that’s being used in telling us that…
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Ruth Ann Koesun, a principal dancer in American Ballet Theater who epitomized the company’s early eclectic profile by excelling in roles that ranged from Billy the Kid’s Mexican sweetheart to the “Bluebird” pas de deux from “The Sleeping Beauty,” died on Feb. 1 in Chicago. She was 89.
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A rare gathering of Black dancers from different companies meet to discuss a new production on Little Island, curated by Misty Copeland and Robert Garland.
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How should a dancer look? Ask Misty Copeland and Stella Abrera The Melissa Harris-Perry Show MSNBC 2015-07-18 Melissa Harris-Perry, Host Dancers Misty Copeland and Stella Abrera discuss their pioneering work as, respectively, the first African American and Filipino American principal ballerinas at the American Ballet Theater. Watch the video (00:07:46) here.
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Black Dancers, White Ballets The New York Times 2015-07-15 Laurie A. Woodard New York University MISTY COPELAND’S elevation to principal dancer with American Ballet Theater is a tremendous accomplishment for her as a ballet dancer and as an African-American ballerina. Neither her talent nor her achievement should be underestimated. But even as she reaches the…
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Misty Copeland Is Promoted to Principal Dancer at American Ballet Theater The New York Times 2015-06-30 Michael Cooper Misty Copeland, whose openness about race in ballet helped to make her one of the most famous ballerinas in the United States, was promoted on Tuesday by American Ballet Theater, becoming the first African-American female principal dancer…