Mixed Race Studies

Scholarly perspectives on the mixed race experience.

In this work, the terms “colored” and “negro” have been used indiscriminately, but I have made the more extended use of the former, since the type of the pure negro is rarely met with. The race is so hopelessly mixed that it is difficult to arrive at a clear definition, and the term “colored” will probably serve as well as the awkward phrase, “persons of African descent.”

Of the original African type few traces remain, and the race is largely a cross between the African and the white male; for no considerable crossing of negroes with white females has ever taken place. The instances where white women have married colored men are very rare and the few cases that occur cannot possibly have affected the traits and tendencies of the race. On the other hand, the infusion of white blood, through white males, has been widespread, and the original type of the African has almost completely disappeared. A small settlement near Mobile, Ala., a few years ago was asserted to have preserved the purity of the race: but I am informed by Dr. D. T. Rogers, the health officer of Mobile, that this is no longer true. It is therefore a question of great importance to know what influence, favorable or otherwise, the infusion of white blood has had on the physical, moral and mental characteristics of the race. It is of further importance to ascertain, if possible, whether there is a decided tendency towards a mixture of the two races, and if so, whether this tendency is in the direction of lawful marriage or of concubinage and prostitution.

Frederick L. Hoffman, “The Race Traits and Tendencies of the American Negro,” Publications of the American Economic Association, Volume 11, Numbers 1/3 (Jan. – Mar. – May, 1896): 177-178. http://www.jstor.org/stable/2560438.

The Films of Branwen Okpako: CfP for a GSA Panel Series

Posted in Europe, Literary/Artistic Criticism, Media Archive, Politics/Public Policy, United States, Wanted/Research Requests/Call for Papers, Women on 2022-02-21 23:00Z by Steven

The Films of Branwen Okpako: CfP for a GSA Panel Series

DEFA Film Library

January 2022

We invite contributions for a series of panels on Branwen Okpako’s films, for the 2022 GSA conference, September 15-18, 2022. Co-sponsored by the Black German Heritage & Research Association (BGHRA) and the DEFA Film Library, these panels seek to explore the range of stories and rich imagery in the films of this groundbreaking director.

The deadline for submission is 2022-02-28.

Relevant topics might include:

Afro-Germanness and Afro-German creativity and artistic production;
Form, filmmaking, and aesthetics;
Postcolonial and feminist consciousness at the intersections of multiple cultural and familial
traditions, norms, values;
Regimes of the body; femininity and gender;
Engagement with disciplinary regimes, e.g. the police, political regimes, or language;
German reunification and its repercussion on discourses of racialization, positionality and representation in Europe and Germany;
Family his- and herstories;
Affiliation and belonging;
Political activism and self-empowerment; and
The reception of Branwen Okpako’s films.