Mixed Race Studies

Historicizing Race

Bloomsbury Academic (an imprint of Bloomsbury Publishing)
2018-02-22
200 pages
9 x 6 inches
Hardback ISBN: 9781441184245
Paperback ISBN: 9781441143679
Ebook (Epub & Mobi) ISBN: 9781441158246
Ebook (PDF) ISBN: 9781441180162

Marius Turda, Professor in 20th Century Central and Eastern European Biomedicine
Oxford Brookes University, Oxford, United Kingdom

Maria Sophia Quine, Senior Research Fellows
Oxford Brookes University, Oxford, United Kingdom

The idea of race may be outdated, as many commentators and scholars, working in a broad range of different fields in the sciences and humanities, have argued over many years. Nevertheless, it remains one of the most persistent forms of human classification. Theories of race primitivism (the idea that there is a ‘natural’ racial hierarchy and ranking order of ‘inferior’ and ‘superior’ races), race biologism (the belief that people can be classified by genetic features which are shared by members of racial groups), and race essentialism (the notion that races can be defined by scientifically identifiable and verifiable cultural and physical characteristics) are deeply embedded in modern history, culture and politics.

Historicizing Race offers a new understanding of this reality by exploring the interconnectedness of scientific, cultural and political strands of racial thought in Europe and elsewhere. It re-conceptualises the idea of race by unearthing various historical traditions that continue to inform not only current debates about individual and collective identities, but also national and international politics. In a concise format, accessible to students and scholars alike, the authors draw out some of the reasons why race-centred thinking has, in recent years, re-emerged in such shocking and explicit form in current populist, xenophobic, and anti-immigration movements.

Table of Contents

• Introduction
• 1. History
• 2. Culture
• 3. Nation
• 4. Genealogy
• 5. Science
• Conclusion
• Notes
• Bibliography
• Index

Pao: A Novel

Bloomsbury Publishing
2011-07-12
288 pages
5 1/2″ x 8 1/4″
Paperback ISBN: 9781608195077
EPUB eBook ISBN: 9781608196845

Kerry Young

As a young boy, Pao comes to Jamaica in the wake of the Chinese civil war and rises to become the Godfather of Kingston’s bustling Chinatown. Pao needs to take care of some dirty business, but he is no Don Corleone. The rackets he runs are small time and the protection he provides necessary, given the minority status of the Chinese in Jamaica. Pao, in fact, is a sensitive guy in a wise guy role that doesn’t quite fit. Often mystified by all that he must take care of, Pao invariably turns to Sun Tsu’s Art of War. The juxtaposition of the weighty, aphoristic words of the ancient Chinese sage, and the tricky criminal and romantic predicaments Pao must negotiate goes far toward explaining the novel’s great charm.

A tale of post-colonial Jamaica from a unique and politically potent perspective, Pao moves from the last days of British rule through periods of unrest at social and economic inequality, though tides of change that will bring Rastafarianism and the Back to Africa Movement. Jamaica is transforming: And what is the place of a Chinese man in this new order? Pao is an utterly beguiling, unforgettable novel of race, class and creed, love and ambition, and a country in the throes of tumultuous change.

Poitier Revisited: Reconsidering a Black Icon in the Obama Age

Bloomsbury Publishing
2015-01-15
288 pages
25 bw illus
229 x 152 mm
Hardback ISBN: 9781623564919

Edited by:

Ian Gregory Strachan, Associate Professor of English
College of The Bahamas

Mia Mask, Associate Professor of Film
Vassar College, Poughkeepsie, New York

Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier’s iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly ‘post-racial’ moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier’s films explored are every bit as relevant today as when they were first made.

Table of Contents

• List of Figures
• Acknowledgements
• Notes on Contributors
• Introduction
• 1. Walking with Kings: Poitier, King, and Obama / Aram Goudsouzian, University of Memphis, USA
• 2. Historicizing the Shadows and Acts: No Way Out and the Imagining of Black Activist Communities / Ryan De Rosa, Los Angeles Public Schools, USA
• 3. Caribbean All-Stars: Sidney Poitier, Harry Belafonte, and the Rise of the African-American Leading Man / Belinda Edmondson, Professor of English and African-American & African Studies, USA
• 4. “Draggin’ the Chain”: Linking Civil Rights and African American Representation in The Defiant Ones and In the Heat of the Night / Emma Hamilton and Troy Saxby, University of Newcastle, Australia
• 5. Whisper Campaign on Catfish Row: Sidney Poitier and Porgy and Bess / Jeff Smith, University of Wisconsin-Madison, USA
• 6. To Sir, With Love: A Black British Perspective / Mark Christian, Lehman College, USA
• 7. Transgression or Legal Union?: The Meaning of Interracial Marriage in 1967 Film and Law / Kim Warren, University of Kansas, USA
• 8. A Blues the Tom: Sidney Poitier’s Filmic Sexual Identities / Ian Gregory Strachan, College of The Bahamas, Bahamas
• 9. Black Masculinity on Horseback: From Duel at Diablo to Buck and the Preacher and beyond / Mia Mask, Vassar College, USA
• 10. Stepping Behind the Camera: Sidney Poitier’s Directorial Career / Keith Corson, Rhodes College and Memphis College of Art, USA
• 11. No Shafts, Super Flys, or Foxy Browns: Sidney Poitier’s Uptown Saturday Night as Alternative to Blaxploitation Cinema” / Novotny Lawrence, Southern Illinois University-Carbondale, USA
• 12. Transcending Paul Poitier: Six Degrees of Separation and the Construction of Will Smith / Willie Tolliver, Jr., Agnes Scott College, USA