Mixed Race Studies

Scholarly perspectives on the mixed race experience.

When we’re young, it’s already incredibly difficult to figure out where we belong. It’s human nature to want to be liked, and sometimes we’ll do anything for approval. We’ll change the way we dress and what we listen to; we’ll code-switch our dialect depending on the people we’re with; whatever it takes to feel a part of something. Bobby had to do that as a child, as do a great number of mixed-race people who have been asked at far too young an age, “What are you, anyway?” Heard often enough, you begin to ask that question of yourself subconsciously, and seek to find the answers in others. Bobby had only his mother and his grandfather in his life, and Isabel could hardly take care of herself. That left his grandfather a hateful bigot. It didn’t take much to steer Bobby down the path he eventually took, and even embraced, because when he emulated his grandfather, he received love and approval, which is all he was every looking for. —John Vercher

Alex Segura, “Throwing Rocks: An Interview with John Vercher,” Los Angeles Review of Books, January 29, 2020. https://lareviewofbooks.org/article/throwing-rocks-an-interview-with-john-vercher.

Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity

Posted in Articles, Arts, Literary/Artistic Criticism, Media Archive, Passing on 2011-02-01 22:24Z by Steven

Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity

Cultural Studies↔Critical Methodologies
Volume 4, Number 3
pages 377-404
DOI: 10.1177/1532708603259680

Bryant Keith Alexander, Acting Dean and Professor of Communication Studies
California State University, Los Angeles

This performative article uses the trope of “passing” as reference to crossing racial identity borders as well as to intra/interracial issues of identity and authenticity. Passing is constructed as a performative accomplishment and assessment by both the group claimed and the group denied. This article is structured around three divisions—passing as cultural performance, the social construction of identity, and the quest for self-definition of socially mediated expectations. All issues are centered within the specific concerns of Black masculine identity. In the process, the essay also seeks to establish the notion of an integrative ethnography of performance that envelops the critique of a performance as a part of the overall textual presentation of experience.

Read or purchase the article here.

Tags: Bryant Alexander, Bryant K. Alexander, Bryant Keith Alexander, Cultural Studies↔Critical Methodologies

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Mixed Race Studies

Passing, Cultural Performance, and Individual Agency: Performative Reflections on Black Masculine Identity

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