Mixed Race Studies

“The contemporary American fascination with “mixed race” and “biracial” identity is a reflection of changing demographics and globalization; it is also a surrender to and performance of a shallow type of faux cosmopolitanism.

Ironically, the race scientists of Nazi Germany and the United States, as well as the photographer Cyjo (whose work was featured in Slate’s essay) who fetishize and find something “stunning” or “interesting” about “mixed race” and/or “biracial” people (what are fictive identities, social constructs, as there is only one race, the human race) share some common assumptions.

One, that those types of “racial” identities are somehow new or novel. In fact, human history is a story of “miscegenation” and “interracial” intimacy. Two, that those types of bodies and individuals merit study and analysis because there is some connection, either implied or explicitly stated, between genes, color, culture, destiny, and personal, as well as national “character.””

Chauncey DeVega, “‘Stunning Portraits of Mixed Race Families’?: Slate’s Human Zoo of Race Mongrelization,” We Are Respectable Negroes: Happy Non-Threatening Coloured Folks, Even in the Age of Obama, June 25, 2014. http://www.chaunceydevega.com/2014/06/stunning-portraits-of-mixed-race.html.

‘Stunning Portraits of Mixed Race Families’?: Slate’s Human Zoo of Race Mongrelization

We Are Respectable Negroes: Happy Non-Threatening Coloured Folks, Even in the Age of Obama
Wednesday, 2014-06-25

Chauncey DeVega, Editor and Founder

Am I the only person who found Slate.com’s photo essay “Stunning Portraits of Mixed Race Families” to be very problematic?

To my eyes, it contains and channels the echoes of race science and eugenics wrapped in a veneer of praise and curiosity for “unusual” and “fascinating” bodies.

Questions of race and representation were and remain central to the dynamics of the global color line. The ways in which certain types of people and bodies are visually represented through film, photographs, paintings, and other mediums reflect the dynamics of power.

Whose eyes are “we” seeing through? What assumptions are driving the Gaze? How are the bodies and people in visual images posed and positioned relative to one another? Who is included? What types of people and bodies are excluded?…

…The contemporary American fascination with “mixed race” and “biracial” identity is a reflection of changing demographics and globalization; it is also a surrender to and performance of a shallow type of faux cosmopolitanism.

Ironically, the race scientists of Nazi Germany and the United States, as well as the photographer Cyjo (whose work was featured in Slate’s essay) who fetishize and find something “stunning” or “interesting” about “mixed race” and/or “biracial” people (what are fictive identities, social constructs, as there is only one race, the human race) share some common assumptions.

One, that those types of “racial” identities are somehow new or novel. In fact, human history is a story of “miscegenation” and “interracial” intimacy. Two, that those types of bodies and individuals merit study and analysis because there is some connection, either implied or explicitly stated, between genes, color, culture, destiny, and personal, as well as national “character”…

Read the entire article here.

Stunning Portraits of Mixed-Race Families

Slate
2014-06-24

David Rosenberg, Editor of Slate’s Behold blog

Fascinated by the evolution of identity, the photographer Cyjo, who styles her name CYJO, has created a series of portraits that examines how race, ethnicity, and heritage contextualize a person as an individual, and how they coexist within the framework of a family.

Cyjo identifies herself as a Westerner of Korean ethnicity (she was born in South Korea and raised in the United States) and photographed the series “Mixed Blood” from 2010–13 in both New York and Beijing. She has explored the dynamic between individual and collective identities in her previous work via a more abstract approach, but, with “Mixed Blood,” she uses the more literal approach of portraiture.

Over time, as humans migrate and change environments, the definition of identity has evolved to adjust to a broader definition of race and ethnicity. Cyjo pointed out that, in 2000, the United States Census for the first time allowed people to choose more than one identifier when noting their race. Almost 7 million people chose to count themselves as mixed race, a number that has continued to grow over the past decade and a half…

Read the article and view the photo essay here.

‘Mixed Blood’

Ecns.cn: The Official English-language website of China News Service
2014-06-05

To many, the US is no doubt a cultural melting pot as over the years people from various ethnic backgrounds have inhabited the land and collectively created an all new culture. Yet, all the way on the other side of the Earth, a similar situation seems to be emerging in China. Through images seen at the exhibition for Mixed Blood at the Today Art Museum in Beijing, visitors will have the chance to glimpse these changes for themselves.

Cosponsored by the US Embassy in Beijing and the Today Art Museum, the Beijing exhibition for Mixed Blood features photographs and documents created by artist CYJO from 2010 to 2013 documenting 19 families of mixed ethnicities, races and cultures living in Beijing and New York.

In the photographs, family members stand in their own homes in a line with arms at their sides, while next to the photographs are introductions explaining the background of each family member and the story of their family.

Standing in the exhibition hall, these photographs don’t just provide a clear image of the life of “mixed families” commonly seen in big cities, but also raise the question: “How far has our society progressed when it comes to ethnicity and race?”…

Read the entire article here.