Mixed Race Studies

E pluribus unum. Out of many, one. America’s boast brazenly embossed on its coins. But in New York a blind man can find his way across the city by his nose, by the odors of food rising from the streets and through open windows. His ears can take him anywhere across the five boroughs. Even when the language spoken is English, he can tell the difference in the accents. He knows he is either uptown or downtown, in African American Harlem or Spanish Harlem, in Caribbean Brooklyn or in East Asian Queens. He knows when he enters the WASP enclave, or the territories carved out by Europeans.

“You think you are the United Nations?” Tony sneered when Anna claimed ancestors from around the globe. “In America, you are black. Don’t go thinking other people see their relatives in you.”

Tony is African American. If other bloods run through his veins, he pretends not to know. His Africanness comes before his Americanness, he said to Anna. And it did not matter when Anna pointed out that except for the two who had been dragged onto slave ships from Africa, he and all his relatives, his parents and grandparents and great-grandparents going back for more than four hundred years, had all been born and raised in America.

Elizabeth Nunez, Anna In-Between, (New York: Akashic Books, 2009), 209.

Anna In-Between

Akashic Books
2010-08-17
352 pages
Paperback IBSN: 9781936070695
Hardcover IBSN: 9781933354842

Elizabeth Nunez, Distinguished Professor of English
Hunter College, the City University of New York

Anna In-Between is Elizabeth Nunez’s finest achievement to date. In spare prose, with laserlike attention to every word and the juxtaposition of words to each other, Nunez returns to her themes of emotional alienation, within the context of class and color discrimination, so richly developed in her earlier novels. Anna, the novel’s main character, who has a successful publishing career in the US, is the daughter of an upper-class Caribbean family. While on vacation in the island home of her birth she discovers that her mother, Beatrice, has breast cancer. Beatrice categorically rejects all efforts to persuade her to go to the US for treatment, even though it is, perhaps, her only chance of survival. Anna and her father, who tries to remain respectful of his wife’s wishes, must convince her to change her mind.

In a convergence of craftsmanship, unflinching honesty, and the ability to universalize the lives of her characters, Nunez tells a story that explores our longing for belonging to a community, the age-old love-repulsion relationship between mother and daughter, the Freudian overtones in the love between daughter and father, and the mutual respect that is essential for a successful marriage. One of the crowning achievements of this novel is that it shines a harsh light on the ambiguous situation of this ruling-class family who rose from the constraints of colonialism to employ their own servants. It is a strength of the novel that it understands that the political truth is not distinct from the truth of the family or the truth of love relationships; they are integrated into a unity in this novel constituting one unbroken reality as they are in real life.