Blackness, Koreanness, and Han: Unmasking Race in Korean Hip HopPosted in Articles, Arts, Asian Diaspora on 2023-03-23 03:48Z by Steven |
Blackness, Koreanness, and Han: Unmasking Race in Korean Hip Hop
Journal of Black Studies
Volume 54, Issue 2, March 2023
pages 136–156
DOI: 10.1177/00219347231153169
Hyein Amber Kim, Teaching Assistant Professor
Department of Linguistics
State University of New York (SUNY) at Buffalo, Buffalo, New York
Previous studies have analyzed Korean hip hop through the lens of authenticity, language, and cultural hybridity, but not through the lens of race. One of the main characteristics of hip hop culture is that it emerged in the form of resistance against dominant hegemony and as a form of resistance to systemic injustice; however, it is difficult to find K-hip hop artists that defy the racial supremacy of Koreanness and racism through their art. This article utilizes Yoon Mi-rae, who is half-Black and half-Korean, as a significant text to explore how race plays a role in Korean society and how Blackness, Koreanness, and han intersect in the K-hip hop scene. Utilizing the concept of community cultural wealth, interest convergence principle, and Koreanness, the study analyzes how Yoon Mi-rae’s “Black Koreanness” was consumed by Korean media and music industry, and how Yon Mi-rae, as an embodiment of Blackness and Han, uses hip hop and her intersectionality as a tool of resistance to both the mainstream American and mainstream Korean racial ideology and discourse. With the growing influence and popularity of K-hip hop globally, the article problematizes the message K-hip hop is reflecting and sending the world about race.
Read or purchase the article here.