TALK: India and Gaugin’s Tahitian Nudes: Mapping Modernism In A Global FramePosted in Arts, Biography, Live Events, Media Archive, United States, Women on 2010-02-16 22:54Z by Steven |
TALK: India and Gaugin’s Tahitian Nudes: Mapping Modernism In A Global Frame
Interdisciplinary Humanities Center
University of California, Santa Barbara
3041 HSSB
2010-02-17 16:00 PST (Local Time)
Saloni Mathur, Associate Professor of Art History
University of California, Los Angeles
This presentation will revisit the legacy of Amrita Sher-Gil, the part-Indian/part-Hungarian painter who stands at the cosmopolitan helm of modern Indian art, by focusing on a single under-examined painting that she produced in 1934. The painting, provocatively titled “Self-Portrait as Tahitian,” depicts the artist’s own nude body in the romantic space of Gauguin’s Tahitian nudes. The talk will examine how Sher-Gil’s mixed race heritage, her insider/outsider status, and her sense of both distance and belonging in relation to India became a powerful driver of her short but influential artistic career. Saloni Mathur is Associate Professor of Art History at UCLA and author of India by Design: Colonial History and Cultural Display (2007).
Sponsored by the IHC’s South Asian Religions and Cultures RFG.