Halle Berry and the Myth of the Black Man-Eating BitchPosted in Articles, Media Archive, United States, Women on 2015-11-08 19:57Z by Steven |
Halle Berry and the Myth of the Black Man-Eating Bitch
For Harriet
2015-11-06
Kelly Davis
Brookyln, New York
I have a complicated relationship with Halle Berry. I have admired her work, mainly Losing Isaiah and Introducing Dorothy Dandridge. She inspired my haircut senior year of college, not long after she won her history-making Academy Award. She is beautiful—unbelievably beautiful, virtually keeping the same physique for over 20 years. She has stood for me, and women like me, in places we were previously forbidden—on the covers of high-fashion magazines, and the podiums of the world’s most exclusive awards. And yet, when I think of her and her body of work, I am mostly nonplussed.
I recognize that every barrier she has broken and every challenge she has surmounted as a Black woman has been facilitated by her proximity to whiteness. Her bone structure, frame, and facial features make her “good enough” to occupy spaces where other Black actresses have been historically disallowed. She is classically beautiful. She has worked hard to be where she is, but, as with all actresses, appealing to white male gaze gives to a leg up over the competition. Her inclusion has often meant the exclusion of other phenotypically Black girls who have more melanin and more talent…
…The myth of the Man-eating Bitch has a long and storied history, especially for Black and mixed-raced women. Since the days of Thomas Jefferson, brown girls like Sally Hemings have been repeatedly cast as irresistible harlots whose sexual wiles render men incapable of making sound decisions. White women can get away with this. We all found it entertaining and encouraging on Sex and the City’s Samantha Jones, but on Black women it’s filthy, tragic, pitiful, and reviled. Imagine the conversations that would commence if Being Mary Jane was on NBC instead of BET. Let’s think about the disgust that filled the blogosphere over Annalise Keating’s undesirability on How to Get Away with Murder. We all know the deal…
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