Mixed Race Studies

Laylah Ali: The Greenheads Series

Weisman Art Museum
University of Minnesota
333 East River Road
Minneapolis, Minnesota 55455
(612) 625-9494
2013-02-16 through 2013-05-12

Laylah Ali, Associate Professor of Art
Williams College, Williamstown, Massachusetts

Join us for a talk with Laylah Ali on March 7, 2013.

WAM is pleased to present Laylah Ali: The Greenheads Series. This is the first time the Greenheads series, created between 1996 and 2005, is being shown as a comprehensive body of work. Forty-three of the exquisitely rendered gouache paintings—from a total of more than eighty—have been gathered from collections here and abroad to chronicle the series’ development.

The figures inhabiting Ali’s works—the Greenheads—are enigmatic, round-headed beings of indeterminate sex and race who inhabit a regimented, dystopian world where odd and menacing, though sometimes strangely humorous, encounters prevail.

This exhibition will allow viewers to examine the evolution of Ali’s series. While the early paintings frequently focus on physically aggressive exchanges between groups of figures, these interactions are later replaced by individuals—alone or in small groups—who witness the prelude to, or aftermath of, a charged encounter. As the series continues, more and more of the figures’ anatomy is pruned away, as if the artist is examining how much can be taken out—such as arms, feet, skin color—while still communicating thought, emotion, and social status.

This exhibition was organized by the Williams College Museum of Art, Williamstown, Massachusetts. It is co-sponsored by the University of Minnesota Department of Art…

For more information, click here.

Laylah Ali’s show both confounds and mesmerizes

The Boston Globe
2012-02-19

Sebastian Smee,  Art Critic

Laylah Ali is an artist to reckon with. Any opportunity to see her work should not be missed, and for the next two weeks, the Jaffe-Friede Gallery, a small college gallery a short walk from the Hood Museum of Art at Dartmouth College, is offering just such an opportunity.

Born in 1968, Ali grew up in Buffalo and lives in Williamstown. She has been an artist-in-residence at Dartmouth College this winter. But the current show of drawings in pencil and black ink is the fruit of an earlier period. All were made between 2005 and 2007.

They show Ali’s inimitable cast of two-dimensional characters, many of them missing arms and other anatomical parts, some of them solo, others in groups of two or three. They are of indeterminate sex and indeterminate race. But all have extra features – strange encumbrances that resemble humps, hoods, headdresses, horns, turbans, goggles, burkas, and beards…

Read the entire review here.

PSU MFA Monday Lecture Series: Laylah Ali

Portland State University Campus (at the corner of SW Broadway & Hall)
Shattuck Hall Annex
1914 SW Park Ave, Room 198
Portland, Oregon
2011-01-31, 19:30-20:30 PST (Local Time)

Laylah Ali, Associate Professor of Art
Williams College, Williamstown, Massachusetts

Free to the public

Laylah Ali was born in Buffalo, New York in 1968, and lives and works in Williamstown, Massachusetts. She received a BA from Williams College and a MFA from Washington University in St. Louis, Missouri. Laylah Ali has had solo exhibitions at the Museum of Modern Art, New York; ICA, Boston; MCA Chicago; Contemporary Art Museum, St. Louis; and MASS MoCA, among others. Her work was exhibited at the Venice Biennale (2003) and the Whitney Biennial (2004).

PSUs Art Dept. offers free public Art lectures almost every Monday night of the school year. Local, National and International, interdisciplinary artists visit Portland to speak about their work.

The PMMNLS is supported in part by: PICA, Portland Center for Public Humanities, Wealth Underground Farm, Bear Deluxe Magazine, Northwest Film Center. If you or your organization is interested in becoming supporters of the PMMNLS please contact the art department.

For a complete list of MFA Monday Night Lectures please click here.

Scratching the surface: Artist Laylah Ali explores the social dynamics that lie beyond appearances

Boston Globe
2008-08-29

Cate McQuaid, Globe Correspondent

WILLIAMSTOWN – Laylah Ali doesn’t let many people into her studio.

“It’s a private space,” the artist says, welcoming a visitor. “It’s like being in my brain. I’m inviting you into my private brain space – the chaos and the mess.”

As far as chaos goes, this isn’t bad. In the basement of a building on the outskirts of the Williams College campus, where Ali teaches art, an airy studio is filled with white illustrator’s tables. Colored pencils and squat bottles of ink clutter the tables. But what catches the eye are the drawings Ali has tacked to the white walls with pushpins: Portraits, made in her signature cartoon style, of haunted figures with garish headdresses, scarification, and false beards, and smaller drawings that feature ruminative lists with oddly adorned figures drawn over them…

…Growing up in Buffalo as the daughter of an African-American father and a white mother, Ali attuned herself early to social dynamics and covert aggression. The family lived in an all-white neighborhood.

“I was the only black kid in my school,” Ali says. “I’ve been able to negotiate different social places because of that. . . . More people are seeing this now because of Barack Obama, but there have always been biracial people in the US, with the ability to move between these worlds and notice what’s different and what’s not different.

“I developed heightened powers of observation not just from curiosity,” she adds, “but for survival.”

As a child, the artist saw implicit judgment many places, and it wasn’t always black and white.

“It’s not just race. It’s also class,” Ali points out. “My mom’s family had come from some money. It was gone, but they still had the idea of what it’s like to have nice silver, a nice oriental rug. They had an aspiration from what they had lost.

“Dad’s family was from the farming Mississippi South. He grew up working the land. I keep asking him questions and finding out more things. He walked five miles to school and had no electricity at home.”

“My family is very American,” she sums up…

Read the entire article here.