Foreshadowing Failure: Mulatto and Black Oral Discourse and the Upending of The Western Design in Thomas Gage’s A New Survey (1648)

Posted in Articles, History, Literary/Artistic Criticism, Media Archive on 2022-03-31 23:19Z by Steven

Foreshadowing Failure: Mulatto and Black Oral Discourse and the Upending of The Western Design in Thomas Gage’s A New Survey (1648)

Hispania
Volume 102, Number 4, December 2019
pages 583-600
DOI: 10.1353/hpn.2019.0105

Monica Styles, Visiting Assistant Professor of Spanish
Colby College, Waterville, Maine

Thomas Gage wrote A New Survey of the West Indies or, The English American his Travel by Sea and Land (1648) with the aim to convince Oliver Cromwell that the English could successfully invade Spanish held American territories. The English attempt to invade the Spanish colonies in 1655 would not garner non-Whites’ unwavering aid, which is a decisive factor in the Western Design’s failure. Although subalterns in the region rebelled against Spanish hegemony, they were by no means in constant revolt as Gage suggested. They had also carved out an integral place within Spanish American society and culture. Mulattos are subaltern agents whose defining role in the Western Design’s collapse has not been considered sufficiently. Though they were Afro-descendants, Mulattos were racially ambiguous tricksters who disturbed hierarchies. Mulattos sought autonomy by forming alliances with Europeans—be they Spanish, English, French or Dutch—as well as with Amerindian communities, to the extent that these relationships afforded them relative autonomy within hierarchical colonial power structures. Mulattos’ oral and embodied discourses within Gage’s text exemplify their agency and shifting alliances.

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What Race-Mixture in Colonial Latin American Literature Can Teach Us About Mixed-Race Identity in the United States and the Fantasy of White Supremacy

Posted in Articles, Caribbean/Latin America, History, Literary/Artistic Criticism, Media Archive, Slavery, United States on 2018-06-30 01:55Z by Steven

What Race-Mixture in Colonial Latin American Literature Can Teach Us About Mixed-Race Identity in the United States and the Fantasy of White Supremacy

Critical Ethnic Studies
Published by University of Minnesota Press
2018-06-29

Monica Styles

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There is a tendency in the United States to believe mixed-race experiences are exceptional or out of the ordinary because we live in a society that historically silences racial mixture. A recent exhibit at Monticello that highlights the denial of Jefferson’s affair with Sally Hemings is just one high profile example. Contrasting colonial Latin American racial discourses with our own provides a blueprint for understanding erasure of multiracial experiences and white racial anxiety.

Mixture produces people who inhabit what Zadie Smith defines as the “Dream City [or] a place of many voices, where the unified singular self is an illusion. Naturally, Obama was born there. So was I. When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither this nor that beige of your skin -well, anyone can see you come from Dream City.” As a Black biracial woman, I am confronted with frustration from people who struggle with my mixed identity…

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