‘Mislaid,’ by Nell Zink

Posted in Articles, Book/Video Reviews, Media Archive, Passing, United States on 2015-06-12 21:45Z by Steven

‘Mislaid,’ by Nell Zink

Sunday Book Review
The New York Times
2015-06-04

Walter Kirn


Agata Nowicka

Zink, Nell, Mislaid: A Novel (New York: Ecco/HarperCollins, 2015). 242 pages.

Toward the middle of Nell Zink’sMislaid,” a screwball comic novel of identity, Karen, a Southern white girl whose lesbian mother has raised her as black for complicated reasons, innocently asks a new friend, as though she were inquiring about her major: “What minority are you?”

“Hispanic,” her friend replies. “We’ve never done the genealogy, but you can tell by my name.”

In context, this is a laugh line, since the book has already answered, in a hundred ways, the question of what exactly is in a name: Nothing. Names mean nothing. They are labels stamped on mysteries, absurdly reductive and misleading. The same goes for racial and gender designations, which, in the book, are infallibly irrelevant to the highly individual business of living and loving according to our instincts rather than larger, social expectations. In “Mislaid” everyone is a minority — of one…

…When Peggy finally leaves her husband, afraid that he’ll commit her to a psych ward for various acts of dramatic exasperation (including driving their car into the lake), she takes their daughter but leaves their son behind, setting the stage for a latter-day fairy tale thick with misunderstandings and coincidences, concealments and revelations. Rigging up the machinery of this plot consumes a lot of narrative energy and asks us to suspend our disbelief to greater and greater degrees, changing the book from a comedy of manners into an outright comedy of errors. Peggy moves into an abandoned house in a historically black rural settlement and gets her hands on a dead child’s birth certificate, which she uses to conceal her daughter’s past. She renames herself Meg and her daughter becomes “Karen,” who, per the stolen certificate, is black. “Maybe you have to be from the South to get your head around blond black people,” the helpful narrator chimes in by way of quieting readers’ skepticism. “Virginia was settled before slavery began, and it was diverse. There were tawny black people with hazel eyes. Black people with auburn hair, skin like butter and eyes of deep blue green. Blond, blue-eyed black people resembling a recent chairman of the N.A.A.C.P. The only way to tell white from colored for purposes of segregation was the one-drop rule: If one of your ancestors was black — ever in the history of the world, all the way back to Noah’s son Ham — so were you.”…

Read the entire review here.

Tags: , , ,

Mislaid: A Novel

Posted in Books, Media Archive, Novels, Passing on 2015-06-12 01:55Z by Steven

Mislaid: A Novel

Ecco/HarperCollins
2015-05-19
256 pages
Hardcover ISBN: 9780062364777
Trade Paperback ISBN: 9780062364784
E-book ISBN: 9780062364791
Trimsize: 6 in (w) x 9 in (h) x 0.89 in (d)

Nell Zink

A sharply observed, mordantly funny, and startlingly original novel from an exciting, unconventional new voice—the author of the acclaimed The Wallcreeper—about the making and unmaking of the American family that lays bare all of our assumptions about race and racism, sexuality and desire.

Stillwater College in Virginia, 1966. Freshman Peggy, an ingénue with literary pretensions, falls under the spell of Lee, a blue-blooded poet and professor, and they begin an ill-advised affair that results in an unplanned pregnancy and marriage. The two are mismatched from the start—she’s a lesbian, he’s gay—but it takes a decade of emotional erosion before Peggy runs off with their three-year-old daughter, leaving their nine-year-old son behind.

Worried that Lee will have her committed for her erratic behavior, Peggy goes underground, adopting an African American persona for her and her daughter. They squat in a house in an African-American settlement, eventually moving to a housing project where no one questions their true racial identities. As Peggy and Lee’s children grow up, they must contend with diverse emotional issues: Byrdie deals with his father’s compulsive honesty; while Karen struggles with her mother’s lies—she knows neither her real age, nor that she is “white,” nor that she has any other family.

Years later, a minority scholarship lands Karen at the University of Virginia, where Byrdie is in his senior year. Eventually the long lost siblings will meet, setting off a series of misunderstandings and culminating in a comedic finale worthy of Shakespeare.

Tags: ,