Scholarly perspectives on the mixed race experience.
“Race absolutely still matters and racism persists in every sector of society. We can easily see evidence of these realities every day in the news, on social media, in film, television, publishing, academia, the workplace, medicine, government, politics, law, etc. Proclaiming “race doesn’t matter anymore” is willfully ignorant, colorblind, avoidant, and worse – in being complicit – perpetuates racism itself through inaction. To make the point how powerfully shaping racial reality is: The finely-tuned concept of race alone (i.e. belief that human beings can be organized into a handful of hierarchically organized groups based on the way they look) has not changed in centuries. Elite white male thinkers fully congealed value-laden racial categories by the late 1700s which are still the very same categories we use today. This way of thinking has been infused into the fiber of society; the words we use; the way we interact with each other; even our Constitution. Every time we check a race box on a form, every time we read a report where people are filed into races (e.g. Pew Research), every time we watch a news anchor talk about Black Lives Matter protestors – we are living the reality of the racist foundation this country was built on. Nobody is immune or escapes that history that continues to shape us all today.” —Sharon H. Chang
“I see the ways in which the media has sold me, and other light-skinned actors in general, as monolithic representations of a Blackness. It is so damaging and gross – honestly, it’s nasty.” The anger in her voice is palpable. “It’s just like sneaky racism.” She says that she is now very wary when people try to position her as representative of all Black people’s experiences. “I have only one sliver of experience, and that sliver is also drenched in light-skin privilege.”
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Ever since her breakout role in The Hunger Games, Amandla Stenberg’s career has gone from strength to strength. Here, the actor talks to Micha Frazer-Carroll about her involvement in the Black Lives Matter movement, how the pandemic has made her re-evaluate her life and why she’s keenly exploring other creative avenues
Speaking to Amandla Stenberg feels strikingly like hanging out with a close friend, as well as interviewing a compelling voice from Hollywood’stwentysomething cohort. As we connect over Zoom, the conversational ground quickly spans from grumbling about media depictions of Gen Z to lamenting the elitist hierarchies that have emerged at queer Zoom parties. She also laughs a lot.
The laughter subsides and Stenberg reflects on the turbulent times that 2020 brought. She’s been Airbnb-ing and short-term renting for two years now – between New York, LA, Paris and Copenhagen – and has felt constantly unsettled since the pandemic hit. “I think sometimes I forget the lens through which I’m looking at things,” she says. “I can kind of get stressed out, wondering why I have so much anxiety, or why I’m in a constant state of paranoia and fear – and then I remember the circumstances.”
There are things to be grateful for, too, of course – she stresses that she doesn’t want to sound all “the pandemmy’s been so hard”, particularly since the actor, whose father is Danish, spent three months of the past year in the rolling hills of rural Denmark. “The thing I’m grateful for is definitely the opportunity to move more slowly – like actually thinking about my habits, the way I move through each day and what my priorities are.”…