Scholarly perspectives on the mixed race experience.
American Negroes were explicitly defined as hybrids of European, African, and in some cases Native American (then known as “Indian”) ancestry. As a result, among other things, skeletal and living Negro populations served as a historical record of social and sexual liaisons between blacks and whites in the United States. This particular biocultural interface was an integral part of framing studies that examined differences in skeletal morphology and phenotype between racial groups. At the same time, Negroes were also considered to be a biologically discrete racial group unto themselves. This “fact” justified the population being situated as an anatomical landmark of sorts for mapping and identifying distinct racial characters. This simultaneous construction of the American Negro as both a hybrid and racially distinct suggests that multiple definitions of race and understandings of racial difference were at work in constructing the American Negro as a research subject. This is not surprising when we consider that scholars involved in this work represented a variety of perspectives on human biological diversity. As such, this research can be considered a matter of “boundary work” in the midst of methodologies and subjects that cannot be easily or distinctly categorized (Lipphardt 2010). This also suggests that these studies must be considered within the larger context of bioanthropological interest in studying mixed-race populations to identify the source of biological change in humans. Scientists inside and outside of the United States engaged in research to determine whether or not this change occurred within populations by way of selection or solely by interbreeding with different groups.
“I see the ways in which the media has sold me, and other light-skinned actors in general, as monolithic representations of a Blackness. It is so damaging and gross – honestly, it’s nasty.” The anger in her voice is palpable. “It’s just like sneaky racism.” She says that she is now very wary when people try to position her as representative of all Black people’s experiences. “I have only one sliver of experience, and that sliver is also drenched in light-skin privilege.”
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Photography: Miranda Barnes / Styling: Karla Welch
Ever since her breakout role in The Hunger Games, Amandla Stenberg’s career has gone from strength to strength. Here, the actor talks to Micha Frazer-Carroll about her involvement in the Black Lives Matter movement, how the pandemic has made her re-evaluate her life and why she’s keenly exploring other creative avenues
Speaking to Amandla Stenberg feels strikingly like hanging out with a close friend, as well as interviewing a compelling voice from Hollywood’stwentysomething cohort. As we connect over Zoom, the conversational ground quickly spans from grumbling about media depictions of Gen Z to lamenting the elitist hierarchies that have emerged at queer Zoom parties. She also laughs a lot.
The laughter subsides and Stenberg reflects on the turbulent times that 2020 brought. She’s been Airbnb-ing and short-term renting for two years now – between New York, LA, Paris and Copenhagen – and has felt constantly unsettled since the pandemic hit. “I think sometimes I forget the lens through which I’m looking at things,” she says. “I can kind of get stressed out, wondering why I have so much anxiety, or why I’m in a constant state of paranoia and fear – and then I remember the circumstances.”
There are things to be grateful for, too, of course – she stresses that she doesn’t want to sound all “the pandemmy’s been so hard”, particularly since the actor, whose father is Danish, spent three months of the past year in the rolling hills of rural Denmark. “The thing I’m grateful for is definitely the opportunity to move more slowly – like actually thinking about my habits, the way I move through each day and what my priorities are.”…
