The Myth of White Purity and Narratives That Fed Racism in South Africa

Posted in Africa, Communications/Media Studies, History, Media Archive, South Africa on 2016-07-16 15:25Z by Steven

The Myth of White Purity and Narratives That Fed Racism in South Africa

The Wire
2016-06-18

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa


An apartheid-era sign from South Africa. Credit: Wikimedia Commons.

The rhetoric of racial purity is full of suggestive terms like illness, weakening and dilution. These imply the medicalisation of the nation.

In this extract from her book The End of Whiteness: Satanism and Family Murder in Late Apartheid South Africa, Nicky Falkof explores how ideas about disease, risk and danger that the apartheid government applied to black people were transposed onto fears about Satanism during the 1980s.

The grand apartheid regime’s most pressing fear was gelykstelling, an Afrikaans word that means “equalisation”. It believed that this would bring on the “mishmash cohabitation” and eventual bloedvermenging – blood mixing – that threatened the purity of the white race.

During the run-up to the 1938 election, the National Party campaigned on the argument that the ruling United Party’s policy of allowing mixed marriages would cause mass miscegenation. This, in the words of Afrikaans intellectual N.J. van der Merwe, would lead to “mixing of the blood and the ruin of the white race”.

During the 1970s Afrikaans genealogist J.A. Heese uncovered records of more than 1,200 European men in South Africa who married non-white women between 1652 and 1800. Through this he determined that approximately 7.2% of Afrikaner heritage was non-white. This complicated history was not admissible within the apartheid imaginary…

Read the entire article here.

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End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Posted in Africa, Books, Communications/Media Studies, Media Archive, Monographs, South Africa on 2016-07-16 02:11Z by Steven

End of Whiteness: Satanism & Family Murder in Late Apartheid South Africa

Jacana Media
March 2016
240 pages
235x155mm
Paperback ISBN: 9781431423279

Nicky Falkof, Senior Lecturer in Media Studies
University of the Witwatersrand, Johannesburg, South Africa

Satanism and family murder – bizarre responses to fear of change. This book examines the effects that apartheid may have had on those who benefitted from it the most.

The End of Whiteness aims to reveal the pathological, paranoid and bizarre consequences that the looming end of apartheid had on white culture in South Africa, and overall to show that whiteness is a deeply problematic category that needs to be deconstructed and thoughtfully considered.

This book uses contemporary media material to investigate two symptoms of this late apartheid cultural hysteria that appeared throughout the contemporary media and in popular literature during the 1980s and 1990s, showing their relation to white anxieties about social change, the potential loss of privilege and the destabilisation of the country that were imagined to be an inevitable consequence of majority rule.

The ‘Satanic panic’ revolved around the apparent threat posed by a cult of white Satanists that was never proven to exist but was nonetheless repeatedly accused of conspiracy, murder, rape, drug-dealing, cannibalism and bestiality, and blamed for the imminent destruction of white Christian civilisation in South Africa.

During the same period an unusually high number of domestic murder-suicides occurred, with parents killing themselves and their children or other family members by gunshot, fire, poison, gas, even crossbows and drownings. This so-called epidemic of family murder was treated by police, press and social scientists as a plague that specifically affected white Afrikaans families. These double monsters, both fantastic and real, helped to disembowel the clarities of whiteness even as they were born out of threats to it. Deep within its self-regarding modernity and renegotiation of identity, contemporary white South Africa still wears those scars of cultural pathology.

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