Scholarly perspectives on the mixed race experience.
By drawing on their Hapa identity while situating themselves within historically Black and Brown musical and cultural aesthetics these artists are contributing to what ethnomusicologist, T. Carlis Roberts calls the “new Black” movement in music, a trend that embraces broader definitions of what it means to be Black and Brown. According to Roberts, “Not only has this process resulted in more visible diversity in media and other social realms, it has productively worked to unseat the Black–white dichotomy as the paradigm of racial conversation.”3 Musicians like [Jhené] Aiko are unseating several racial dichotomies.
The new Rose of Tralee, Waterford Rose Kirsten Mate Maher, has called on Ireland to embrace its diversity, telling RTÉ Radio 1’s Morning Ireland that “there is no typical Irish woman”.
The 21-year-old told presenter Bryan Dobson on Wednesday morning that being crowned the Rose of Tralee had yet to sink in, before going on to discuss the significance of her win…
Sinéad Moynihan, Senior Lecturer of English University of Exeter, Exeter, United Kingdom
Building on recent scholarship on discourses of race in twentieth-century and contemporary Ireland, this article examines the racialised nature of the “roots journey”, in which subjects of Irish descent – typically white Irish Americans – travel back to Ireland to trace their roots. Outlining arguments that have emphasised both the reactionary and radical potential of the practices of genealogy and the search for roots, the article focuses on recent developments in the Rose of Tralee contest, an annual beauty pageant in which women of Irish descent compete for the title “Rose of Tralee”. Noting that three winners since 1998 (and several other competitors since 1994) have been of mixed race ancestry, and emphasising the subsequent roots journeys undertaken by two of these winners to the Philippines and India, respectively, the article questions whether these roots journey, taking non-white subjects of Irish descent out of Ireland rather than into it, may offer the potential of decoupling “Irishness” and “whiteness” in radical new ways.
Dr. Zélie Asava considers the contest’s celebration of the ‘new Irish’
2010 marks the year that the Rose of Tralee was won by a woman of Irish and Indian heritage. Clare Kambamettu, a mixed-race psychologist, took the title as the London rose, making it the 2nd year a London Rose has won the competition. There have been few mixed-race Roses to date. Luzveminda O’Sullivan was the 1998 rose of Tralee (whose name is mysteriously misspelt or replaced by another on many websites listing the history of the Roses). Though O’Sullivan hails from Mayo she was the Phillippines Rose, reflecting her Irish-Filipino identity. 2004’s Philadelphia Rose, Sinead De Roiste, was the first Irish-African American contestant in the history of the Rose of Tralee.
The fact that a mixed-race Rose can now be included in the competition, and even go on to win it, as a representative of Irish women and culture, is a wonderful example of diversity working in this country. Interestingly though, Kambamettu’s heritage has not been mentioned by much of the national media, with journalists preferring to describe her as “stunning” or refer to her father’s mildly exotic name, Ravi, as a signifier of her Otherness, rather than state her as mixed-race…
