“My life has gotten white”: Zadie Smith’s Erotics and Ethics of Upward MobilityPosted in Literary/Artistic Criticism, Live Events, Media Archive, United Kingdom on 2015-11-05 02:20Z by Steven |
“My life has gotten white”: Zadie Smith’s Erotics and Ethics of Upward Mobility
C21 Seminar Series 2015-16
Centre for Research in Twenty-first Century Writings
University of Brighton
Falmer Campus
101 Mayfield House
Brighton, United Kingdom
2015-11-09, 17:00-18:30Z
Sarah Brophy, Professor of English and Cultural Studies
McMaster University, Hamilton, Ontario, Canada
In a 2011 Guardian article “Where are Britain’s black authors?,” novelist Catherine Johnson discusses the boom in white-authored stories about “other races and cultures,” suggesting that “the words of a white author are a comfortable buffer, a reassurance that nothing in the story will be too shocking, too hard to understand; the author is like you, and you can trust him or her to tell you this story in familiar terms.” Conspicuously absent from Johnson’s discussion is Zadie Smith, the young mixed race author from North London who burst on to the literary scene with a historic advance contract for the manuscript of the acclaimed White Teeth (2000). How does the case of Smith potentially reroute Johnson’s critique? Building on Zadie Smith’s comments in a publicity interview for her latest novel NW (2012) that “my life has gotten white compared to the life I grew up with. Because of the world I work in—it’s white,” this paper considers the dilemmas of upward mobility and whiteness as they have come to bear on Smith, who articulates and negotiates these pressures in a range of life writing modes (especially personal essays and autobiographical fiction)…
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