Mixed Race Studies

21. Fredi’s Migration: Washington’s Forgotten War on Hollywood

Chapter in the anthology: Women and Migration: Responses in Art and History
Deborah Willis, Ellyn Toscano and Kalia Brooks Nelson (ed.)
(2019-09-12, Open Book Publishers)
Printed ISBN: 9781783745654
eBook ISBN: 9791036538070

Pamela Newkirk, Professor of Journalism
New York University

Nearly eight decades before #OscarsSoWhite focused attention on the dearth of roles for Blacks and other people of color in Hollywood, actress Fredi Washington became one of the most vocal critics of the industry’s racial bias. But despite her trailblazing work on stage and screen beginning in the 1920s, Washington has largely been forgotten as one of the pioneering African-American leading ladies, and for her noteworthy civil rights activism.

The eldest of five children, Washington was born in Savannah, Georgia in 1903 and relocated to Philadelphia aged eleven following the death of her mother, a former dancer. In 1919 Washington launched her own career as a chorus girl in Harlem’s Alabam Club, and, in 1926, landed a coveted role in the landmark Broadway play Shuffle Along. When the show closed she sailed to Europe to tour with her dance partner Al Moiret. Two years later she returned to the United States and starred in a string of successful films and plays including the short film Black and Tan Fantasy with Duke Ellington (1929); Black Boy starring Paul Robeson (1930); Emperor Jones with Robeson again (1933); and Drum in the Night (1933); with an equal number of plays, including Singing the Blues (1930), Sweet Chariot (1930) and Run Lil’ Chillun (1933).

Washington’s stardom was secured with her performance as Peola, the tortured bi-racial daughter who passes for white in Imitation of Life, the 1934 feature film starring Claudette Corbert and Louise Beavers. However, after achieving critical acclaim for her performance Washington was routinely passed over for lead roles. This was in part due to Hollywood’s Hays Codes, which, beginning that year, explicitly prohibited the depiction of miscegenation in film. The Hays Codes made life especially challenging for Washington, whose green eyes and pale complexion rendered her too light to be cast in films with all-Black casts. In 1937 her skin was darkened for her co-starring role in One Mile from Heaven with Bill Robinson…

Read the entire chapter here.

‘Fredi’ Washington: Savannah’s Civil Rights Starlet

Freeman’s Rag
2018-06-16

Michael Freeman
Savannah, Georgia

Fredi Washington

Savannah has been home to many celebrities. Whether it be Academy Award winner Charles Coburn, Stacey Keach of Mike Hammer fame, Johnny Mercer, the Lady Chablis, or Paula Dean, Savannah has never been without a dash of the famous. But Fredricka Washington (Fredi) was probably the celebrity known most for her groundbreaking ways. She was born in 1903 here in Savannah. She lived here until she was thirteen when her mother died. At that time she was sent to live with her grandmother in Pennsylvania.

At the age of 16 she went to New York where she was discovered by Josephine Baker. Baker hired Fredi for a cabaret show called the Happy Honeysuckles. Fredi was a talented entertainer and quickly created a dancing career. She danced with her partner Al Moiret throughout the world. Her film career did not start until she was in her thirties. In 1926, Washington was recommended for a co-starring role on the Broadway stage with Paul Robeson in Black Boy. This was a big break in her acting career. In 1934 she appeared in the film ‘Imitation of Life’. She played the part of a black woman who passed for white. The film would earn an Academy Award Nomination for best picture. Time magazine would rank the film one of “The 25 Most Important Films on Race”. Because of her light colored skin many people thought she would actually want to ‘pass’ and was ashamed of her black heritage. In 1945 in response to a question on the subject she said:

“You see I’m a mighty proud gal, and I can’t for the life of me find any valid reason why anyone should lie about their origin, or anything else for that matter. Frankly, I do not ascribe to the stupid theory of white supremacy and to try to hide the fact that I am a Negro for economic or any other reasons. If I do, I would be agreeing to be a Negro makes me inferior and that I have swallowed whole hog all of the propaganda dished out by our fascist-minded white citizens.”…

Read the entire article here.

The Secret Trust of Aspasia Cruvellier Mirault: The Life and Trials of a Free Woman of Color in Antebellum Georgia

University of Arkansas Press
August 2008
180 pages
6 x 0.8 x 9 inches
Hardcover ISBN-13: 978-1557288806

Janice L. Sumler-Edmond, Professor Emerita of History
Huston-Tillotson University, Austin, Texas

In this fascinating biography set in nineteenth-century Savannah, Georgia, Janice L. Sumler-Edmond resurrects the life and times of Aspasia Cruvellier Mirault, a free woman of color whose story was until now lost to historical memory. It’s a story that informs our understanding of the antebellum South as we watch this widowed matriarch navigate the social, economic, and political complexities to create a legacy for her family.

Employee’s Change in Racial Self-Identification Cannot Support Discrimination Claim if Employer Unaware of Change

JD Supra Business Advisor
2015-10-05

Jonathan Crotty
Parker Poe Adams & Bernstein LLP, Charlotte, North Carolina

Michael Vanesse
Parker Poe Adams & Bernstein LLP, Charlotte, North Carolina

In recent years, more Americans have begun identifying themselves as biracial or of mixed racial heritage. This shift has resulted in changes to census and other forms where people are asked to self-identify by race. In addition, some persons of mixed heritage may change their personal identification with one racial category over time. However, as recently pointed out by the Eleventh Circuit Court of Appeals, this change cannot form the basis for a race discrimination claim if unknown to the employer at the time the questioned decisions were made.

In Fagerstrom v. City of Savannah, the plaintiff was a police captain of Swedish and Japanese heritage. When filling out forms used for affirmative action purposes, the plaintiff had identified himself as white. When passed over for promotion to major, the plaintiff sued, alleging that he had been discriminated against based on his race in favor of two white captains. The plaintiff said that he changed his self-identification to Asian-American several years previously…

Read the entire article here.