Mixed Race Studies

Remixing Reggaetón: The Cultural Politics of Race in Puerto Rico

Duke University Press
2015
240 pages
11 illustrations
Cloth ISBN: 978-0-8223-5945-6
Paperback ISBN: 978-0-8223-5945-6

Petra R. Rivera-Rideau, Assistant Professor of Africana Studies
Virginia Polytechnic Institute and State University

Puerto Rico is often depicted as a “racial democracy” in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaetón, Petra R. Rivera-Rideau shows how reggaetón musicians critique racial democracy’s privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. Stars such as as Tego Calderón criticize the Puerto Rican mainstream’s tendency to praise black culture but neglecting and marginalizing the island’s black population, while Ivy Queen, the genre’s most visible woman, disrupts the associations between whiteness and respectability that support official discourses of racial democracy. From censorship campaigns on the island that sought to devalue reggaetón, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaetón’s origins and its transformation from the music of San Juan’s slums into a global pop phenomenon. Reggaetón, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora.

Table of Contents

• Acknowledgments
• Introduction. Reggaetón Takes Its Place
• 1. Iron Fist against Rap
• 2. The Perils of Perreo
• 3. Loíza
• 4. Fingernails con Feeling
• 5. Enter the Hurbans
• Conclusion. Reggaetón’s Limits, Possibilities, and Futures
• Notes
• Bibliography
• Index

‘Las Caras Lindas’: To Be Black And Puerto Rican In 2013

Code Switch: Frontiers of Race, Culture and Ethnicity
National Public Radio
2013-05-25

Jasmine Garsd

I am a black man
Who was born café con leche
I sneaked into a party, to which I had not been invited.
And I got kicked out. They threw me out.
When I went back to have fun with the black girls
All together they said ‘Maelo, go back to your white girls’
And they kicked me out. They threw me out.”

– Ismael Rivera, “Niche“

In “Niche” (“Black Man”), iconic Puerto Rican singer Ismael Rivera navigates the labyrinth of race and ethnicity in the Caribbean. A light-skinned “café con leche” black man, he wanders through his island like a ghost of a colonial Spanish past, shooed off by both blacks and whites uncomfortable with his presence and what he represents.

In another iconic and deeply melancholy song, “Las Caras Lindas” (or “The Beautiful Faces”), Rivera sets aside the discomfort and pens an ode to his people: “The beautiful faces of my black race, so much crying, pain and suffering, they are the challenges of life, but inside we carry so much love.”

I was recently in Puerto Rico reporting on the island’s troubled economy and reignited diaspora. During that time, I had the chance to visit legendary rapper Tego Calderón. In his studio in Santurce, Puerto Rico, I found the entire place wallpapered with photographs of Ismael Rivera…

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