Mixed Race Studies

Latining America: Black-Brown Passages and the Coloring of Latino/a Studies

University of Georgia Press
2013-02-01
288 pages
5 b&w photos
Trim size: 6 x 9
Cloth ISBN: 978-0-8203-4435-5
Paper ISBN: 978-0-8203-4436-2
Ebook ISBN: 978-0-8203-4479-9

Claudia Milian, Associate Professor of Spanish & Latin American Studies
Duke University

With Latining America, Claudia Milian proposes that the economies of blackness, brownness, and dark brownness summon a new grammar for Latino/a studies that she names “Latinities.” Milian’s innovative study argues that this ensnared economy of meaning startles the typical reading practices deployed for brown Latino/a embodiment.

Latining America keeps company with and challenges existent models of Latinidad, demanding a distinct paradigm that puts into question what is understood as Latino and Latina today. Milian conceptually considers how underexplored “Latin” participants—the southern, the black, the dark brown, the Central American—have ushered in a new world of “Latined” signification from the 1920s to the present.

Examining not who but what constitutes the Latino and Latina, Milian’s new critical Latinities disentangle the brown logic that marks “Latino/a” subjects. She expands on and deepens insights in transamerican discourses, narratives of passing, popular culture, and contemporary art. This daring and original project uncovers previously ignored and unremarked upon cultural connections and global crossings whereby African Americans and Latinos traverse and reconfigure their racialized classifications.

Writing the South through the Self: Explorations in Southern Autobiography

University of Georgia Press
2011-05-01
246 pages
6 x 9
Cloth ISBN: 978-0-8203-3767-8
Paper ISBN: 978-0-8203-3767-8
Ebook ISBN: 978-0-8203-3968-9

John C. Inscoe, Albert B. Saye Professor and University Professor of History
University of Georgia

Using autobiography as an invaluable means for understanding southern history

Drawing on two decades of teaching a college-level course on southern history as viewed through autobiography and memoir, John C. Inscoe has crafted a series of essays exploring the southern experience as reflected in the life stories of those who lived it. Constantly attuned to the pedagogical value of these narratives, Inscoe argues that they offer exceptional means of teaching young people because the authors focus so fully on their confrontations—as children, adolescents, and young adults—with aspects of southern life that they found to be troublesome, perplexing, or challenging.
 
Maya Angelou, Rick Bragg, Jimmy Carter, Bessie and Sadie Delany, Willie Morris, Pauli Murray, Lillian Smith, and Thomas Wolfe are among the more prominent of the many writers, both famous and obscure, upon whom Inscoe draws to construct a composite portrait of the South at its most complex and diverse. The power of place; struggles with racial, ethnic, and class identities; the strength and strains of family; educational opportunities both embraced and thwarted—all are themes that infuse the works in this most intimate and humanistic of historical genres.
 
Full of powerful and poignant stories, anecdotes, and testimonials, Writing the South through the Self explores the emotional and psychological dimensions of what it has meant to be southern and offers us new ways of understanding the forces that have shaped southern identity in such multifaceted ways.

Table of Contents

• Preface
• Introduction
• Chapter 1: Lessons from Southern Lives: Teaching Race through Autobiography
• Chapter 2: I Learn What I Am”: Adolescent Struggles with Mixed-Race Identities
• Chapter 3: “All Manner of Defeated, Shiftless, Shifty, Pathetic and Interesting Good People”: Autobiographical Encounters with Southern White Poverty
• Chapter 4: Railroads, Race, and Remembrance: The Traumas of Train Travel in the Jim Crow South
• Chapter 5: “I’m Better Than This Sorry Place”: Coming to Terms with Self and the South in College
• Chapter 6: Sense of Place, Sense of Being: Appalachian Struggles with Identity, Belonging, and Escape
• Afterword: “Getting Pretty Fed Up with This Two-Tone South”: Moving toward Multiculturalism
• Notes
• Selected Bibliography
• Index

Blue Coat or Powdered Wig: Free People of Color in Pre-Revolutionary Saint Domingue

University of Georgia Press
March 2001
344 pages
6.125 x 9.25
Paper ISBN: 978-0-8203-3029-7

Stewart R. King, Associate Professor of History
Mount Angel Seminary, St. Benedict, Oregon

By the late 1700s, half the free population of Saint Domingue was black. The French Caribbean colony offered a high degree of social, economic, and physical mobility to free people of color. Covering the period 1776-1791, this study offers the most comprehensive portrait to date of Saint Domingue’s free black elites on the eve of the colony’s transformation into the republic of Haiti.

Stewart R. King identifies two distinctive groups that shared Saint Domingue’s free black upper stratum, one consisting of planters and merchants and the other of members of the army and police forces. With the aid of individual and family case studies, King documents how the two groups used different strategies to pursue the common goal of economic and social advancement. Among other aspects, King looks at the rural or urban bases of these groups’ networks, their relationships with whites and free blacks of lesser means, and their attitudes toward the acquisition, use, and sale of land, slaves, and other property.

King’s main source is the notarial archives of Saint Domingue, whose holdings offer an especially rich glimpse of free black elite life. Because elites were keenly aware of how a bureaucratic paper trail could help cement their status, the archives divulge a wealth of details on personal and public matters.

Blue Coat or Powdered Wig is a vivid portrayal of race relations far from the European centers of colonial power, where the interactions of free blacks and whites were governed as much by practicalities and shared concerns as by the law.

Table of Contents

• Acknowledgements
• Introduction
• Part One. The Colony and Its People
  • Chapter One. The Notarial Record and Free Coloreds
  • Chapter Two. The Land
  • Chapter Three. The People
  • Chapter Four. Free Colored in the Colonial Armed Forces
• Part Two. The Free Colored in Society and the Economy
  • Chapter Five. Slaveholding Practices
  • Chapter Six. Landholding Practices
  • Chapter Seven. Entrepreneurship
  • Chapter Eight. Non-Economic Components of Social Status
  • Chapter Nine. Family Relationships and Social Advancement
• Part Three. Group Strategies for Economic and Social Advancement
  • Chapter Ten. Planter Elites
  • Chapter Eleven. The Military Leadership Group
  • Chapter Twelve. Conclusion
• Appendix One. Family Tree of the Laportes of Limonade
• Appendix Two. Surnames
• Appendix Three. Incorporation Papers of the Grasserie Marie Josephe
• Appendix Four. Notarized Sale Contract for a House
• Notes
• Works Cited
• Index

The Herndons: An Atlanta Family

University of Georgia Press
2002-06-21
272 pages
8 x 10
Cloth ISBN: 978-0-8203-2309-1

Carole Merritt, Director
The Herndon Home, Atlanta, Georgia

A compelling portrait of one of Atlanta’s most prominent African American families

Born a slave and reared a sharecropper, Alonzo Herndon (1858-1927) was destined to drudgery in the red clay fields of Georgia. Within forty years of Emancipation, however, he had amassed a fortune that far surpassed that of his White slave-master father.

Through his barbering, real estate, and life insurance ventures, Herndon would become one of the wealthiest and most respected African American business figures of his era. This richly illustrated book chronicles Alonzo Herndon’s ascent and his remarkable family’s achievements in Jim Crow Atlanta.

In this first biography of the Herndons, Carole Merritt narrates how Herndon nurtured the Atlanta Life Insurance Company from a faltering enterprise he bought for $140 into one of the largest Black financial institutions in America; how he acquired the most substantial Black property holdings in Atlanta; and how he developed his barbering business from a one-chair shop into the nation’s largest and most elegant parlor, the resplendent, twenty-three chair “Crystal Palace” in the heart of White Atlanta.

The Herndons’ world was the educational and business elite of Atlanta. But as Blacks, they were intimately bound to the course of Black life. The Atlanta Race Riot of 1906 and its impact on the Herndons demonstrated that all Blacks, regardless of class, were the victims of racial terrorism.

Through the Herndons, issues of race, class, and color in turn-of-the-century Atlanta come into sharp focus. Their story is one of by-the-bootstraps resolve, tough compromises in the face of racism, and lasting contributions to their city and nation.

Spit Back a Boy: Poems by Iain Haley Pollock

The University of Georgia Press
2011-06-15
72 pages
Trim size: 5.5 x 8.5
ISBN: 978-0-8203-3908-5

Iain Haley Pollock, English Teacher
Springside-Chestnut Hill Academy, Philadelphia, Pennsylvania

Winner of the 2010 The Cave Canem Poetry Prize

Iain Haley Pollock’s poems cover the ground from a woman late to catfish supper to an ancient queen who howls, “Sea, you is ugly,” from the creaking of slave ships launched from Lancaster to gunfire on a contemporary Philadelphia street. Such lyric moments find grounding in stories woven through this book—in one story line, a boy with a black mother and white father wishes he could shed his white skin or carve into what lies beneath: “I flung my almost white self / into my mother’s embrace—that brown / embrace I hoped would swallow me whole / and spit back a boy four shades darker.” Another thread follows a marriage and a woman intertwined with hunger and the blues, a woman who hears a whale song in a refrigerator’s hum, who cries hard like the lonely barking of a fox.

Even when these poems soften, they can’t be complacent about good fortune: for all the maple seedpods and snow fluttering down here, the poems are always aware of wreckage and car bombs there, and they keep conscious of the mustard gas of old wars and the losses of recent ones. Punctuated with lives that end early, such as those of Hart Crane and Mikey Clark, a high-school classmate who once swiped the Communion wine, Pollock’s collection earns its vitality and romance without closing its eyes to violence and sorrow.

from “Rattla cain’t hold me”

. . . And all our sadness will be old Arkansas,
rural and misspoken, its roads smudged
by the fog’s blue prints, its pine board shacks

daubed with mud to keep out mosquitoes
and the cold. The kitchens and porches
where we aren’t will cease to exist. We’ll miss

rain in autumn dousing the fire of the leaves.
Wind writhing like a water moccasin.
Like convicts we’ll sing, Rattla cain’t hold me

Rattla cain’t hold me, while outside the fence,
poplars, stripped by gypsy moths, stand bare.

Robert Stafford of Cumberland Island: Growth of a Planter

University of Georgia Press
1995
376 pages
Illustrated
Trim size: 6 x 9
Paperback ISBN: 978-0-8203-1738-0

Mary R. Bullard

Society, politics, agriculture, and mixed-race unions in a coastal Georgia planter community

Robert Stafford of Cumberland Island offers a rare glimpse into the life and times of a nineteenth-century planter on one of Georgia’s Sea Islands. Born poor, Robert Stafford (1790-1877) became the leading planter on his native Cumberland Island. Specializing in the highly valued long staple variety of cotton, he claimed among his assets more than 8,000 acres and 350 slaves.

Mary R. Bullard recounts Stafford’s life in the context of how events from the Federalist period to the Civil War to Reconstruction affected Sea Island planters. As she discusses Stafford’s associations with other planters, his business dealings (which included banking and railroad investments), and the day-to-day operation of his plantation, Bullard also imparts a wealth of information about cotton farming methods, plantation life and material culture, and the geography and natural history of Cumberland Island.

Stafford’s career was fairly typical for his time and place; his personal life was not. He never married, but fathered six children by Elizabeth Bernardey, a mulatto slave nurse. Bullard’s discussion of Stafford’s decision to move his family to Groton, Connecticut—and freedom—before the Civil War illuminates the complex interplay between southern notions of personal honor, the staunch independent-mindedness of Sea Island planters, and the practice and theory of racial separation.

In her afterword to the Brown Thrasher edition, Bullard presents recently uncovered information about a second extralegal family of Robert Stafford as well as additional information about Elizabeth Bernardey’s children and the trust funds Stafford provided for them.

Woman of Color, Daughter of Privilege: Amanda America Dickson, 1849–1893

University of Georgia Press
1996
248 pages
Illustrated
Trim size: 6 x 9
Paperback ISBN: 978-0-8203-1871-4

Kent Anderson Leslie

The true story of a slave who became the wealthiest black woman in the South

This fascinating story of Amanda America Dickson, born the privileged daughter of a white planter and an unconsenting slave in antebellum Georgia, shows how strong-willed individuals defied racial strictures for the sake of family. Kent Anderson Leslie uses the events of Dickson’s life to explore the forces driving southern race and gender relations from the days of King Cotton through the Civil War, Reconstruction, and New South eras.

Although legally a slave herself well into her adolescence, Dickson was much favored by her father and lived comfortably in his house, receiving a genteel upbringing and education. After her father died in 1885 Dickson inherited most of his half-million dollar estate, sparking off two years of legal battles with white relatives. When the Georgia Supreme Court upheld the will, Dickson became the largest landowner in Hancock County, Georgia, and the wealthiest black woman in the post-Civil War South.

Kent Anderson Leslie’s portrayal of Dickson is enhanced by a wealth of details about plantation life; the elaborate codes of behavior for men and women, blacks and whites in the South; and the equally complicated circumstances under which racial transgressions were sometimes ignored, tolerated, or even accepted.

Table of Contents

• Acknowledgments
• Introduction
• CHAPTER 1. Exceptions to the Rules
• CHAPTER 2. A Story
• CHAPTER 3. The Dickson Will
• CHAPTER 4. The Death of a Lady
• Appendixes
• Notes
• Bibliography
• Index

Mixed Blood Indians: Racial Construction in the Early South

University of Georgia Press
2005-03-28
60 pages
Illustrated, Trim size: 5.5 x 8.25
ISBN: 978-0-8203-2731-0

Theda Perdue, Atlanta Distinguished Term Professor of Southern Culture
University of North Carolina, Chapel Hill

On the southern frontier in the eighteenth and early nineteenth centuries, European men—including traders, soldiers, and government agents—sometimes married Native women. Children of these unions were known by whites as “half-breeds.” The Indian societies into which they were born, however, had no corresponding concepts of race or “blood.” Moreover, counter to European customs and laws, Native lineage was traced through the mother only. No familial status or rights stemmed from the father.

“Mixed Blood” Indians looks at a fascinating array of such birth- and kin-related issues as they were alternately misunderstood and astutely exploited by both Native and European cultures. Theda Perdue discusses the assimilation of non-Indians into Native societies, their descendants’ participation in tribal life, and the white cultural assumptions conveyed in the designation “mixed blood.” In addition to unions between European men and Native women, Perdue also considers the special cases arising from the presence of white women and African men and women in Indian society.

From the colonial through the early national era, “mixed bloods” were often in the middle of struggles between white expansionism and Native cultural survival. That these “half-breeds” often resisted appeals to their “civilized” blood helped foster an enduring image of Natives as fickle allies of white politicians, missionaries, and entrepreneurs. “Mixed Blood” Indians rereads a number of early writings to show us the Native outlook on these misperceptions and to make clear that race is too simple a measure of their—or any peoples’—motives.

Mulattas and Mestizas: Representing Mixed Identities in the Americas, 1850–2000

University of Georgia Press
2003-01-27
284 pages
Trim size: 6 x 9
Cloth ISBN: 978-0-8203-2325-1
Paper ISBN: 978-0-8203-2781-5

Suzanne Bost, Associate Professor of English
Loyola University

In this broadly conceived exploration of how people represent identity in the Americas, Suzanne Bost argues that mixture has been central to the definition of race in the United States, Mexico, and the Caribbean since the nineteenth century. Her study is particularly relevant in an era that promotes mixed-race musicians, actors, sports heroes, and supermodels as icons of a “new” America. Bost challenges the popular media’s notion that a new millennium has ushered in a radical transformation of American ethnicity; in fact, this paradigm of the “changing” face of America extends throughout American history.

Working from literary and historical accounts of mulattas, mestizas, and creoles, Bost analyzes a tradition, dating from the nineteenth century, of theorizing identity in terms of racial and sexual mixture. By examining racial politics in Mexico and the United States; racially mixed female characters in Anglo-American, African American, and Latina narratives; and ideas of mixture in the Caribbean, she ultimately reveals how the fascination with mixture often corresponds to racial segregation, sciences of purity, and white supremacy. The racism at the foundation of many nineteenth-century writings encourages Bost to examine more closely the subtexts of contemporary writings on the “browning” of America.

Original and ambitious in scope, Mulattas and Mestizas measures contemporary representations of mixed-race identity in the United States against the history of mixed-race identity in the Americas. It warns us to be cautious of the current, millennial celebration of mixture in popular culture and identity studies, which may, contrary to all appearances, mask persistent racism and nostalgia for purity.

Fathers of Conscience: Mixed-Race Inheritance in the Antebellum South

University Of Georgia Press
February 2009
216 pages
6 x 9 in.
ISBN: 0820332518 (paper), 0820329800 (cloth)

Bernie D. Jones, Associate Professor of Law
Suffolk University

How the courts dealt with wills bequeathing property or freedom to mixed race children.

Fathers of Conscience examines high-court decisions in the antebellum South that involved wills in which white male planters bequeathed property, freedom, or both to women of color and their mixed-race children. These men, whose wills were contested by their white relatives, had used trusts and estates law to give their slave partners and children official recognition and thus circumvent the law of slavery. The will contests that followed determined whether that elevated status would be approved or denied by courts of law.

Bernie D. Jones argues that these will contests indicated a struggle within the elite over race, gender, and class issues-over questions of social mores and who was truly family. Judges thus acted as umpires after a man’s death, deciding whether to permit his attempts to provide for his slave partner and family. Her analysis of these differing judicial opinions on inheritance rights for slave partners makes an important contribution to the literature on the law of slavery in the United States.

Contents

• Preface
• Introduction. Inheritance Rights in the Antebellum South
• Chapter One. Righteous Fathers, Vulnerable Old Men, and Degraded Creatures
• Chapter Two. Slavery, Freedom, and the Rule of Law
• Chapter Three. Justice and Mercy in the Kentucky Court of Appeals
• Chapter Four. Circling the Wagons and Clamping Down: The Mississippi High Court of Errors and Appeals
• Chapter Five. The People of Barnwell against the Supreme Court of South Carolina: The Case of Elijah Willis
• Conclusion. The Law’s Paradox of Property and Power: The Significance of Geography
• Appendix One. Case Indexes
• Appendix Two. Opinions on the Emancipation of Slaves during George Robertson’s Tenure as Chief Justice
• Appendix Three. Supplementary Information Regarding Willis v. Jolliffe
• Notes
• Bibliographic essay
• Index