Mixed Race Studies

Mizuko

Hapa Japan
2018-04-13

Fredrick Cloyd

Featured Image by Edward M. Haugh

During the years of gathering research and thoughts, memory and conversations into some sort of cohesive unit for a book–which would eventually become the forthcoming (Spring 2018 by 2Leaf Press) entitled: Dream of the Water Children: Memory and Mourning in the Black Pacific, I had not thought of a title, or a way to fit all the pieces together for the vast amount of links and connections I wanted to make in relation to world historical archive and a definite anti-colonial stance. Yet another story of a unique person in the world was not my goal, although it would also be taken that way. I wanted to reach those who were concerned with looking at the historical present.

In focusing on my mother and myself, it came one day in a dream. Just as the opening scene in my book presents, I am suddenly woken up in the middle of the night to write:　みずこ　水子　ミズコ (mizuko) on a notepad I pull out from the bedside drawer. It puzzled me because, at least consciously, I did not know what this word meant or what it was. Then, the next day, I looked it up on the internet. The term mizuko, was the postwar euphemism for aborted fetus, or dead fetus. An entire religious ceremonial ritual grew out of this when the U.S. Occupation lifted its ban on religious ceremonies in Japan. Many women flooded to the countless shrines and statues to pray for those babies gone. Some were so ashamed, they did it in secret. But most women, even after given “permission,” could now do prayers in the forest and write their babies names or burn their incense in the name of that baby they let go from their bodies…

Read the entire article here.

Kamala Harris Is Dreaming Big

Vogue
April 2018

Abby Aguirre

Harris in Los Angeles with beneficiaries of the DREAM Act—which the senator has made a priority to protect. Photographed by Zoe Ghertner, Vogue, April 2018

IT’S A COLD JANUARY NIGHT in D.C., and I’m at the Hart Senate Office Building, trailing U.S. Senator Kamala Harris into a conference room. Inside, a group of young Latino congressional staffers has gathered to meet the Democratic star from California. When she enters, flanked by aides, and dressed in a navy suit, matching ruffled blouse, black pearls, and stilettos that give her petite five-feet-four frame a few extra inches of height, the staffers immediately rise from their chairs.

Harris has an air of celebrity that, under normal circumstances, a freshman senator wouldn’t have had time to acquire. But this year has been anything but normal. She greets the 20-somethings as though they’re relatives at a family reunion: “Hi, everybody! Hi, guys!” Then she notices that one of the staffers is still seated, and her voice drops a full octave: “Stand up, man!”

The startled staffer springs to his feet. “Kevin,” he says, extending a hand.

“What’s your last name?” demands Harris.

“Figueroa.”

“Thank you!” She shakes his hand. “Kamala Harris.” (That’s pronounced “comma-la,” by the way, and you’d better get it right.)…

Harris with her late mother, Shyamala Gopalan Harris, who emigrated from India to study at Berkeley in the ’60s. Photo: Courtesy of Kamala Harris

…HARRIS’S POLITICAL CAREER—seven years as district attorney in San Francisco and then another six as attorney general of California—amounts to an extraordinary run of firsts. She was the first woman and the first person of color to be elected to both positions, and she is now America’s first Indian-American senator and California’s first black senator. In 2012, Harris spoke in prime time at the Democratic National Convention. More Americans learned her name the following year, when President Obama apologized for saying Harris was not only “brilliant,” “dedicated,” and “tough,” but that she “also happens to be, by far, the best-looking attorney general in the country.”…

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Walter Tull should get Military Cross, says Tottenham MP David Lammy

BBC News
2018-03-23

Richard Conway, BBC Radio 5 live sports news correspondent

Walter Tull died on the battlefields of northern France in 1918

Walter Tull – one of England’s first black professional footballers – should be awarded a Military Cross 100 years after his death, says Tottenham MP David Lammy.

Tull, who played for Tottenham Hotspur and Northampton Town, died aged 29 when he was shot on the battlefields of France during World War One.

He was Britain’s first black Army officer to command white troops.

“His service on behalf of this country was immense,” Lammy said…

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Africanus Princeps? The Emperor Caracalla and the Question of His African Heritage

Journal of Black Studies
First Published 2018-03-12
DOI: 10.1177/0021934718760219

Alex Imrie
University of Edinburgh, Edinburgh, United Kingdom

This article responds to a recent publication in the Journal of Black Studies regarding the emperor Caracalla, who ruled the Roman Empire between AD 211 and 217, following the murder of his younger brother, Geta. In addition to offering an exploration of his career, the recent essay attempts to investigate the importance of Caracalla’s African heritage to the historical portrait of him that survives into modernity, claiming that both ancient sources and modern scholars have downplayed the emperor’s origin and ancestry. Unfortunately, the publication is beset by factual errors that serve to undermine its case. This article addresses these shortcomings and attempts to explain the scholarly approach to Caracalla’s ethnicity, showing that there was some recognition of Caracalla’s African roots, even in antiquity. Furthermore, this article considers the question of modern Africa’s relationship with the emperor, noting the symbolism of the Severan family within Libya under the dictator Muammar Gaddafi.

Read or purchase entire article here.

Interrogating the African Roman Emperor Caracalla: Claiming and Reclaiming an African Leader

Journal of Black Studies
Volume 47, Issue 1, January 2016
pages 41–52
DOI: 10.1177/0021934715611376

Molefi Kete Asante, Professor of African American Studies
Temple University, Philadelphia, Pennsylvania

Shaza Ismail
Helwan University, Cairo, Egypt

This essay provides an interrogation into the historical and personal contradictions in the character of the Roman Emperor Caracalla. As an emperor of African origin who once ruled the world, the nature of his rule, in its political and social dimension, has not been adequately studied. In fact, the scholarly sources that focused on Caracalla as a powerful ruler hardly mention his African origin and in some cases outright deny the fact that he was African. On the other hand, many European writers who do understand his political significance refer to his military achievements ignoring his origin. This work seeks to place Caracalla in the historical setting that befits his adventure as emperor during the time of Rome’s incessant leadership crises. While we know that Caracalla’s life was a series of bold and cruel actions as well as creative achievements, this work discusses his life in the context of his humanity more than to itemize his imperial achievements. The idea is to reveal through the literature and history as much as we can of his complex character in amid the challenging circumstances that surrounded his life and career.

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Secrets We Kept: Three Women of Trinidad

W. W. Norton & Company
February 2018
352 pages
5.9 × 8.6 in
Hardcover ISBN: 978-0-393-60926-4

Krystal A. Sital

An eloquent new Caribbean literary voice reveals the hidden trauma and fierce resilience of one Trinidadian family.

There, in a lush landscape of fire-petaled immortelle trees and vast plantations of coffee and cocoa, where the three hills along the southern coast act as guardians against hurricanes, Krystal A. Sital grew up idolizing her grandfather, a wealthy Hindu landowner. Years later, to escape crime and economic stagnation on the island, the family resettled in New Jersey, where Krystal’s mother works as a nanny, and the warmth of Trinidad seems a pretty yet distant memory. But when her grandfather lapses into a coma after a fall at home, the women he has terrorized for decades begin to speak, and a brutal past comes to light.

In the lyrical patois of her mother and grandmother, Krystal learns the long-held secrets of their family’s past, and what it took for her foremothers to survive and find strength in themselves. The relief of sharing their stories draws the three women closer, the music of their voices and care for one another easing the pain of memory.

Violence, a rigid ethnic and racial caste system, and a tolerance of domestic abuse—the harsh legacies of plantation slavery—permeate the history of Trinidad. On the island’s plantations, in its growing cities, and in the family’s new home in America, Secrets We Kept tells a story of ambition and cruelty, endurance and love, and most of all, the bonds among women and between generations that help them find peace with the past.

Delilah

Carrie Hawks
2012
Running Time: 00:04:15

Delilah tells the story of a woman who started out with a seemingly simple task, just filling out a family tree. She uncovered generations of secrecy and shame. Outside of Tacoma, Washington, Delilah shares a very personal story her search and the ramifications that unfold.

Delilah premiered at the Animation Block Party at Brooklyn Academy of Music in July 2012.

The film was awarded “Best Experimental Film” at the 15th Annual Reel Sisters of the Diaspora Film Festival in October 2012.

In April 2013, The Kansas City Jubilee Film Festival included the film in their programming.

New $10 bill starring Nova Scotian will debut in Halifax next week

CBC News
Nova Scotia
2018-03-02

Wanda Robson, the sister of Viola Desmond, smiles as it is announced during a ceremony in 2016 that her sister will be featured on Canadian currency. (Canadian Press)

Viola Desmond’s banknote will be unveiled at Halifax Central Library on Thursday

Canadians will get their first peek at the new $10 bill featuring civil rights pioneer Viola Desmond at an event in Halifax next week.

The banknote will be unveiled Thursday at the Halifax Central Library by federal Finance Minister Bill Morneau and Bank of Canada governor Stephen Poloz…

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Viola Desmond, the new face of the $10 bill, ‘represents courage’

The Globe and Mail
2016-12-09

Laura Stone

Viola Desmond, shown in this undated handout image provided by Communications Nova Scotia, often described as Canada’s Rosa Parks for her 1946 decision to sit in a whites-only section of a Nova Scotia movie theatre, will be the first woman to be celebrated on the face of a Canadian banknote.

Viola Desmond just wanted to watch a movie.

The year was 1946 and the movie was The Dark Mirror, a psychological thriller starring Olivia de Havilland. Ms. Desmond, a beauty-school owner from Halifax, was temporarily stranded in New Glasgow, N.S., after some car trouble. She hadn’t been to the movies in years, probably not since Gone with the Wind came out in 1939.

So, she walked to a nearby theatre, bought a ticket and sat in the front – a better view for the petite woman with poor eyesight.

There was only one problem: She was black…

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What do Meghan Markle and Chicago woman who wrote ‘Passing’ have in common?

The Chicago Tribune
2018-02-23

Christopher Borrelli

Nella Larsen, author of “Passing.” (Carl Van Vechten)

Nella Larsen was a mystery in life, and a mystery after her death in 1964. According to biographers, when she died her half sister inherited the $35,000 that remained in Larsen’s savings, then said she didn’t know she had a half sister.

Which wasn’t true.

Yet, in many ways, it’s the response you expect.

Nella Larsen was born Nellie Walker in 1891, in Chicago.

Or Nella Larsen was born Nella Larsen, 1892, in Chicago.

Or Nella Larsen was born Nellye Larson, 1893, in Chicago.

Biographers have run across a few possibilities, and the agreed-upon details are this: Nella Larsen was born in 1891, in Chicago, as Nellie Walker. Larsen fudged her vitals on occasion, depending on who was asking and what form she was completing. She lived her life at times with a sort of concentrated vagueness — “in the shadows,” wrote George Hutchinson, one of her biographers. Just as her career was taking off, she broke ties with her closest friends, and she spent her last three decades working as a nurse, living in a relative, self-imposed anonymity. Which sounds melodramatic, yet Larsen — who had been a major star of the Harlem Renaissance after leaving Chicago (but never quite cast aside the rejection that she felt here) — lived a life that could fuel melodramas.

As it happens, she left great ones, slim novels that amount to 250 pages, combined. Indeed, “Quicksand” (1928) and “Passing” (1929) constitute most of her published work. Yet both are portraits of Chicago women who, like Larsen, navigated the blurriest of racial lines in the early 20th century, having been born to one black parent and one white parent. Both novels are about women who “passed” — that is, they presented themselves, day to day, as white. Her biographers say it’s unlikely Larsen herself did this, yet her protagonists are haunted by identity, frozen out by the black bourgeois, not at ease in white society, torn by the task of self-identifying in a binary-minded country…

Read the entire article here.