Mixed Race Studies

The Kidnapped Child Who Became a Poet

The New York Times Magazine
2023-07-27

Wyatt Mason

At age 3, Shane McCrae was taken from his Black father by his white grandparents — a rupture he explores in a new memoir.

“The weird thing about growing up kidnapped,” Shane McCrae, the 47-year-old American poet, told me in his melodious, reedy voice one rainy afternoon in May, “is if it happens early enough, there’s a way in which you kind of don’t know.”

There was no reason for McCrae to have known. What unfolded in McCrae’s childhood — between a June day in 1979 when his white grandmother took him from his Black father and disappeared, and another day, 13 years later, when McCrae opened a phone book in Salem, Ore., found a name he hoped was his father’s and placed a call — is both an unambiguous story of abduction and a convoluted story of complicity. It loops through the American landscape, from Oregon to Texas to California to Oregon again, and, even now, wends through the vaster emotional country of a child and his parents. And because so much of what happened to McCrae happened in homes where he was beaten and lied to and threatened, where he was made to understand that Black people were inferior to whites, where he was taught to hail Hitler, where he was told that his dark skin meant he tanned easily but, no, not that he was Black, it’s a story that’s been hard for McCrae to piece together.

“My grandparents,” McCrae explained in a somewhat gloomy, book-laden office at Columbia University, where he teaches poetry in its M.F.A. program, “were so actively keeping my father away from me — they didn’t want me to investigate him at all — it was just normal.” Normal, McCrae explained, because the story he had been told by his grandparents was that McCrae’s father, whose name he didn’t even know, abandoned him before he was born. “They had been doing it my whole life,” McCrae said matter-of-factly. “I didn’t think of it as, Oh, this is pretty strange.”…

Read the entire article here.

Pulling the Chariot of the Sun, A Memoir of a Kidnapping

Simon & Schuster
2023-08-01
272 pages
Hardcover ISBN13: 9781668021743
eBook ISBN13: 9781668021767

Shane McCrae

An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America—but also what might heal and make it whole again.

‘I Am Latino, I Am Also White’: Why A Latino Of Mixed Ancestry Struggles Each Time He Fills Out A Form

LAist
2020-12-06

Thomas Lopez

“Mr. Lopez, we need you to turn in the form declaring your son’s race,” said the administrator from my son’s school.

In second grade, we transferred him to LAUSD from his parochial school and filed the necessary stack of paperwork, save one form. That was the statement of racial identity.

It wasn’t intentional, just an honest mistake. But it wasn’t one the school would easily overlook. They called my wife and me individually to obtain the form.

Completing this form was not easy. My son is multiracial — Black, white and Native American. I too am multiracial white and Latino. My wife and I are Mexican American…

Read the entire article here.

University of California, Santa Barbara (UCSB) Special Research Collection

Library at University of California, Santa Barbara
2022-08-22

G. Reginal Daniel, Professor of Sociology
University of California, Santa Barbara

G. Reginald Daniel, UCSB Professor of Sociology and member of the Advisory Board of MASC (Multiracial Americans of Southern California), and Paul Spickard, UCSB Professor of History, in coordination with Danelle Moon, Head of UCSB Library Special Research Collection, have been collecting primary documents from support and educational organizations involved in the multiracial movement, particularly from the late 1970s through the early 2000s. This period was the height of discussions surrounding changes in official data collection on race, as in the census, to make it possible for multiracial individuals to identify as such.

HISTORY

Beginning in the late 1970s and early 1980s, interracial families and multiracial adults became part of a multiracial movement that endeavored, among other concerns, to change official racial-data collection standards that required individuals to identify with only one racial background. Activists were unsuccessful in bringing about changes on the 1990 census. Yet their efforts intensified in the wake of the census. Consequently, by the 2000 census, for the first time, and largely through the activism of multiracial organizations, multiracial-identified individuals were allowed to self-enumerate by checking more than one racial box on the census.

On the 2000 census, multiracials (or the “more than more race” population) totaled 7 million or 2.4 percent of the population. Based on 2010 census data their numbers increased to 9 million people—or 2.9 percent of the population. Although multiracials still make up only a fraction of the total population, this is a growth rate of about 32 percent since 2000.

WHY CALIFORNIA, WHY SANTA BARBARA

The West Coast, particularly California and Hawaii, has the highest concentration of interracial couples and the largest number and highest proportion of multiracial-identified individuals. California, in particular, has been a major center of multiracial activism, as well as academic research and university courses on multiracial identity. The University of California, specifically the Berkeley and Santa Barbara campuses, has the longest-standing university courses on this topic in the United States.

The UCSB Library Special Research Collection currently holds documents from iPride (Interracial/Intercultural Pride) and MASC, which, along with IMAGE, the Amerasian League, and Hapa Issues Forum, are among the local support and educational organizations founded in California. The Association of MultiEthnic Americans (AMEA), which was a national umbrella organization for numerous local groups, as well as A Place for Us National (APUN), which was another national organization, originated and maintained headquarters in California. Project RACE (Reclassify All Children Equality) is an additional national organization with headquarters in California although it was originally located in Roswell, George. That said, iPride and MASC are the two oldest organizations founded in California as well as two of the oldest organizations nationally. Moreover, they were two of the organizations most actively involved in deliberations surrounding the collection of official data on race.

HOW TO CONNECT

The documents from iPride and MASC have been catalogued and are ready for public perusal by those interested in consulting primary documents on the multiracial movement. Currently, the items can only be viewed within the Special Research Collection reading room. Hopefully, the library will be able, at some point in the near future, to secure funding to make many, if not all, of the documents available online. A list of the library holdings can be found on the UCSB Library website (https://www.library.ucsb.edu) under the heading “Archives and Manuscripts” by entering “Multiracial” in the “Search” box. That will take clients to the individual iPride and MASC collections. Clients can download a pdf that contains the specific holdings for each organization after clicking on the red- highlighted organization titles. Go to the upper righthand corner and click “View entire collection guide.” Subsequent documents donated by other organizations will be similarly catalogued.

Betty Reid Soskin: The extraordinary life of the nation’s oldest park ranger

Berkeleyside
Berkeley, California
2022-04-01

Daphne White

In this 2018 interview with Soskin who retired Thursday at the age of 100, the nation’s oldest park ranger said she considers herself “an absolutely ordinary extraordinary person.”

Editor’s note: This story was originally published in February 2018. We’re resharing it because Betty Reid Soskin, the nation’s oldest active park ranger, retired Thursday at the age of 100.

Betty Reid Soskin, 96, considers herself “an absolutely ordinary extraordinary person.”

Soskin has dated Jackie Robinson, co-founded Reid’s Records in Berkeley with her first husband, served as a “bag lady” (delivering cash) for the Black Panthers, and hobnobbed with the leaders of the human potential movement as a faculty wife with her second husband.

She also served in a Jim Crow segregated union hall in Richmond during World War II, experienced redlining in Berkeley when she tried to build her first house, moved to a racially-hostile Walnut Creek in the 1950s, and accidentally catapulted to fame in her 80s, as she brought her lived experience as a non-Rosie to the Rosie the Riveter/World War II Home Front National Historical Park…

Read the entire article here.

‘We Are Black. We Just Speak Spanish’: Why Some Afro Latinos Want More Visibility During Black History Month

KQED News
San Fransisco, California
2022-02-18

Blanca Torres

Nelson German, the chef and owner of alaMar, a seafood restaurant in Oakland, remembers the day a Black family asked a staffer about the Black owner they had heard about.

“This isn’t a Black-owned restaurant,” he recalled the staffer telling the family. “This is a Dominican-owned restaurant.”

Hearing about that interaction was a turning point for German. As a Black Dominican American, German, 41, realized he hadn’t done enough to educate those around him about his Blackness and the importance of it.

“We are Black. We are part of the African diaspora. We just speak Spanish,” German said. “The African continent influenced the world. We should embrace that, and really give tribute to it now, because there’s a lot of people who had to shed their blood and sacrifice their lives for us to be in this position. We should show them some respect.”

“So, I always say Afro Latino,” he said…

Read the entire article here.

Betty Reid Soskin shares forgotten histories as a national park ranger

The San Francisco Chronicle
2021-06-02

Brittany Bracy
Las Positas College, Livermore, California

The nation’s oldest ranger is hopeful for tomorrow: ‘I get a feeling that change is going to come’

At age 85, Betty Reid Soskin started a new career. She took a job as a park ranger at Rosie the Riveter WWII Home Front National Historical Park in Richmond, sharing her story and the story of Black women’s and men’s efforts during World War II with visitors who are often familiar with the white “We Can Do It!” propaganda figure — and little else.

Soskin grew up in Oakland in the 1920s and ’30s, and well before she became the country’s oldest park ranger, she found ways to contribute to her community. She has been a record store owner, a fundraiser for the Black Panthers and a political aide during her “ordinary extraordinary” life.

Now 99, Soskin has used her platform with the National Park Service to educate the public about crucial moments in history and highlight the sacrifices of those whose names are often left out of the retellings. As she approaches her 100th birthday this year, Soskin’s wisdom and courage continues to have a positive impact on California residents and institutions.

This interview is part of Lift Every Voice, a series that connects young Black journalists with Black elders in our communities to celebrate and learn from their life experiences. The San Francisco Chronicle has joined Hearst newspapers, magazines and television stations to publish dozens of profiles as part of the project…

Read the entire interview here.

I Hear the Train: Reflections, Inventions, Refractions

University of Oklahoma Press
October 2001
282 pages
6 X 9
12 B&W Photos
Hardcover ISBN: 9780806133546
Paperback ISBN: 9780806190143

Louis Owens (1948-2002), Professor of English and Native American Studies
University of California, Davis

In this innovative collection, Louis Owens blends autobiography, short fiction, and literary criticism to reflect on his experiences as a mixedblood Indian in America.

In sophisticated prose, Owens reveals the many timbres of his voice—humor, humility, love, joy, struggle, confusion, and clarity. We join him in the fields, farms, and ranches of California. We follow his search for a lost brother and contemplate along with him old family photographs from Indian Territory and early Oklahoma. In a final section, Owens reflects on the work and theories of other writers, including Gayatri Chakravorty Spivak, Gerald Vizenor, Michael Dorris, and Louise Erdrich.

UT students, staff reflect on experiences with racial passing

The Daily Texan: Serving the University of Texas at Austin Community Since 1900
2021-12-05

Sofia Treviño, Life & Arts Senior Reporter

Julius Shieh/The Daily Texan

Disliking her paler skin compared to other darker-complected Hispanics growing up, Rachel González-Martin spent hours lying under the sun willing herself to tan. Only burning and turning red, she grew frustrated. González-Martin wanted others to easily recognize her as Hispanic.

“There’s who we know we are and how we tell our own story, but we can never escape from what people see in us or read from our appearance,” the associate professor of Mexican American and Latina/o studies said.

Racial passing — a term used to describe those perceived as a member of another racial group than their own — can affect how closely people connect to and feel a part of their communities. For UT students and staff, the process of navigating different cultural stereotypes and learning to embrace their identities regardless of their appearance remains a lifelong project.

Growing up in Oakland, California, with very few fellow Hispanics, González-Martin felt she needed to physically show her identity. However, as she’s grown older, she said she’s learned to accept her own meaning of belonging to a community aside from outside biases…

Read the entire article here.

In Hip-Hop and Academia, Mystic Defines Her Own Success Story

KQED
San Francisco, California
2021-12-01

Nastia Voynovskaya, Associate Editor

Mystic sits in her backyard on the kind of warm, autumn afternoon that makes people remark at how good it is to live in Oakland, California. Dappled light shines through a lush canopy of persimmon, fig and guava trees. Her pet lovebird chirps in the distance, and she’s snacking on almonds between Zoom calls with young musicians she mentors.

This is the veteran hip-hop artist’s little oasis, away from the unruliness of the city, where she ponders the changing seasons of life, love and art.

It’s a good time for reflection. The recent loss of her longtime close friend and Digital Underground collaborator, Shock G, shook her deeply. That, and the grief of living during a global pandemic, prompted her to listen inward and ask herself what would fulfill her soul right now.

“I mean, shouldn’t we be doing what we love? Isn’t it the time now?” she asks in her naturally poetic cadence, lowering her voice into a near-whisper. Then, she starts to get louder and more passionate, as if proclaiming a manifesto: “If we’re artists, and art is part of our healing journey, then we should all be making art right now, right? There should be art flooding our speakers and our museums and our buildings, right? Public art.”

And for Mystic, one of the roles of hip-hop as a public art form is to bring traumas out of darkness and into the light, where they can be examined and processed—maybe even let go—in communion with others. That’s the power of her classic album Cuts for Luck and Scars for Freedom, whose 20th anniversary Mystic is celebrating this year. She recently took ownership of the master recordings and put out a podcast series looking back at its creation. Now, she’s gearing up for a vinyl rerelease in December.

From the outside, it might look like Mystic is recommitting to her art after years of focusing on her other loves: academia and teaching. After Cuts for Luck and Scars for Freedom was released to great acclaim, she walked away from a record deal and took a different path that brought her to UC Berkeley and, eventually, the University of Oxford for her master’s degree in education. For years, she spent more time in kindergarten classrooms than on stage in front of fans. But to Mystic, these multiple pursuits are all part of one continuous quest to create, express and be of service.

“It takes life to make art,” she texts me after one of our conversations. “There are times of input and times of output. I take my time for input, and that includes healing, living, loving, working with children, school and community. When my art is ready to be born, that is output. That is all 😉.”…

Read the entire article here.