Mixed Race Studies

‘I Am Latino, I Am Also White’: Why A Latino Of Mixed Ancestry Struggles Each Time He Fills Out A Form

LAist
2020-12-06

Thomas Lopez

“Mr. Lopez, we need you to turn in the form declaring your son’s race,” said the administrator from my son’s school.

In second grade, we transferred him to LAUSD from his parochial school and filed the necessary stack of paperwork, save one form. That was the statement of racial identity.

It wasn’t intentional, just an honest mistake. But it wasn’t one the school would easily overlook. They called my wife and me individually to obtain the form.

Completing this form was not easy. My son is multiracial — Black, white and Native American. I too am multiracial white and Latino. My wife and I are Mexican American…

Read the entire article here.

University of California, Santa Barbara (UCSB) Special Research Collection

Library at University of California, Santa Barbara
2022-08-22

G. Reginal Daniel, Professor of Sociology
University of California, Santa Barbara

G. Reginald Daniel, UCSB Professor of Sociology and member of the Advisory Board of MASC (Multiracial Americans of Southern California), and Paul Spickard, UCSB Professor of History, in coordination with Danelle Moon, Head of UCSB Library Special Research Collection, have been collecting primary documents from support and educational organizations involved in the multiracial movement, particularly from the late 1970s through the early 2000s. This period was the height of discussions surrounding changes in official data collection on race, as in the census, to make it possible for multiracial individuals to identify as such.

HISTORY

Beginning in the late 1970s and early 1980s, interracial families and multiracial adults became part of a multiracial movement that endeavored, among other concerns, to change official racial-data collection standards that required individuals to identify with only one racial background. Activists were unsuccessful in bringing about changes on the 1990 census. Yet their efforts intensified in the wake of the census. Consequently, by the 2000 census, for the first time, and largely through the activism of multiracial organizations, multiracial-identified individuals were allowed to self-enumerate by checking more than one racial box on the census.

On the 2000 census, multiracials (or the “more than more race” population) totaled 7 million or 2.4 percent of the population. Based on 2010 census data their numbers increased to 9 million people—or 2.9 percent of the population. Although multiracials still make up only a fraction of the total population, this is a growth rate of about 32 percent since 2000.

WHY CALIFORNIA, WHY SANTA BARBARA

The West Coast, particularly California and Hawaii, has the highest concentration of interracial couples and the largest number and highest proportion of multiracial-identified individuals. California, in particular, has been a major center of multiracial activism, as well as academic research and university courses on multiracial identity. The University of California, specifically the Berkeley and Santa Barbara campuses, has the longest-standing university courses on this topic in the United States.

The UCSB Library Special Research Collection currently holds documents from iPride (Interracial/Intercultural Pride) and MASC, which, along with IMAGE, the Amerasian League, and Hapa Issues Forum, are among the local support and educational organizations founded in California. The Association of MultiEthnic Americans (AMEA), which was a national umbrella organization for numerous local groups, as well as A Place for Us National (APUN), which was another national organization, originated and maintained headquarters in California. Project RACE (Reclassify All Children Equality) is an additional national organization with headquarters in California although it was originally located in Roswell, George. That said, iPride and MASC are the two oldest organizations founded in California as well as two of the oldest organizations nationally. Moreover, they were two of the organizations most actively involved in deliberations surrounding the collection of official data on race.

HOW TO CONNECT

The documents from iPride and MASC have been catalogued and are ready for public perusal by those interested in consulting primary documents on the multiracial movement. Currently, the items can only be viewed within the Special Research Collection reading room. Hopefully, the library will be able, at some point in the near future, to secure funding to make many, if not all, of the documents available online. A list of the library holdings can be found on the UCSB Library website (https://www.library.ucsb.edu) under the heading “Archives and Manuscripts” by entering “Multiracial” in the “Search” box. That will take clients to the individual iPride and MASC collections. Clients can download a pdf that contains the specific holdings for each organization after clicking on the red- highlighted organization titles. Go to the upper righthand corner and click “View entire collection guide.” Subsequent documents donated by other organizations will be similarly catalogued.

Betty Reid Soskin: The extraordinary life of the nation’s oldest park ranger

Berkeleyside
Berkeley, California
2022-04-01

Daphne White

In this 2018 interview with Soskin who retired Thursday at the age of 100, the nation’s oldest park ranger said she considers herself “an absolutely ordinary extraordinary person.”

Editor’s note: This story was originally published in February 2018. We’re resharing it because Betty Reid Soskin, the nation’s oldest active park ranger, retired Thursday at the age of 100.

Betty Reid Soskin, 96, considers herself “an absolutely ordinary extraordinary person.”

Soskin has dated Jackie Robinson, co-founded Reid’s Records in Berkeley with her first husband, served as a “bag lady” (delivering cash) for the Black Panthers, and hobnobbed with the leaders of the human potential movement as a faculty wife with her second husband.

She also served in a Jim Crow segregated union hall in Richmond during World War II, experienced redlining in Berkeley when she tried to build her first house, moved to a racially-hostile Walnut Creek in the 1950s, and accidentally catapulted to fame in her 80s, as she brought her lived experience as a non-Rosie to the Rosie the Riveter/World War II Home Front National Historical Park…

Read the entire article here.

‘We Are Black. We Just Speak Spanish’: Why Some Afro Latinos Want More Visibility During Black History Month

KQED News
San Fransisco, California
2022-02-18

Blanca Torres

Nelson German, the chef and owner of alaMar, a seafood restaurant in Oakland, remembers the day a Black family asked a staffer about the Black owner they had heard about.

“This isn’t a Black-owned restaurant,” he recalled the staffer telling the family. “This is a Dominican-owned restaurant.”

Hearing about that interaction was a turning point for German. As a Black Dominican American, German, 41, realized he hadn’t done enough to educate those around him about his Blackness and the importance of it.

“We are Black. We are part of the African diaspora. We just speak Spanish,” German said. “The African continent influenced the world. We should embrace that, and really give tribute to it now, because there’s a lot of people who had to shed their blood and sacrifice their lives for us to be in this position. We should show them some respect.”

“So, I always say Afro Latino,” he said…

Read the entire article here.

Betty Reid Soskin shares forgotten histories as a national park ranger

The San Francisco Chronicle
2021-06-02

Brittany Bracy
Las Positas College, Livermore, California

The nation’s oldest ranger is hopeful for tomorrow: ‘I get a feeling that change is going to come’

At age 85, Betty Reid Soskin started a new career. She took a job as a park ranger at Rosie the Riveter WWII Home Front National Historical Park in Richmond, sharing her story and the story of Black women’s and men’s efforts during World War II with visitors who are often familiar with the white “We Can Do It!” propaganda figure — and little else.

Soskin grew up in Oakland in the 1920s and ’30s, and well before she became the country’s oldest park ranger, she found ways to contribute to her community. She has been a record store owner, a fundraiser for the Black Panthers and a political aide during her “ordinary extraordinary” life.

Now 99, Soskin has used her platform with the National Park Service to educate the public about crucial moments in history and highlight the sacrifices of those whose names are often left out of the retellings. As she approaches her 100th birthday this year, Soskin’s wisdom and courage continues to have a positive impact on California residents and institutions.

This interview is part of Lift Every Voice, a series that connects young Black journalists with Black elders in our communities to celebrate and learn from their life experiences. The San Francisco Chronicle has joined Hearst newspapers, magazines and television stations to publish dozens of profiles as part of the project…

Read the entire interview here.

I Hear the Train: Reflections, Inventions, Refractions

University of Oklahoma Press
October 2001
282 pages
6 X 9
12 B&W Photos
Hardcover ISBN: 9780806133546
Paperback ISBN: 9780806190143

Louis Owens (1948-2002), Professor of English and Native American Studies
University of California, Davis

In this innovative collection, Louis Owens blends autobiography, short fiction, and literary criticism to reflect on his experiences as a mixedblood Indian in America.

In sophisticated prose, Owens reveals the many timbres of his voice—humor, humility, love, joy, struggle, confusion, and clarity. We join him in the fields, farms, and ranches of California. We follow his search for a lost brother and contemplate along with him old family photographs from Indian Territory and early Oklahoma. In a final section, Owens reflects on the work and theories of other writers, including Gayatri Chakravorty Spivak, Gerald Vizenor, Michael Dorris, and Louise Erdrich.

UT students, staff reflect on experiences with racial passing

The Daily Texan: Serving the University of Texas at Austin Community Since 1900
2021-12-05

Sofia Treviño, Life & Arts Senior Reporter

Julius Shieh/The Daily Texan

Disliking her paler skin compared to other darker-complected Hispanics growing up, Rachel González-Martin spent hours lying under the sun willing herself to tan. Only burning and turning red, she grew frustrated. González-Martin wanted others to easily recognize her as Hispanic.

“There’s who we know we are and how we tell our own story, but we can never escape from what people see in us or read from our appearance,” the associate professor of Mexican American and Latina/o studies said.

Racial passing — a term used to describe those perceived as a member of another racial group than their own — can affect how closely people connect to and feel a part of their communities. For UT students and staff, the process of navigating different cultural stereotypes and learning to embrace their identities regardless of their appearance remains a lifelong project.

Growing up in Oakland, California, with very few fellow Hispanics, González-Martin felt she needed to physically show her identity. However, as she’s grown older, she said she’s learned to accept her own meaning of belonging to a community aside from outside biases…

Read the entire article here.

In Hip-Hop and Academia, Mystic Defines Her Own Success Story

KQED
San Francisco, California
2021-12-01

Nastia Voynovskaya, Associate Editor

Mystic sits in her backyard on the kind of warm, autumn afternoon that makes people remark at how good it is to live in Oakland, California. Dappled light shines through a lush canopy of persimmon, fig and guava trees. Her pet lovebird chirps in the distance, and she’s snacking on almonds between Zoom calls with young musicians she mentors.

This is the veteran hip-hop artist’s little oasis, away from the unruliness of the city, where she ponders the changing seasons of life, love and art.

It’s a good time for reflection. The recent loss of her longtime close friend and Digital Underground collaborator, Shock G, shook her deeply. That, and the grief of living during a global pandemic, prompted her to listen inward and ask herself what would fulfill her soul right now.

“I mean, shouldn’t we be doing what we love? Isn’t it the time now?” she asks in her naturally poetic cadence, lowering her voice into a near-whisper. Then, she starts to get louder and more passionate, as if proclaiming a manifesto: “If we’re artists, and art is part of our healing journey, then we should all be making art right now, right? There should be art flooding our speakers and our museums and our buildings, right? Public art.”

And for Mystic, one of the roles of hip-hop as a public art form is to bring traumas out of darkness and into the light, where they can be examined and processed—maybe even let go—in communion with others. That’s the power of her classic album Cuts for Luck and Scars for Freedom, whose 20th anniversary Mystic is celebrating this year. She recently took ownership of the master recordings and put out a podcast series looking back at its creation. Now, she’s gearing up for a vinyl rerelease in December.

From the outside, it might look like Mystic is recommitting to her art after years of focusing on her other loves: academia and teaching. After Cuts for Luck and Scars for Freedom was released to great acclaim, she walked away from a record deal and took a different path that brought her to UC Berkeley and, eventually, the University of Oxford for her master’s degree in education. For years, she spent more time in kindergarten classrooms than on stage in front of fans. But to Mystic, these multiple pursuits are all part of one continuous quest to create, express and be of service.

“It takes life to make art,” she texts me after one of our conversations. “There are times of input and times of output. I take my time for input, and that includes healing, living, loving, working with children, school and community. When my art is ready to be born, that is output. That is all 😉.”…

Read the entire article here.

Review: Grafton Tyler Brown’s California scenes at Pasadena museum’s final show

The Los Angeles Times
2018-06-30

Christopher Knight, Art Critic

In 1879, Grafton Tyler Brown took a giant leap. A successful San Francisco businessman, then 38, he decided to become a Western scene painter. Brown sold his thriving lithography company and headed out to see the sights, brush in hand.

Over the course of the next dozen years, he produced picturesque portraits of Mt. Shasta and Mt. Rainier, the Cascade Gorge along the Columbia River and the geysers of the newly anointed National Park at Yellowstone. A sliver of what he saw on those wide-ranging travels is now on view in “Grafton Tyler Brown: Exploring California,” a modest exhibition at the Pasadena Museum of California Art.

Two other Brown exhibitions have been done — the first at the Oakland Museum in 1972, which focused on his commercial lithographs, and a 2003 survey of 49 paintings at the California African American Museum. (The painting show traveled to Baltimore’s Walters Art Museum.) One wishes that the Pasadena show had managed a full overview of his entire output, lithographs and paintings alike. That’s long overdue…

…Much more deserves to be known about Brown, the first African American artist believed to have been working in 19th century California. Light-skinned, he began to pass as white sometime after moving west from Harrisburg, Penn.

He launched G.T. Brown & Co. just as the Civil War was ending — perhaps a sign of candid optimism — and the business prospered throughout the Reconstruction era. But with patrons such as Benjamin Franklin Washington, editor of the then-openly racist San Francisco Examiner, Brown lived with the grinding daily risk of exposure. One cannot help but wonder whether the fitful end of Reconstruction in 1877, with its troubled aftermath for black Americans, might have propelled his decision to head out into the wilderness to paint scenic landscapes…

Read the entire review here.

Colin Kaepernick Netflix Series ‘Colin in Black and White’ Drops New First-Look Clip

Variety
2021-09-25

COURTESY OF NETFLIX

Netflix has released a new first-look clip of “Colin in Black and White,” which tells the story of former NFL player Colin Kaepernick during his high school years growing up in central California.

The clip was released as part of the Netflix Tudum fan event. Kaepernick explained during his introduction of the clip that the six-part narrative drama produced with Ava DuVernay focuses on his high school years growing up in Turlock, Calif., a mid-sized city 60 miles east of San Jose, as the Black adopted son of white parents in a largely white community. As depicted in the clip, in high school Kaepernick set his sights set on becoming a professional baseball player.

The half-hour series is set to debut on Netflix on Oct. 29. Jaden Michael will star as a young Kaepernick, with the real Kaepernick appearing throughout as the narrator…

Read the entire article here.