Mixed Race Studies

Slaves In The Family with Edward Ball

Research at the National Archives and Beyond
BlogTalk Radio
Thursday, 2013-05-16, 21:00-22:00 EDT, (Friday, 2013-05-17, 01:00-02:00Z)

Bernice Bennett, Host

Edward Ball, Lecturer in English
Yale University

If you knew that you were a descendant of a slave- owner, would you tell anyone?

If you had an opportunity to apologize to descendants of those enslaved by your family, would you?

Edward Ball is a writer of narrative nonfiction and the author of five books, including The Inventor and the Tycoon (Doubleday, 2013), about the birth of moving pictures. The book tells the story of Edward Muybridge, the pioneering 19-century photographer (and admitted murderer), and Leland Stanford, the Western railroad baron, whose partnership, in California during the 1870s, gave rise to the visual media.

Edward Ball’s first book, Slaves in the Family (1998), told the story of his family’s history as slave-owners in South Carolina, and of the families they once enslaved. Slaves in the Family won the National Book Award for nonfiction, was a New York Times bestseller, was translated into five languages, and was featured on Oprah.

Edward Ball was born in Savannah, raised in Louisiana and South Carolina, and graduated from Brown University in 1982. He worked for ten years as freelance journalist in New York, writing about art and film, and becoming a columnist for The Village Voice.

His other books, all nonfiction, include The Sweet Hell Inside (2001), the story of an African-American family that rose from the ashes of the Civil War to build lives in music and in art during the Jazz Age; Peninsula of Lies (2004), the story of English writer Gordon Hall, who underwent one of the first sex reassignments—in the South during the 1960s—creating an outrage; and The Genetic Strand, about the process of using DNA to investigate family history.

Edward Ball lives in Connecticut and teaches at Yale University.

One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval (at University of California, Santa Barbara)

University of California, Santa Barbara
MultiCultural Center Theater [Directions] [Map]
University Center, Room 1504
Tuesday, 2013-05-07, 18:00-20:00 PDT (Local Time)

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Jillian Pagan, Director

Produced by: Ben Affleck, Matt Damon and Chay Carter

Q&A afterwards hosted by:

G. Reginald Daniel, Professor of Sociology
University of California, Santa Barbara

Fanshen Cox DiGiovanni returns to the West Coast after a phenomenally successful performance at the University of Maryland.

Incorporating filmed images, photographs and animation, this one-woman show tells the story of how the notion of ‘race’ came to be in the U.S., and its effects on the narrator’s relationship with her father—a journey that will take audiences from the 1600s to the present, to cities all over the U.S. and to West and East Africa, where both father and daughter spent time in search of their ‘racial’ roots.

Fanshen Cox DiGiovanni. ^©2103, Evan Tamayo

Fanshen Cox DiGiovanni is a leading activist concerning mixed race, and is an actor, comedian, producer and educator. One Drop of Love is her MFA thesis, and she will be using footage from her performances to make a documentary.

Fanshen and her father after University of Maryland performance. (2013-03-29). ^©2013, Marvin T. Jones

Ms. Cox DiGiovanni appeared in the 2013 Academy Award and Golden Globe winning film Argo (2012); co-created, co-produced and co-hosted the award-winning weekly podcast Mixed Chicks Chat (2007-2012); and co-founded and produced the annual Mixed Roots Film & Literary Festival^® (2008-20012). For more on Ms. Cox DiGiovanni and One Drop of Love, visit: http://www.onedropoflove.org.

G. Reginald Daniel is a professor of sociology at the University of California at Santa Barbara and a leading expert in field of critical mixed race studies. He received the 2012 Loving Prize from the Mixed Roots Film and Literary Festival in Los Angeles for his lifelong work as a scholar and participant within the multiracial community. He is the author of More Than Black? Multiracial Identity and the New Racial Order (Temple University Press, 2001) and Race and Multiraciality in Brazil and the United States: Converging Paths? (Pennsylvania State University Press, 2006). He is also the author of over 40 chapters and articles dealing with the topic of multiraciality. His latest book is Machado de Assis: Multiracial Identity and the Brazilian Novelist (Pennsylvania State University Press, 2012).

Fanshen and her parents after University of Maryland performance (2013-03-29). ^©2013, Michael J. Hardy

Admission is free.

For more information, click here.

Affirmative Action in Brazil: Slavery’s Legacy

The Economist
Americas View: The Americas
2013-04-26

H.J.
São Paulo

TO SUM up recent research predicting a mixed-race future for humanity, biologist Stephen Stearns of Yale University turns to an already intermingled nation. In a few centuries, he says, we will all “look like Brazilians”. Brazil shares with the United States a population built from European immigrants, their African slaves and the remnants of the Amerindian population they displaced. But with many more free blacks during the era of slavery, no “Jim Crow” laws or segregation after it ended in 1888 and no taboo on interracial romance, colour in Brazil became not a binary variable but a spectrum.

Even so, it still codes for health, wealth and status. Light-skinned women strut São Paulo’s upmarket shopping malls in designer clothes; dark-skinned maids in uniform walk behind with the bags and babies. Black and mixed-race Brazilians earn three-fifths as much as white ones. They are twice as likely to be illiterate or in prison, and less than half as likely to go to university. They die six years younger—and the cause of death is more than twice as likely to be murder…

…Brazilians’ notions of race are indeed changing, but only partly because of quotas, and more subtly than the doom-mongers fear. The unthinking prejudice expressed in common phrases such as “good appearance” (meaning pale-skinned) and “good hair” (not frizzy) means many light-skinned Brazilians have long preferred to think of themselves as “white”, whatever their parentage. But between 2000 and 2010 the self-described “white” population fell by six percentage points, while the “black” and “mixed-race” groups grew.

Researchers think a growing pride in African ancestry is behind much of the shift. But quotas also seem to affect how people label themselves. Andrew Francis of Emory University and Maria Tannuri-Pianto of the University of Brasília (UnB) found that some light-skinned mixed-race applicants to UnB, which started using racial preferences in 2004, thought of themselves as white but described themselves as mixed-race to increase their chances of getting in. Some later reverted to a white identity. But for quite a few the change was permanent…

Read the entire article here.

Race-Crossing

Sacramento Daily Union
Volume 2, Number 4 (1890-06-08)
page 1, column 4
Source: California Digital Newspaper Collection

Lima, the capital of Peru, is pronounced to be the headquarters of all the world’s mongreldom. Its population is the product of three centuries of race-crossing, and a scientific investigator finds easily distinguishable among the inhabitants the following crosses:

Cholo, offspring of white father and Indian mother.
Mulatto, offspring of white father and negro mother.
Quadroon, offspring of white father and mulatto mother.
Quinteroon, offspring of white father and quadroon mother.
Chino, offspring of Indian father and negro mother.
Chino Cholo, offspring of Indian father and Chinese mother.
Chino Oscuro, offspring of Indian father and mulatto mother.
Sambo China, offspring of negro father and mulatto mother.
Sambo, offspring of a mulatto father and Sambo Chino mother.
Sambo Claro, offspring of Indian father and Sambo Chino mother.

These are the most notable crosses, but there are many others.

Dimensions Variable: Multiracial Identity

RUSH Arts Gallery
526 West 26th St, #311
New York, New York
Phone: 212-691-9552
2013-04-04 through 2013-05-10

Opening Reception: Thursday, 2013-04-04, 18:00-20:00 EDT (Local Time)
Artist Talk: Saturday, 2013-05-04, 16:00-18:00 EDT (Local Time)

Firelei Báez, Yael Ben-Zion, Cecile Chong, Dennis Redmoon Darkeem, Nicky Enright, Lorra Jackson, Sara Jimenez, and Saya Woolfalk

Curated by Gabriel de Guzman

The 2010 census shows a 32 percent increase since 2000 of Americans who identify themselves as belonging to a multiracial background. They represent the growing multiracial diversity that has become more evident in our country and in our communities during the Obama era. Dimensions Variable: Multiracial Identity features artists whose work expresses various aspects of their diverse, yet highly individual backgrounds. The exhibition attempts to move beyond the polarized discussions of race and identity politics of the 1980s and 90s and past the limitations imposed by political correctness. It also contests the idea of a “post-racial” society presented by political commentators after the election of Barack Obama. In the four years since the biracial president’s first inauguration, race has remained a critical and contentious topic in national politics. Challenging a monolithic view of race, this exhibition examines contemporary issues of identity, hybridism, and racial ambiguity. At times the artists in the show directly tackle issues that relate to race and cultural awareness. At other times, the artists deal with these issues subtly by acknowledging the spread of multiculturalism in our global society and the ways in which race and ethnicity are fluid and dependent upon perception and context…

Read the entire announcement here.

Becoming Mexipino: A Book Event with Rudy Guevarra Jr.

California State University, Fullerton
Langsdorf Hall 402 (Map)
Thursday, 2013-04-25, 16:00-17:30 PDT (Local Time)

Rudy Guevarra, Jr., Assistant Professor, Asian Pacific American Studies, School of Social Transformation, College of Liberal Arts and Sciences
Arizona State University, Tempe

Becoming Mexipino is a social-historical interpretation of two ethnic groups, one Mexican, the other Filipino, whose paths led both groups to San Diego, California from 1900-1965. Rudy Guevarra Jr. traces their earliest interactions under Spanish colonialism, when they did not strongly identify as Mexican or Filipino, to illustrate how these historical ties and cultural bonds laid the foundation for what would become close interethnic relationships and communities in twentieth-century San Diego as well as in other locales throughout California and the Pacific West Coast.

This event is sponsored by the Department of African American Studies and Humanities & Social Sciences. For more information, please contact Dr. Edward Robinson.

SNAPSHOT: “a true story of love interrupted by invasion”

Greenway Court Theatre
544. N. Fairfax Avenue
Los Angeles, California
2013-04-04 through 2013-04-21

Mitzi Sinnott

A daughter’s journey through a landscape of years, memories and realities, initiated by her questioning, “what do I know about war?”  The answers are lying in an album of faded photos of her absent father, who left for the Vietnam War before she was born.  Fusing words, dance, music and film this story chronicles the quest of a mixed-race daughter from Southern Appalachia who eventually finds her homeless Veteran father suffering in Hawaii.

Her growing insights reveal how the forces of history, race and war affected herself and her family, and the torn fragments of her life begin to re-connect. SNAPSHOT honors her father and other Vietnam Veterans who have been lost under the avalanche of history. This play is a daring look at the truth of our past and an inspiring example of the need for us to reconcile our history—one life at time.

For more information, click here.

Japanese American Student Alliance: Ha-fu: Exploring Half Asian Identity

George Washington University
Marvin Center, Amphitheater (view map)
800 21st Street, NW
Washington, D.C. 20052
2013-04-28, 12:00-16:00 EDT (Local Time)

Learn more about GW’s multiracial experience as a student panel discusses their perspectives and shares their stories.

The George Washington University Presents:
2013 Asian Pacific Islander Celebration
Many Voices, One Song

Sponsored by the George Washington University Student Association, Asian Student Alliance, Chinese American Student Association, Hawaii Club, Japanese American Student Alliance, Korean Cultural Organization, Kappa Phi Lambda, Inc., Philippine Cultural Society, Pi Delta Psi, Inc., Sigma Psi Zeta, Inc., Vietnamese Student Association.

For more information, click here.

“One-Drop: Fact, Fiction, or Fate?” by Dr. Yaba Blay, April 13th at 7pm in Stirn Auditorium

Amherst College
Stirn Auditorium, Mead Art Museum
Amherst, Massachusetts
Saturday, 2013-04-13, 19:00 EDT (Local Time)

What exactly is Blackness and what does it mean to be Black? Is Blackness a matter of biology or consciousness? Who determines who is Black and who is not? The State, the society, or the individual? On April 13th at 7pm, Dr. Yaba Blay, an Africana Studies professor at Drexel University [and artistic director and producer of the (1)ne Drop Project], will present at Amherst in Stirn Auditorium. “One-Drop: Fact, Fiction, or Fate?” provides a brief social history of the laws instituted to regulate social interactions between the races and thus outlines how it is that the United States came to adopt the one-drop rule as the specific, and seemingly quantitative definition of Black identity. This presentation highlights the lived experiences of individuals for whom the one-drop rule exacts its influence most. There will be food and drinks!

For more information, click here.

Special Event: An Evening with U.S. Poet Laureate Natasha Trethewey

The Newseum
Walter and Leonore Annenberg Theater
555 Pennsylvania Avenue, N.W.
Washington, D.C. 20001
Telephone: 888/NEWSEUM (888/639-7386)
Tuesday, 2013-04-16, 23:00Z (19:00 EDT Local Time, 16:00 PDT)
This event will be streamed live on Newseum.org

The 19th U.S. Poet Laureate Consultant in Poetry, Natasha Trethewey will read selections from her work, followed by a conversation with Charles Haynes of the First Amendment Center, about her poetry, her national role, and the place of poetry in society. She is currently the Robert W. Woodruff Professor of English and Creative Writing at Emory University.

Trethewey was born in Gulfport, Miss., on April 26, 1966. She is the author of four poetry collections and a book of creative non-fiction. Her honors include the Pulitzer Prize and fellowships from the Guggenheim Foundation and the National Endowment for the Arts. In 2012, she was appointed State Poet Laureate of Mississippi.

Emory University president James W. Wagner will also pay tribute to the university’s long history with poets and their art, much of which is housed in Emory’s Manuscript, Archives and Rare Book Library collections.

Emory alumni board president Isabel Garcia will emcee the evening.

The event is free and open to the public, but space is limited. For more information, click here.