Mixed Race Studies

There Will Be No More Daughters, Poems

Northwestern University Press
2019-10-15
120 pages
Trim size 6 x 9
Trade Paper ISBN: 978-1-941423-03-5

Christine Larusso

At once sharp and tender, this debut collection from Christine Larusso (winner of the Madeleine P. Plonsker Emerging Writers Residency Prize) overflows with all the sorrows and ecstasies, the violations and acts of revenge, of girlhood and women’s coming-of-age. Set against the landscape of Southern California, where wide, wild expanses mingle with segregated sprawl, written from the viewpoint of a woman in a multiracial family, There Will Be No More Daughters has one foot planted in the firm realities of patriarchal domination, racial unbelonging, sex, death, and intergenerational alcoholism—and another in vivid flights of dream and dissociation.

I’m black. My siblings aren’t. What people need to know about Latinos and diversity.

The Boston Globe Magazine
2019-10-27

Karina E. Cueavas, Producer
Telemundo Boston, NBC Universal

Adobe Stock

What Big Papi, Gwen Ifill, and Celia Cruz have in common.

“Is she adopted?” That was the first question my brother’s math teacher asked my mom as we awaited seating at his ninth-grade graduation ceremony. I was only in fifth grade and I didn’t know what adopted meant. But I did see my mom’s frown. Her mouth twitched and I knew what was about to come wouldn’t be nice.

Minutes later my dad walked up to my mom, who was fuming. Asked what happened and she let him know. My dad only wished he were present to give the math teacher a piece of his mind.

My mom had already cursed Mr. Tonato out. And she had every right to do so. Now, let me make it very clear: Being adopted is wonderful, but I was the biological product of two very different looking people. And to many that was an alien concept. Little did I know that wasn’t the first time my parents ever got asked that question. It was just the first time I ever heard it. It certainly wouldn’t be the last.

I’m Afro-Latina. My mom is a white Latina and my siblings have her skin tone. Our dad is Afro-Latino. Both my parents are originally from the Dominican Republic. And this has been our story throughout my entire life. My mom having to explain to people that I’m her daughter. Me trying to teach people that Latinos come in different shades, sometimes all within one family. To add to some people’s confusion, my siblings and I are bilingual — we speak Spanish, our parents’ native language.

The kicker here — I grew up in New York City. The melting pot of the United States. Sometimes it felt suffocating to navigate the streets feeling as if even in such a diverse city, I didn’t belong. I wasn’t alone in that train of thought. I was part of what the book The Afro-Latin@ Reader describes in detail: “a large and vibrant, yet oddly invisible community in the United States: people of African descent from Latin America and the Caribbean.”…

Read the entire article here.

Piya Chattopadhyay reflects on the privilege of racial passing

CBC Radio
2019-09-20

Piya Chattopadhyay, Host
Out in the Open

Piya Chattopadhyay’s daughter and twin sons (Submitted by Piya Chattopadhyay)

‘I spend a lot of time looking at my children and wondering to myself what their skin tone means in 2019’

My daughter Jasmine has light brown hair and hazel eyes.

My son Niko’s hair is even lighter, but his eyes are dark brown.

Same goes for my other son Julian (which makes sense, since they’re identical twins).

They’re all tall and lean. And they’re all fair-skinned, the kind that no amount of sunscreen seems to stave off a sunburn.

By appearance, they take after their father and his lineage.

So I’m forgiving when people say, “They don’t look like you at all,” but a little less forgiving when people confuse me for their nanny…

Read the entire article here.

ASRC 3310 Afro-Asia: Futurism and Feminisms

Cornell University, Ithaca New York
Fall 2019

Tao Goffe, Assistant Professor, Africana Studies, Feminist, Gender, and Sexuality Studies

Crosslisted as: ASRC 3310, COML 3310, F688 3310 Semester

This course explores cultural representations of Afro-Asian intimacies and coalition in novels, songs, films, paintings, and poems. What affinities, loves and thefts, and tensions are present in cultural forms such as anime, jazz, kung fu, and K-pop? Students will consider the intersections and overlap between African and Asian diasporic cultures in global cities such as New York, Chicago, Havana, Lahore, Kingston, and Hong Kong to ask the question: when did Africa and Asia first encounter each other? This will be contextualized through a political and historical lens of the formation of a proto-Global South in the early twentieth, Afro-futurism, women of color feminisms, and Third World solidarity and internationalism. Tackling issues of race, gender, sexuality, and resistance, this seminar also reckons with the intertwined legacies of the institutions of African enslavement and Asian indenture by reading the novels of Patricia Powell and the paintings of Kehinde Wiley, for instance. Students will work in groups to produce Afro-Asia DJ visual soundtracks as part of the final project.

APA Leaders 2016: Meet Avalon Igawa!

USC APASA (University of Southern California Asian Pacific American Student Assembly)
2016-03-10

Hi again! Hope everyone’s doing well with only one day left to get through before spring break! Anyways, as our headline says, our third APA Leader is Avalon Igawa! Avalon’s heavily involved in the APA community being the President of SCAPE and a CIRCLE coordinator. It’s hard to find someone with her passion and energetic personality! Read more about Avalon in our interview below:

Name: Avalon Igawa Major: Political Economy (Minor: Digital Studies) Year: Junior

What does being APA mean to you? I’ve been doing a lot of thinking about this question, and I realize that while it used to be really hard for me, it isn’t so much anymore. And I think that’s because I finally accepted that I don’t need a concrete answer and nobody else does either. It’s a beautiful identity because we can define it for ourselves and let it represent what we want. Wow, that sounded really cheesy, but I feel like it’s true! It took me a long time to accept that I could identify as Asian Pacific American and that I wasn’t erasing my mixed identity. I can be APA and I can be Irish American and I can be mixed. Because for me, being APA means that I can relate to the stories of other APAs and recognize the diversity of all the deep complex histories and narratives that have shaped so many of our experiences. Being APA represents hxstory and struggle, but most of all it represents community. And that’s what I love about it so much…

Read the entire interview here.

Shadow Child, A Novel

Grand Central Publishing (an imprint of Hachette Book Group)
2018-05-08
352 pages
6.4 x 1.2 x 9.4 inches
Hardcover ISBN: 978-1538711453

Rahna Reiko Rizzuto

For fans of Tayari Jones and Ruth Ozeki, from National Book Critics Circle Award finalist Rizzuto comes a haunting and suspenseful literary tale set in 1970s New York City and World War II-era Japan, about three strong women, the dangerous ties of family and identity, and the long shadow our histories can cast.

Twin sisters Hana and Kei grew up in a tiny Hawaiian town in the 1950s and 1960s, so close they shared the same nickname. Raised in dreamlike isolation by their loving but unstable mother, they were fatherless, mixed-race, and utterly inseparable, devoted to one another. But when their cherished threesome with Mama is broken, and then further shattered by a violent, nearly fatal betrayal that neither young woman can forgive, it seems their bond may be severed forever–until, six years later, Kei arrives on Hana’s lonely Manhattan doorstep with a secret that will change everything.

Told in interwoven narratives that glide seamlessly between the gritty streets of New York, the lush and dangerous landscape of Hawaii, and the horrors of the Japanese internment camps and the bombing of Hiroshima, Shadow Child is set against an epic sweep of history. Volcanos, tsunamis, abandonment, racism, and war form the urgent, unforgettable backdrop of this intimate, evocative, and deeply moving story of motherhood, sisterhood, and second chances.

Hachimura, Japan’s mixed-race basketball star who once ‘hid from the world’

Japan Today
2019-08-26

Natsuko Fukue

Japan’s Rui Hachimura is set to star at the basketball World Cup. Photo: AFP

TOKYO — Rui Hachimura says he gets his height from his Beninese father and his work ethic from his Japanese mother — a combination that has propelled him to basketball stardom.

The 21-year-old made history in June when he became the first Japanese to be selected in the first round of the NBA draft, picked up by the Washington Wizards.

And like tennis superstar Naomi Osaka, Hachimura’s fast-growing fame is raising the profile of biracial sportspeople in a homogeneous country where mixed-race children still face prejudice.

Hachimura, who is 203 cms tall, will lead Japan’s challenge at the basketball World Cup in China, which begins on Saturday. He is also poised to be a poster boy the hosts at the Tokyo 2020 Olympics. Big pressure for one so young.

As a child Hachimura stood out in Japan — and not just because of his height. “I inherited my body from my father and my diligence from my mother,” he said in a recent interview with the Mainichi Shimbun daily.

He now feels a sense of pride at being biracial but admits to feeling self-conscious about it when he was a child…

Read the entire article here.

Mom Was a Brown-Skinned Asian Migrant. She Was Also Racist. Now What?

Human Parts
2019-08-05

Kate Rigg, Actor, Writer, activist, futurist, culture vulture, Amerasian rebel

That’s her on the left. She loved sunglasses. And me. And whiteness. All photos taken/owned by the author.

The dirty little secret of my New American family

Both sides of my family, the white one but especially the Southeast Asian one, are going to freak when they see that title. However, since my mom went to the great Gucci outlet in the sky a few years ago, there is no one here to throw a massage sandal at my head and verbally assault me for an hour in response. And my dad barely does email, let alone read blogs, so let’s continue.

The title of my story is the great unspoken truth for many of us North Americans “of color.” I have heard my mom say, “Send them back!” in various political and casual conversations concerning various ethnic groups — including her own…

Read the entire article here.

Alternate lives: Korean orphans’ quests for answersAlternate lives: Korean orphans’ quests for answers

France 24
2019-08-23

Seoul (AFP)

On a summer’s day in 1985 a seven-year-old boy sat alone at a crowded bus station in Seoul, sobbing as he waited desperately for his mother to return.

Jo Youn-hwan was wearing a baseball uniform that his mother had bought him a few days before — the only gift she had ever given him.

She told him to wait for her before leaving him at the terminal. So he did, increasingly terrified as day turned to dusk.

“I’ll be a really good kid if only she chooses to return,” he promised himself, over and over again. “I’ll be a really, really good kid.”

She never did…

…International adoption from South Korea began after the Korean War as a way to remove mixed-race children, born to local mothers and American GI fathers, from a country that emphasized ethnic homogeneity.

More recently the main driver has been babies born to unmarried women, who still face ostracism in a patriarchal society, and according to historians, are often forced to give up their children.

Most children remain institutionalised till adulthood as many South Koreans are reluctant to adopt. The country has sent some 180,000 children overseas over the years, mostly to the US…

Read the entire article here.

The Gap Toothed Banister: A Tale of Anglo-India

Niyogi Books
2013-09-16
297 pages
5.5 x 0.6 x 8.5 inches
Paperback ISBN: 978-9381523711

Juliette Banerjee

The Gap-Toothed Banister – A Tale of Anglo-India is a close, compassionate look by Juliette Banerjee, an Anglo-Indian, at her community facing the challenges of change. It portrays with clarity the lives of Anglo-Indians in Calcutta during the 60s and 70s. In a shabby apartment block in Central Calcutta, four families, the Renshaws, the D’Cruzes, the Johnsons and the Vincents live in harmony. This smooth tempo changes forever one humid night when one of the families’ children are singled out, one lauded, the other randomly attacked. Tragedy and horror seem to haunt the apartment block. The next day a resident is raped by a servant. The social fabric has been rent in a way that tilts this world. It brings together all the other families of the ‘mansion’, as this block of flats is wryly nicknamed. The Gap-Toothed Banister is a love story, not in kindergarten hues but with softer colours of hope and faith. It is a story of a people more confused than disloyal, puzzled by a lack of appreciation for their myriad talent and fuelled by an anger at what is perceived as scornful rejection. The Gap-Toothed Banister will be of immense interest to all curious about the mores and magic of Anglo-India.