Mixed Race Studies

2024 Critical Mixed Race Studies Conference Call for Proposals

Critical Mixed Race Studies Association
2023-08-24

The biannual CMRSA conference, More than Betwixt and Between: Solidarity and Liberation in Beloved Communities will take place at The Ohio State University from June 13-15, 2024 in Columbus, Ohio and online.

The 2024 CMRSA Conference Planning Committee is excited to announce the theme for our 7th biennial Critical Mixed Race Studies Conference, taking place both virtually and in person at The Ohio State University. We are hosting the hybrid conference during the week of Loving Day, the anniversary of the June 12, 1967 Loving v. Virginia U.S. Supreme Court decision that struck down the remaining laws banning interracial marriage. The conference will also take place during Columbus, Ohio’s Pride weekend. In this spirit, we can mobilize love as an act of radical resistance against white supremacy and forms of intersectional oppression. Within the structure of white supremacy, people identified or identifying as multiracial, mixed, or adopted have often been placed in “liminal spaces,” or forced to navigate between two or more worlds, identities, and places that are at times conflicting. It is for this reason that we center the idea of liminality, or “betwixt and between,” as a productive space from which to form solidarities and foster “beloved community.”

Within Critical Mixed Race Studies, “betwixt and between” holds meaning as the title of the longest running college course on multiracial identity, taught by the late G. Reginald Daniel (aka “Reg”), Professor of Sociology at University of California, Santa Barbara. The idea of multiracial people living “betwixt and between” was also debated in his groundbreaking text, More Than Black? Multiracial Identity and the New Racial Order. While we wish to elevate and honor Reg’s life and scholarship by centering liminality, the framing can also be limiting. Therefore, we invite expansive thinking around questions of “betwixt and between” toward liberating our emerging field of study. We suggest this liberation could happen through solidarity and in or through beloved community. Borrowing from the late bell hooks in Killing Rage: Ending Racism, the “transformative power of love” can be wielded to cultivate cross-racial solidarities amongst ourselves as “beloved community [which] is formed not by the eradication of difference but by its affirmation, by each of us claiming the identities and cultural legacies that shape who we are and how we live in the world. To form a beloved community we do not surrender ties to precious origins. We deepen those bondings by connecting them with an anti-racist struggle.”

As such, we welcome contemplations of liminality, love, community, and solidarities from the wider global community, community advocacy groups, artists, clinicians, practitioners and students supporting CMRS values. We therefore invite academics and non-academics to join the conference in order to empower one another and create a space for critical community, a sense of belonging, and critical dialogues. We will accept proposals for in-person and virtual modalities that include presentations, panels, performances, workshops, posters, visual and multimedia artworks, creative writing, and film showings that address the conference theme in a broad sense. Though proposals must include written text, presentation formats (typically framed as a “paper”) may be varied and diverse, including non-academic formats that are inclusive for all participants.

Click here to submit your proposed session(s) to this form. The deadline is Sunday, September 10, 2023 12:00AM PDT.

Have any additional questions about conference proposals of conference format? Please email us at cmrsmixedrace@gmail.com.

The Kidnapped Child Who Became a Poet

The New York Times Magazine
2023-07-27

Wyatt Mason

At age 3, Shane McCrae was taken from his Black father by his white grandparents — a rupture he explores in a new memoir.

“The weird thing about growing up kidnapped,” Shane McCrae, the 47-year-old American poet, told me in his melodious, reedy voice one rainy afternoon in May, “is if it happens early enough, there’s a way in which you kind of don’t know.”

There was no reason for McCrae to have known. What unfolded in McCrae’s childhood — between a June day in 1979 when his white grandmother took him from his Black father and disappeared, and another day, 13 years later, when McCrae opened a phone book in Salem, Ore., found a name he hoped was his father’s and placed a call — is both an unambiguous story of abduction and a convoluted story of complicity. It loops through the American landscape, from Oregon to Texas to California to Oregon again, and, even now, wends through the vaster emotional country of a child and his parents. And because so much of what happened to McCrae happened in homes where he was beaten and lied to and threatened, where he was made to understand that Black people were inferior to whites, where he was taught to hail Hitler, where he was told that his dark skin meant he tanned easily but, no, not that he was Black, it’s a story that’s been hard for McCrae to piece together.

“My grandparents,” McCrae explained in a somewhat gloomy, book-laden office at Columbia University, where he teaches poetry in its M.F.A. program, “were so actively keeping my father away from me — they didn’t want me to investigate him at all — it was just normal.” Normal, McCrae explained, because the story he had been told by his grandparents was that McCrae’s father, whose name he didn’t even know, abandoned him before he was born. “They had been doing it my whole life,” McCrae said matter-of-factly. “I didn’t think of it as, Oh, this is pretty strange.”…

Read the entire article here.

Pulling the Chariot of the Sun, A Memoir of a Kidnapping

Simon & Schuster
2023-08-01
272 pages
Hardcover ISBN13: 9781668021743
eBook ISBN13: 9781668021767

Shane McCrae

An unforgettable memoir by an award-winning poet about being kidnapped from his Black father and raised by his white supremacist grandparents.

When Shane McCrae was three years old, his grandparents kidnapped him and took him to suburban Texas. His mom was white and his dad was Black, and to hide his Blackness from him, his maternal grandparents stole him from his father. In the years that followed, they manipulated and controlled him, refusing to acknowledge his heritage—all the while believing they were doing what was best for him.

For their own safety and to ensure the kidnapping remained a success, Shane’s grandparents had to make sure that he never knew the full story, so he was raised to participate in his own disappearance. But despite elaborate fabrications and unreliable memories, Shane begins to reconstruct his own story and to forge his own identity. Gradually, the truth unveils itself, and with the truth, comes a path to reuniting with his father and finding his own place in the world.

A revelatory account of a singularly American childhood that hauntingly echoes the larger story of race in our country, Pulling the Chariot of the Sun is written with the virtuosity and heart of one of the finest poets writing today. And it is also a powerful reflection on what is broken in America—but also what might heal and make it whole again.

André Watts, Pioneering Piano Virtuoso, Dies at 77

The New York Times
2023-07-14

Javier C. Hernández

One of the first Black superstars in classical music, he awed audiences with his charisma and his technical powers.

André Watts, a pianist whose mighty technique and magnetic charm awed audiences and made him one of the first Black superstars in classical music, died on Wednesday at his home in Bloomington, Ind. He was 77.

The cause was prostate cancer, said his wife, Joan Brand Watts.

Mr. Watts was an old-world virtuoso — his idol was the composer and showman Franz Liszt — with a knack for electricity and emotion. He sometimes hummed, stomped his feet and bobbed his head while he played, and some critics faulted him for excess. But his charisma and his technical powers were unquestioned, which helped fuel his rise to the world’s top concert halls.

“My greatest satisfaction is performing,” Mr. Watts told The New York Times in 1971, when he was 25. “The ego is a big part of it, but far from all. Performing is my way of being part of humanity — of sharing.”

“There’s something beautiful,” he added, “about having an entire audience hanging on a single note.”.

Mr. Watts, whose father was Black and whose mother was white, was a rarity in a field where musicians of color have long been underrepresented. While he preferred not to speak about race, he was celebrated as a pioneer who defied stereotypes about classical music and helped open doors for aspiring artists of color…

Read the entire obituary here.

White Dads and Biracial Black Kids: Concerns and Challenges

Chinyere Osuji, PhD, Author, Professor, Speaker
2023-06-08

Chinyere Osuji, Assistant Professor of Sociology
Rutgers University, Camden

There are some stories that live in your head rent-free years after hearing them.

For my first book Boundaries of Love: Interracial Marriage and the Meaning of Love (2019, NYU Press), I conducted over 100 interviews in Brazil and the United [States] with people in interracial marriages or longterm cohabiting marital unions. There was a smorgasborg of themes that emerged in this cross-national comparison, so only the biggest or most striking ones made it into the book. Yet there are some stories that still gnaw at me.

Around 2010, I interviewed a Black woman, Felice, who married a White man, named Bob. I came to their quiet suburban home and they were kind enough to let me interview them separately AND together! When I spoke to Felice, she said that right before she met Bob, she had dated a different White man before him. His name was– let’s call him Aaron. They were native Angelinos, had grown up together, and had many friends in common. (Note for the haters: she had also dated Black men, she didn’t discriminate.) However, Bob rushed in out of nowhere, winning her heart and sealing the deal…

Read the entire article here.

Birding While Indian, A Mixed-Blood Memoir

Mad Creek Books (an imprint Ohio State University Press)
June 2023
246 pages
5.5 x 8.5 inches
6 Illustrations
Paperback ISBN: 978-0-8142-5872-9
eBook (PDF): ISBN: 978-0-8142-8289-2

Thomas C. Gannon, Associate Professor of English and Ethnic Studies
University of Nebraska, Lincoln

Thomas C. Gannon’s Birding While Indian spans more than fifty years of childhood walks and adult road trips to deliver, via a compendium of birds recorded and revered, the author’s life as a part-Lakota inhabitant of the Great Plains. Great Horned Owl, Sandhill Crane, Dickcissel: such species form a kind of rosary, a corrective to the rosaries that evoke Gannon’s traumatic time in an Indian boarding school in South Dakota, his mother’s tears when coworkers called her “squaw,” and the violent erasure colonialism demanded of the Indigenous humans, animals, and land of the United States.

Birding has always been Gannon’s escape and solace. He later found similar solace in literature, particularly by Native authors. He draws on both throughout this expansive, hilarious, and humane memoir. An acerbic observer—of birds, of the aftershocks of history, and of human nature—Gannon navigates his obsession with the ostensibly objective avocation of birding and his own mixed-blood subjectivity, searching for that elusive Snowy Owl and his own identity. The result is a rich reflection not only on one man’s life but on the transformative power of building a deeper relationship with the natural world.

Table of Contents

• PREFACE: The Lifelook
• March 1965, Piss Hill: Great Horned Owl
• July 1967, Piss Hill: Lewis’s Woodpecker
• January 1968, Rapid Creek: Common Goldeneye
• June 1969, I-90: Western Meadowlark
• April 1970, Fort Pierre/Missouri River: Sandhill Crane
• June 1970, a Fort Pierre slough: Wood Duck
• August 1971, Saskatchewan: Western Grebe
• May 1977, a Rapid City marsh: Red-winged Blackbird
• June 1978, Spearfish Canyon: American Dipper
• June 1979, a Pennington County dirt road: Common Nighthawk
• August 1981, Old Faithful: Common Raven
• June 1983, a Pennington County dirt road: Long-billed Curlew
• June 1985, Skyline Drive: Field Sparrow
• June 1985, Fort Morgan, CO: House Finch
• September 1987, northern Black Hills: Mourning Dove
• December 1987, Belle Fourche, SD: [Species Unknown]
• January 1989, Rapid City, SD: European Starling
• January 1991, Gavins Point Dam: Long-tailed Duck
• April 2001, U of Iowa English-Philosophy Building: Common Grackle
• February 2003, Kirk Funeral Home: Prairie Falcon
• April 2003, U of Iowa English-Philosophy Building: Northern Cardinal
• May 2003, Clay County Park: Bald Eagle
• June 2004, Ardmore, OK: Northern Mockingbird
• June 2005, Folsom Children’s Zoo: White Stork
• June 2006, Crazy Horse Memorial: Turkey Vulture
• July 2008, Kountze Lake: Snowy Egret
• August 2008, Fontenelle Forest: House Wren
• May 2009, the lake beside Lakeside, NE: Black-necked Stilt
• May 2009, Devils Tower: American Goldfinch
• May 2009, Little Bighorn Battlefield: Eurasian Collared-Dove
• May 2009, Bowdoin National Wildlife Refuge: Marbled Godwit
• July 2009, Pioneers Park: Brown-headed Cowbird
• June 2010, Idyllwild, CA: Steller’s Jay
• June 2010, Spirit Mound: Dickcissel
• May 2011, Wilderness Park: Veery
• December 2011, Highway 385: Ferruginous Hawk
• May 2012, Indian Cave State Park: Chuck-Will’s-Widow
• June 2012, Custer State Park: Canyon Wren
• June 2012, Millwood State Park: Black-bellied Whistling-Duck
• July 2012, Newton Hills State Park: Yellow-bellied Sapsucker
• July 2012, Morrison Park: Lesser Goldfinch
• May 2013, Pawnee Lake State Recreation Area: Bonaparte’s Gull
• May 2014, El Segundo Beach: Brown Pelican
• March 2015, Pawnee Lake State Recreation Area: American Robin
• July 2016, Medicine Bow National Forest—Vedauwoo: Dusky Flycatcher
• November 2017, Lewis and Clark Lake: Snowy Owl
• March 2018, West Platte River Drive: Whooping Crane
• May 2018, Little Bighorn Battlefield: Red-tailed Hawk
• CODA: Birding While Indian
• Works Cited and Sources Consulted

I Would Meet You Anywhere, A Memoir

Mad Creek Books (an imprint of Ohio State University Press)
2023-11-04
248 pages
5.5 x 8.5 inches
Paperback ISBN: 978-0-8142-5883-5

Susan Kiyo Ito

Growing up with adoptive nisei parents, Susan Kiyo Ito knew only that her birth mother was Japanese American and her father white. But finding and meeting her birth mother in her early twenties was only the beginning of her search for answers, history, and identity. Though the two share a physical likeness, an affinity for ice cream, and a relationship that sometimes even feels familial, there is an ever-present tension between them, as a decades-long tug-of-war pits her birth mother’s desire for anonymity against Ito’s need to know her origins, to see and be seen. Along the way, Ito grapples with her own reproductive choices, the legacy of the Japanese American incarceration experience during World War II, and the true meaning of family. An account of love, what it’s like to feel neither here nor there, and one writer’s quest for the missing pieces that might make her feel whole, I Would Meet You Anywhere is the stirring culmination of Ito’s decision to embrace her right to know and tell her own story.

Table of Contents

• Preface
• Part 1
  • I Would Meet You Anywhere
  • Go for Broke
  • The Place I Came From
  • Not a Japanese Girl
  • Searching
  • One of These Things Is Not Like the Other
  • What Do You Need?
  • A Small Crime
  • What I Did Over Spring Break
  • I Would Meet You at the Holiday Inn
• Part 2
  • Your Mother Is Very Nice
  • The Mouse Room
  • Totaled
  • Lucky
  • I Would Meet You in a Hospital
  • Long-Lost Daughter
  • Just a Bee Sting
  • Dairy Queen
  • I Would Meet You at a Wedding
  • Origami
  • Undertow
  • Guest Room
  • Separation
  • Like a Heartbeat
• Part 3
  • A Small Hole
  • Spit
  • I Would Meet You at the Ferry Building
  • I Had an Aunt
  • Got OBC?
  • Look at the Baby
  • The Most Japanese Person in the Family
• Epilogue
• Acknowledgments

Almost Brown, A Memoir

Crown (an imprint of Penguin Random House)
2023-06-06
240 pages
Hardcover ISBN: 9780593443019
Ebook ISBN: 9780593443026
Audiobook ISBN: 9780593740880

Charlotte Gill

An award-winning writer retraces her dysfunctional, biracial, globe-trotting family’s journey as she reckons with ethnicity and belonging, diversity and race, and the complexities of life within a multicultural household.

Charlotte Gill’s father is Indian. Her mother is English. They meet in 1960s London when the world is not quite ready for interracial love. Their union results in a total meltdown of familial relations, a lot of immigration paperwork, and three children, all in varying shades of tan. Together they set off on a journey from the United Kingdom to Canada to the United States in an elusive pursuit of life, liberty, and happiness—a dream that eventually tears them apart.

Almost Brown is an exploration of diasporic intermingling involving two eccentric parents from worlds apart and their half-brown children as they experience the paradoxes and conundrums of life as it’s lived between race checkboxes. Their intercultural experiment features turbans and tube socks, chana masala and Cherry Coke. Over time, Gill’s parents drift apart because they just aren’t compatible. But as she too finds herself distancing from her father—Why is she embarrassed to walk down the street with him and not her mom?—she doesn’t know if it’s because of his personality or his race. Is this her own unconscious bias favoring one parent over the other in the racial tug-of-war that plagues our society? Almost Brown looks for answers to questions shared by many mixed-race people: What am I? What does it mean to be a person of color when the concept is a societal invention and really only applies halfway if you are half white? Eventually, after years of silence, Gill and her father reclaim a space for forgiveness and love.

In a funny, turbulent, and ultimately heartwarming story, Gill examines the brilliant messiness of ancestry, “diversity,” and the idea of “race,” a historical concept that still informs our beliefs about ethnicity today.

More Than I Imagined: What a Black Man Discovered About the White Mother He Never Knew

Convergent Books (an imprint of Penguin Random House)
2023-05-02
240 Pages
5-1/2 x 8-1/4
Hardcover ISBN: 9780593443040

John Blake, Award-Winning CNN Journalist

An award-winning journalist tells the story of his quest to reconcile with his white mother and the family he’d never met—and how faith brought them all together.

John Blake grew up in a notorious Black neighborhood in inner-city Baltimore that became the setting for the HBO series The Wire. There he became a self-described “closeted biracial person,” hostile toward white people while hiding the truth of his mother’s race. The son of a Black man and a white woman who met when interracial marriage was still illegal, Blake knew this much about his mother: She vanished from his life not long after his birth, and her family rejected him because of his race.

But at the age of seventeen, Blake had a surprise encounter that uncovered a disturbing family secret. This launched him on a quest to reconcile with his white family. His search centered on two questions: “Where is my mother?” and “Where do I belong?” More Than I Imagined is Blake’s propulsive true story about how he answered those questions with the help of an interracial church, a loving caregiver’s sacrifice, and an inexplicable childhood encounter that taught him the importance of forgiveness.

Blake covered some of the biggest stories about race in America for twenty-five years before realizing that “facts don’t change people, relationships do.” He owes this discovery to “radical integration,” which was the only way forward for him and his family—and is the only way forward for America as a multiracial democracy. More Than I Imagined is a hopeful story for our difficult times.

Not White But Not (Entirely) Black: On the Complex History of “Passing” in America

Literary Hub
2023-05-03

Herb Harris

Herb Harris Explores How His Grandparents’ Defied Racial Categorization

Via New England Review

Read the entire article here.