Scholarly perspectives on the mixed race experience.
Q. What have you learned about race while working on this documentary?
A. That the conversation has just started. And a lot of the time it’s framed as black and white. Well, where do Latinos and Asians fit in that conversation? Where do biracial people fit into that conversation? Where do multiracial people fit into that conversation? Where do the Rachel Dolezals of the world, of this country, fit into that conversation?
Aliya Saperstein, Assistant Professor of Sociology Stanford University
Jennifer Sims, Adjunct Visiting Professor of Sociology University of Wisconsin, River Falls
According to Census data, only about 2 percent of Americans consider themselves to be multiracial, but a new report out Thursday from Pew suggests that the real number of people with multiracial backgrounds is more than three times that. It also shows that the number of people who identify as…
It’s time to stop the confusion and give Middle Eastern and North African people our own racial classification.
I recently moved to New York City, and in between my two favorite hobbies (climbing up to my fifth floor apartment and sobbing over the state of my post-broker-fee bank account), I’ve been filling out a lot of job applications.
Agonizing over my resume and writing endless cover letters is time-consuming, but the most annoying part of the application process for me has nothing to do with trying to fit why I’m useful into a few short paragraphs.
I’m most aggravated by one of the simplest parts of the application: the “Please Select Your Race” portion.
My father is Iranian, and my mother is a mix of Western European. According to the Census definitions, I’m white. And that’s true; I am. But I’m only half white, because Middle Eastern and white are not the same thing.
The first time I remember filling in a bubble for this question, I was in elementary school. I had to ask my teacher which races I counted as, and when she told me, all I could think about was how much darker I was than the kids around me. I’m visibly Middle Eastern, and while I’m not particularly dark-skinned, I’m not really white either…
Richard Alba, Distinguished Professor of Sociology City University of New York Graduate Center
IN 2012, the Census Bureau announced that nonwhite births exceeded white births for the first time. In 2013, it noted that more whites were dying than were being born. In March, it projected that non-Hispanic whites would be a minority by 2044.
But the forecast of an imminent white minority, which some take as a given, is wrong. We will seem like a majority-white society for much longer than is believed.
The predictions make sense only if you accept the outdated, illogical methods used by the census, which define as a “minority” anyone who belongs to “any group other than non-Hispanic White alone.” In the words “group” and “alone” lie a host of confusions.
A report the Pew Research Center is releasing today on multiracial Americans demonstrates how problematic these definitions have become. Pew estimates that 8.9 percent of Americans now have family backgrounds that involve some combination of white, black, Latino, Asian and Native American.
“Mixed” unions — intermarriages and long-lasting cohabitations — have become far more common. According to a 2012 Pew report, 15 percent of new marriages cross the major lines of race or Hispanic origin. Some 70 percent of these relationships involve a white partner and a minority spouse. The most common minority partners for whites are Latinos, followed by Asians, though the frequency of white-black marriage also continues to rise.
But even as the on-the-ground understanding of race and ethnicity becomes more fluid, contingent and overlapping, our public conversation lags…
Kim Parker, Director of Social Trends Research
Rich Morin, Senior Editor
Juliana Menasce Horowitz, Associate Director, Research
Mark Hugo Lopez, Director of Hispanic Research
Research Team
Anna Brown, Research Assistant
D’Vera Cohn, Senior Writer
Richard Fry, Senior Researcher
Ana Gonzalez-Barrera, Research Associate
Sara Goo, Senior Digital Editor
Scott Keeter, Director of Survey Research
Jens Manuel Krogstad, Writer/Editor
Gretchen Livingston, Senion Researcher
Kyley McGeeney, Research Methodologist
Andrew Mercer, Research Methodologist
Eileen Patten, Research Analyst
Renee Stepler, Research Assistant
Wendy Wang, Senior Researcher
Proud, Diverse and Growing in Numbers
Multiracial Americans are at the cutting edge of social and demographic change in the U.S.—young, proud, tolerant and growing at a rate three times as fast as the population as a whole.
At the same time, a majority (55%) say they have been subjected to racial slurs or jokes, and about one-in-four (24%) have felt annoyed because people have made assumptions about their racial background. Still, few see their multiracial background as a liability. In fact, only 4% say having a mixed racial background has been a disadvantage in their life. About one-in-five (19%) say it has been an advantage, and 76% say it has made no difference…
G. Cristina Mora, Assistant Professor of Sociology University of California, Berkeley
Before 1970, the US Census Bureau classified Mexican, Cuban and Puerto Rican immigrants as whites. Each community of Latin American origin would go by their nationality and by the region where they lived in the United States. But all that changed in the seventies, as activists began lobbying the US Census Bureau to create a broad, national category that included all these communities. The result was the creation of the term “Hispanic”, first introduced in the US Census in 1970.
Then it was up to Spanish-language media to get the word out. The network that would later become Univision released this series of ads calling on “Hispanics” to fill out the 1980 Census. The ads feature “Hispanic” sports stars and… Big Bird:…
By the 1990s, Univision was creating the images and sounds associated to Hispanics in the US. The 1990 Census ads feature the likes of Tito Puente and Celia Cruz telling Hispanics to fill out el censo:…
On April 20, 2015, the Asian/Pacific/American Institute at NYU hosted “What’s Radical About ‘Mixed Race’?“. Eschewing an apolitical “celebration” of mixed race, this panel examined the movement’s implications for multiracial coalition and the future of race in the US and Canada, asking: does the multiracial movement challenge—or actually reinforce—the logics of structural racism?
Minelle Mahtani critically located how an apolitical and ahistorical Canadian “model multiracial” upholds the multicultural claims of the Canadian settler state. Jared Sexton called to task multiracial activists who leverage a mixed race identity in opposition to those who are “all black, all the time.”
A roundtable conversation moderated by Ann Morning (NYU Department of Sociology) followed.
SAN LORENZO, Puerto Rico (AP) — In Puerto Rico’s misty, bamboo-studded mountains, elementary school students are studying a nearly extinct language, beating on drums and growing native crops like cassava and sweet potato as they learn about the indigenous people who lived on the island before Christopher Columbus.
The children in four towns in the island’s southeast corner play a ceremonial ball game that was called batey by the native Tainos, who were all but wiped out during colonial times. The boys and girls also learn words from the local Arawak language, which was in part rebuilt with help from linguists, and still exists in varying forms among other native groups in the hemisphere.
Now, a group of academics and educators hope to expand the Taino education program to other public schools around the U.S. territory in an effort to teach children this little known part of the territory’s history.
Puerto Ricans’ interest in the territory’s indigenous past has grown in recent years, with 42,000 of the 3.7 million people then living on the island identifying themselves as at least partially Taino in the 2010 Census.
But even though that’s just a little more than 1 percent, Puerto Rico’s legislature is considering a proposal to declare Melendez’s Naguake organization to be the island’s first indigenous-based community. The designation would allow it to receive federal funds under a program that aids native groups, and expand the program to other towns…
One Drop of Love is a multimedia solo show written and performed by Fanshen Cox DiGiovanni. It asks audiences to consider: how does our belief in ‘race’ affect our most intimate relationships? The show travels near and far, in the past and present, to explore family, race, love and pain – and a path towards reconciliation. Audiences will go on a journey from the 1700s to the present, to cities all over the U.S, and to West and East Africa, where both the narrator and her father spent time in search of their racial roots.
Former Gov. Jeb Bush made news recently because he checked “Hispanic” on a voter registration form. This is obviously ridiculous from a scion of the Bush family (and Mr. Bush has said he made a mistake). Yet, I understand, because the family he raised is not unlike mine.
A few years ago, in fact, my wife casually mentioned that she doesn’t consider herself 100 percent white any more. She has blond hair, blue eyes and fair skin, and as far back as anyone can remember, all of her ancestors have been Irish.
She was white when we were married. I know that because I’m Chinese and that made us an interracial couple. My wife jokes (I think she’s joking) that she married me in part because my increased melanin would protect her children from skin cancer.
She became less white when our son, and then our daughter, were born. I think the first bit of doubt surfaced the day we were on the subway with our newborn and a woman came up to my wife and said: “Oh, he’s so cute! When did you adopt him?” I was livid: Did it not occur to this woman that the father was sitting right next to his wife and child? It turned out that the woman really just wanted to talk about her own adopted granddaughter but somewhere in that moment my wife was identified as the mother of a nonwhite child…
…While it will take 18 years for that mixed race baby to vote, there is a parent in that family who suddenly has an altered perspective on the culture and policies of the United States. White mothers who realize that their sons will be victims of racial profiling, white fathers who suddenly feel a little squeamish about the fact that “Asian” is a category of pornography. There are white parents whose children look vaguely Middle Eastern and will face harder times getting onto airplanes…
Produced by Ben Affleck and Matt Damon, this extraordinary one-woman show by Fanshen Cox DiGiovanni incorporates filmed images, photographs and animation to tell the story of how the notion of race came to be in the United States and how it affected her relationship with her father. To tell her story, DiGiovanni travels back in time to the first US census in 1790, to cities across the United States, and to West and East Africa, where both father and daughter spent time in search of their racial roots.
An award-winning actor, producer and educator, Cox DiGiovanni has been featured in the New York Times and on NPR as a spokesperson on using the arts to explore racial identity. She served as a Peace Corps Volunteer in Cape Verde, West Africa, and has designed curricula for and taught English as a Second Language to students from all over the world. She has been honored with the Peace Corps’ Franklin H. Williams Award and with Peace Corps Fellows and Hollywood Foreign Press Association scholarships. She holds a bachelor of arts in Spanish and education, a master of arts in TESOL (Teaching English to Speakers of Other Languages) and a master of fine arts in television, film and theater. DiGiovanni developed “One Drop of Love” as the thesis project for her Master of Fine Arts degree in film, television, and theater from California State University Los Angeles. DiGiovanni, who appeared in the Academy Award-winning film “Argo,” is also the co-creator, co-producer, and co-host of the award-winning weekly podcast Mixed Chicks Chat, and co-founder and co-producer of the Mixed Roots Film & Literary Festival.
“There are many different kinds of conversations occurring in our community regarding identity,” says Carol Ross. “Not everything is black or white, literally and figuratively. What Fanshen Cox DiGiovanni brings to the table is a moving and insightful microscope to our belief that there is such a thing as race and how the assignment of identity plays out in destructive ways that impact each and every one of us. This is a critical component that often gets missed in our attempts to dismantle this social construct.”