Mixed Race Studies

The Law Could Make You Rich

Common-Place
A Common Place, An Uncommon Voice
Extra Issue: Volume 13, Number 3.5 (June 2013)

Jared Hardesty
Department of History
Boston College

Jared Hardesty is a PhD candidate in history at Boston College and is currently writing a dissertation on slavery, freedom, and unfreedom in eighteenth-century Boston

Julie Winch, The Clamorgans: One Family’s History of Race in America. New York: Hill & Wang, 2011. 432 pp.

Governor Riggins, a leader of Boston’s nineteenth-century black community, once publicly admonished a fellow person of color, William Patterson, and took the opportunity to offer a lesson to the community at large. Patterson had purchased unlicensed liquor for some fellow African Americans, and the authorities in Boston caught him red-handed. In the midst of dressing Patterson down, Riggins expressed the hope that the “law will make you smart.” His proclamation to his fellow Afro-Bostonians—the law could be a source of empowerment for African Americans—may have been lost on Patterson, but it was a message that blacks across the United States heard loud and clear. Half a continent away in St. Louis, Missouri, the mixed-race grandsons of Jacques Clamorgan geared up to file suit and lay claim to their grandfather’s extensive lands. For them, Riggins’s message carried special resonance and an additional caveat. For the Clamorgan men, the law not only made them smart, but could also make them rich…

Read the entire review here.

More Talk Radio on 06/17/13 [with Professor Greg Carter]

More Talk Radio
KBOO Community Radio
Portland, Oregon
2013-06-17, 15:00-16:00Z, 08:00-09:00 PDT (Local Time)

The United States of the United Races: A Utopian History of Racial Mixing

Hosts Celeste Carey and Cecil Prescod interview Greg Carter about his new book “The United States of the United Races: A Utopian History of Racial Mixing.”

Barack Obama’s historic presidency has re-inserted mixed race into the national conversation. While the troubled and pejorative history of racial amalgamation throughout U.S. history is a familiar story, Greg Carter asks us to reconsider an understudied optimist tradition, one which has praised mixture as a means to create a new people, bring equality to all, and fulfill an American destiny. He re-envisions racial mixture as a vehicle for pride and a way for citizens to examine mixed America as a better America.

Greg Carter is Assistant Professor of History at the University of Wisconsin-Milwaukee.

In “The United States of the United Races: A Utopian History of Racial Mixing” Greg Carter explores a broad range of documents and moments, unearthing a new narrative that locates hope in racial mixture.

Download the episode here.

Making Race and Nation: A Comparison of South Africa, the United States, and Brazil

Cambridge University Press
December 1997
412 pages
228 x 152 mm
Paperback ISBN: 9780521585903
Hardback ISBN: 9780521584555

Anthony W. Marx, President and CEO
New York Public Library

In this bold, original and persuasive book, Anthony W. Marx provocatively links the construction of nations to the construction of racial identity. Using a comparative historical approach, Marx analyzes the connection between race as a cultural and political category rooted in the history of slavery and colonialism, and the development of three nation states. He shows how each country’s differing efforts to establish national unity and other institutional impediments have served, through the nation-building process and into their present systems of state power, to shape and often crystallize categories and divisions of race. Focusing on South Africa, Brazil and the United States, Marx illustrates and elucidates the historical dynamics and institutional relationships by which the construction of race and the development of these nations have informed one another. Deftly combining comparative history, political science and sociological interpretation, sharpened by over three-hundred interviews with key informants from each country, he follows this dialogue into the present to discuss recent political mobilization, popular protest and the current salience of race issues.

Features

• A comprehensive historical comparative study of the major issues of race and nation
• Combines political, social and economic analysis to break barriers between country studies and issues of race, nation, state and social movement
• Draws upon archival material, literature, and more than 300 interviews

Table of Contents

• Preface
• Acknowledgements
• 1. Introduction
• Part I. Historical and Cultural Legacies:
  • 2. Trajectories from colonialism
  • 3. Lessons from slavery
  • 4. The uncertain legacy of miscegenation
    • Implications
• Part II. Racial Domination and the Nation-State:
  • 5. ‘Wee for thee, South Africa’: the racial state
  • 6. ‘To bind up the nation’s wounds’: the United States after the Civil War
  • 7. ‘Order and progress’: inclusive nation-state building in Brazil
  • Comparative racial domination: an overview
• Part III. Race Making from Below:
  • 8. ‘We are a rock’: Black racial identity, mobilization and the new South Africa
  • 9. Burying Jim Crow: Black racial identity, mobilization and reform in the United States
  • 10. Breaching Brazil’s pact of silence
• 11. Conclusion
• Notes
• Bibliography
• Index

In Buenos Aires, Researchers Exhume Long-Unclaimed African Roots

The Washington Post
2005-05-05

Monte Reel

BUENOS AIRES — Their disappearance is one of Argentina’s most enduring mysteries. In 1810, black residents accounted for about 30 percent of the population of Buenos Aires. By 1887, however, their numbers had plummeted to 1.8 percent.

So where did they go? The answer, it turns out, is nowhere.

Popular myth has offered two historical hypotheses: a yellow fever epidemic in 1871 that devastated black urban neighborhoods, and a brutal war with Paraguay in the 1860s that put many black Argentines on the front lines.

But two new studies are challenging those old notions, using distinct methods: a door-to-door census to determine how many Argentines consider themselves black, and an analysis of DNA samples to detect traces of African ancestry in those who consider themselves white.

The results are only partially compiled, but they suggest that many of the black Argentines did not vanish; they just faded into the mixed-race populace and became lost to demography. According to some researchers, as many as 10 percent of Buenos Aires residents are partly descended from black Argentines but have no idea.

“People for years have accepted the idea that there are no black people in Argentina,” said Miriam Gomes, a professor of literature at the University of Buenos Aires who is part black and considers herself Afro-Argentine. “Even the schoolbooks here accepted this as a fact. But where did that leave me?”…

…”Argentina was interested in presenting itself as a white country,” said George Reid Andrews, a history professor at the University of Pittsburgh who has specialized in black history in Latin America. “Its ideologues and writers put a great emphasis on the yellow fever epidemic and the war, and it was feasible to pretend that the black population had simply disappeared as immigration exploded.” …

… But personal definitions do not count when analyzing DNA, which is what a group of scientists from the University of Buenos Aires and Oxford University in England did earlier this year. After collecting blood samples at a local hospital, they searched for genetic markers that indicate African ancestry. The results, to be published this year in the American Journal of Physical Anthropology, suggested that 10 percent of those who identified themselves as white were, in part, descendants of black Argentines.

“A lot of people were very surprised by this,” said Francisco R. Carnese, a geneticist at the University of Buenos Aires and co-author of the study. “When you walk around Buenos Aires, you don’t see signs of African ancestry. But you see it in the genes.” ..

Read the entire article here.

Blackout: How Argentina ‘Eliminated’ Africans From Its History And Conscience

International Business Times
New York, New York
2013-06-04

Palash Ghosh, Senior Writer, World

Tens of millions of black Africans were forcibly removed from their homelands from the 16th century to the 19th century to toil on the plantations and farms of the New World. This so-called “Middle Passage” accounted for one of the greatest forced migrations of people in human history, as well as one of the greatest tragedies the world has ever witnessed.

Millions of these helpless Africans washed ashore in Brazil—indeed, in the present-day, roughly one-half of the Brazilian population trace their lineage directly to Africa. African culture has imbued Brazil permanently and profoundly, in terms of music, dance, food and in many other tangible ways.

But what about Brazil’s neighbor, Argentina? Hundreds of thousands of Africans were brought there as well—yet, the black presence in Argentina has virtually vanished from the country’s records and consciousness…

…But blacks did not really vanish from Argentina – despite attempts by the government to eliminate them (partially by encouraging large-scale immigration in the late 19th and 20th century from Europe and the Near East). Rather, they remain a hidden and forgotten part of Argentine society.

Hishaam Aidi, a lecturer at Columbia University’s School of International and Public Affairs, wrote on Planete Afrique that in the 1950s, when the black American entertainer Josephine Baker arrived in Argentina, she asked the mixed-race minister of public health, Ramón Carilio: “Where are the Negroes?” In response, Carilio joked: “There are only two—you and I.”

As in virtually all Latin American societies where blacks mixed with whites and with local Indians, the question of race is extremely complex and contentious.

“People of mixed ancestry are often not considered ‘black’ in Argentina, historically, because having black ancestry was not considered proper,” said Alejandro Frigerio, an anthropologist at the Universidad Catolica de Buenos Aires, according to Planete Afrique.

“Today the term ‘negro’ is used loosely on anyone with slightly darker skin, but they can be descendants of indigenous Indians [or] Middle Eastern immigrants.”

AfricaVive, a black empowerment group founded in Buenos Aires in the late 1990s, claimed that there are 1 million Argentines of black African descent in the country (out of a total population of about 41 million). A report in the Washington Post even suggested that 10 percent of Buenos Aires’ population may have African blood (even if they are classified as “whites” by the census).

“People for years have accepted the idea that there are no black people in Argentina,” Miriam Gomes, a professor of literature at the University of Buenos Aires, who is part black herself, told the Post.

“Even the schoolbooks here accepted this as a fact. But where did that leave me?”

She also explained that almost no one in Argentina with black blood in their veins will admit to it.

“Without a doubt, racial prejudice is great in this society, and people want to believe that they are white,” she said. “Here, if someone has one drop of white blood, they call themselves white.“…

Read the entire article here.

The Cuban Remix: Rethinking Culture and Political Participation in Contemporary Cuba

University of Michigan
2008
555 pages

Tanya L. Saunders

A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sociology)

This dissertation examines the post-1959 activism of Cuba’s socially critical artists and intellectuals, and the effects of the Cuban state’s institutionalization of culture. I analyze the Cuban underground hip-hop movement as a case study of the ways in which Black artists and intellectuals in Cuba have employed cultural aesthetics to challenge contemporary inequalities organized around race, class, gender, and sexuality. I address the social context in which the Cuban underground hip-hop movement emerged by linking it to Cuba’s revolutionary project and to other counter-cultural social movements in Cuba’s history and from other post-colonial contexts. Drawing upon extensive ethnographic, historical, and interview-based research, the study engages with existing theories of the state, culture, civil society and the public sphere, but also reveals their limitations, particularly when applied to non-European contexts. As such, the dissertation offers significant insights into the relations between politics and culture, hegemony and resistance, history and the imagination of a better future, both in Cuba and beyond.

Table of Contents

• DEDICATION
• ACKNOWLEDGMENTS
• LIST OF FIGURES
• Chapter I: Introduction
  • 1.1 Cuban Underground Hip-Hop
  • 1.2 The Organization of the Dissertation
  • 1.3 Contextual Considerations: Latin American Politics and the Coloniality of Knowledge
  • 1.4 Contextual Considerations: The Cuban Revolution and the Aesthetic Debates
• Chapter II: Methodology
  • 2.1 Background
  • 2.2 Developing a Research Agenda
  • 2.3 Phase One
  • 2.4 Phase Two
  • 2.5 Phase Three
  • 2.6 Data Collection
• Section I
  • Chapter III: Public Spaces, Cultural Spheres: Rethinking Theories of Political Participation, Civil Society and Social Change
    • 3.1: Subaltern Critiques of Cold War Politics
    • 3.2 Post-Socialist? Neocolonial? Republican Socialism? Reflections on Cuba‘s State Project
      • Republican Ideals within a Socialist State
    • 3.3 Citizenship, Democracy and Civil Society in the Anglo-American Metanarrative of Citizenship
      • Citizenship and Civic Participation
    • 3.4 Discussion: ‘Non-Western’ Challenges to Social Change, Political Participation and Civil Society
  • Chapter IV: Civil Society and Art Worlds: Rethinking Politics and Political Participation
    • 4.1 Making the Connections: Art and Social Change
    • 4.2 Rethinking Cultural Logics: Culture, Political Participation and Grassroots Activism
    • 4.3 The Base and Superstructure of Culture: The Institutional Structure of Cuban Culture
    • 4.4 The Ministry of Culture
    • 4.5 Discussion
• Section II
  • Chapter V: Art and Revolution: Cuba‟s Artistic Social Movements and Social Change
    • 5.1 The alternative music scene: hip-hop and Anti-Modernist Aesthetics
    • 5.2 The Marginal Existence of Cuban Rock within Cuban Culture
    • 5.3 Nueva Trova: The Cuban Protest Music Movement
    • 5.4 Reflections on My First Nueva Trova Show
  • Chapter VI: Race, Place and Colonial Legacies: Underground hip-hop and a Racialized Social Critique
    • 6.1 Race and Cuba: Historical Considerations
    • 6.2 American Occupation and the Creation of the Cuban Republic 1898-1912
    • 6.3 The Revolutionary State Attempts to Solve the Race Problem in Cuba
    • 6.4. Making the Linkages: Discussion and Some Additional Thoughts
    • 6.5. Ethnographic Notes: Racial Identity in Contemporary Cuba
    • 6.6. “Everyone Knows That Whites Exist, But No One‘s Sure About The Blacks” Theoretical Perspectives on Art, hip-hop and Transnational Blackness
  • Chapter VII: Racial Identity and Revolution: The (Re-)Emergence of a Black Identity Among Havana‟s Underground Youth
    • 7.1 Cuban Underground Hip-Hop and Symbols of Blackness
    • 7.1a Raperos, Activistas, Revolutionaries: Underground Hip-Hop and Social Change
    • 7.2 Notes on Language
      • 7.2.1 Underground hip-hop/Comercialización/Institucionalización
    • 7.3 Transmitting Blackness: Graffiti, T-Shirts and the Black Experience
    • Figure 7q. Album cover, Jodido Protagonista, by Randeée Akozta (independently produced, circa 2004).
    • 7.4 Underground Graffiti: NoNo La Grafitera
    • 7.5 Section Summary/Concluding Remarks
• Section III
  • Chapter VIII: Cuba‟s Sexual Revolution? Women, Homosexuality and Cuban Revolutionary Policy
    • 8.1 All the Women Are Straight and All the Homosexuals are Men: Gender and Female (Homo-) Sexuality
    • 8.2. Silent Women, Invisible Lesbians: Researching the Experiences of Lesbians in Cuba
    • 8.3 Notes on Contemporary Lesbian, Gay Life in Cuba
  • Chapter IX: “Siempre Hay Lucha/There Is Always a Struggle”: Black Women, Race and Identity in Contemporary Cuba
    • 9.1 (1). ―No Particular Racial Subjectivity‖
    • 9.2 (2). The Racially Conscious Race Rejecters
    • 9.3 (3). The Racially Awakened
    • 9.4 (4). Racially Conscious Actors
    • 9.5 ¿Y Que Paso Con OREMI?/ And What Happened with OREMI? Black Lesbian Subjectivity in Contemporary Cuba
    • 9.6 Conclusion
  • Chapter X: “No Soy Kruda”: Las Krudas, Cuban Black Feminism and the Queer of Color Critique
    • 10.1 Who Are Las Krudas?
    • 10.2 Las Krudas: Raperas Underground
    • 10.3 Krudas‘ Black Feminist Discourse
    • 10.4 Como Existe La Heterosexualidad, Existe Homosexualidad/Just As There Is Heterosexuality, There Is Homosexuality
    • 10.5 Krudas and the Queer of Color Critique
    • 10.6 Reaction to Krudas‘ Work
    • 10.7 Conclusion/Discussion
• Chapter XI: Conclusion
  • The Sociological Implications of My Research
• Appendix
• Discography, Interviews, IRB Forms & Supplementary Materials
• Bibliography

Read the entire dissertation here.