Mixed Race Studies

Jim Beckwourth: Black Mountain Man and War Chief of the Crows

University of Oklahoma Press
1980
264 pages
5.5″ x 8.25″
Paperback ISBN: 9780806115559

Elinor Wilson

Dismissed as a “gaudy liar” by most historians and often discredited by writers who deprecated his mixed blood, James Pierson Beckwourth was one of the giants of the early West, certainly deserving to rank alongside Kit Carson, Bill Williams, Louis Vasquez, and Jim Bridger.

Sometime around 1800 James Beckwourth was born a slave in Frederick County, Virginia, the natural son of Sir Jennings Beckwith and a slave girl. In 1810 Sir Jennings moved with his family to the wilderness of St. Louis, Missouri, where Jim was educated and eventually apprenticed to a blacksmith. His father recorded a Deed of Emancipation in his name on three different occasions, sending young Jim out into the world with his blessings.

Jim Beckwourth’s apprenticeship as a fur trapper was served with General William Ashley’s grueling 1824 winter expedition to the Rocky Mountains. Except for a short stint as an army scout during the Seminole campaign, Jim spent the remainder of his long, eventful life in the West, dying among the Crow Indians whom he loved. He was fur trapper, trader, scout war chief of the Crow Nation, explorer, hotelkeeper, dispatch carrier, storekeeper, prospector, Indian agent for the Cheyennes—in short, a mountain man extraordinaire.

In his old age Beckwourth dictated an autobiography to T.D. Bonner, a man more interested in making money with Jim’s adventures than in accurately recording his life. Beckwourth was later disparaged because of the inaccuracies that crept into Bonner’s account.

Mixedblood Messages: Literature, Film, Family, Place

University of Oklahoma Press
2001
288 pages
5.25″ x 8.5″
Illustrations: 17 b&w photos
Paperback ISBN: 9780806133812

Louis Owens (1948-2002), Professor of English and Native American Studies
University of California, Davis

In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe “Indian Territory” that will contain and neutralize Indians. Countering this colonial “Territory” is what Owens defines as “Frontier,” a dynamic, uncontainable, multi-directional space within which cultures meet and even merge.

Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and D’Arcy McNickle to N. Scott Momaday, Leslie Silko, James Welch, and Gerald Vizenor. In his analysis of Indians in film he scrutinizes distortions of Indians as victims or vanishing Americans in a series of John Wayne movies and in the politically correct but false gestures of the more recent Dances With Wolves. As Owens moves through his personal landscape in Oklahoma, Mississippi, California, and New Mexico, he questions how human beings collectively can alter their disastrous relationship with the natural world before they destroy it. He challenges all of us to articulate, through literature and other means, messages of personal and environmental — as well as cultural—survival, and to explore and share these messages by writing and reading across cultural boundaries.

Science Fiction and Multiraciality: From Octavia Butler to Harry Potter

Brooklyn Historical Society
Crossing Borders, Bridging Generations
Saturday, 2013-12-14, 14:00-17:00 EST (Local Time)

How do science fiction narratives investigate questions about identity, racism, and fear?

Join us for a fun, interactive presentation and dialogue about mixed-race identity in the Harry Potter franchise, the legacy of African-American sci-fi author Octavia Butler, and the role of the imaginary in destabilizing oppression and re-envisioning multiracial community.

We will be debunking myths, talking back to popular sci-fi movies and stories, and exploring new possibilities for racial justice through imagination. We will explore racial elements of popular fictional universes, participate in collective storytelling, and we encourage dressing up as your favorite sci-fi character!

Presenters include: Eric Hamako from University of Massachusetts Amherst on Harry Potter and the Mistaken Myth of the Mixed-Race Messiah, and Walidah Imarisha, Co-Editor of Octavia’s Brood: Science Fiction Stories from Social Justice Movements.

This event is co-sponsored by the Harry Potter Alliance and MixedRaceStudies.org.

For more information, click here.