Mixed Race Studies

Ivey describes herself as ‘Trayvon Martin’s mom’

The Baltimore Sun
2013-10-14

Erin Cox

(Lloyd Fox / Baltimore Sun)

Gansler’s running mate is first African-American woman to seek lieutenant governor post

After Del. Jolene Ivey told a Baltimore crowd she hopes to be Maryland’s first African-American female lieutenant governor, she discussed what it means to be a fair-skinned black woman whose racial heritage is often questioned.

Ivey, 51, is the daughter of a white woman who was raised by her black father and stepmother. She said her racial heritage was the “No.1 issue” when she launched her first political campaign in 2006 — repeatedly being asked by voters to “clarify” her racial identity.

“As much as I’d like to believe that we’re in a post-racial country, we’re not,” Ivey said during an interview after Democrat Douglas F. Gansler announced her as his running mate in the 2014 race for governor.

The Prince George’s County lawmaker emphasized her roles as a black woman and mother of five boys. “I am Trayvon Martin’s mom,” she said…

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Conversations with Natasha Trethewey

University Press of Mississippi
2013-08-28
256 pages
6 x 9 inches, introduction, chronology, index
Hardback ISBN: 9781617038792
Paperback ISBN: 9781617039515

Edited by:

Joan Wylie Hall, Lecturer in English
University of Mississippi

United States Poet Laureate Natasha Trethewey (b. 1966) describes her mode as elegiac. Although the loss of her murdered mother informs each book, Trethewey’s range of forms and subjects is wide. In compact sonnets, elegant villanelles, ballad stanzas, and free verse, she creates monuments to mixed-race children of colonial Mexico, African American soldiers from the Civil War, a beautiful prostitute in 1910 New Orleans, and domestic workers from the twentieth-century North and South.

Because her white father and her black mother could not marry legally in Mississippi, Trethewey says she was “given” her subject matter as “the daughter of miscegenation.” A sense of psychological exile is evident from her first collection, Domestic Work (2000), to the recent Thrall (2012). Biracial people of the Americas are a major focus of her poetry and her prose book Beyond Katrina, a meditation on family, community, and the natural environment of the Mississippi Gulf Coast.

The interviews featured within Conversations with Natasha Trethewey provide intriguing artistic and biographical insights into her work. The Pulitzer Prize-winning poet cites diverse influences, from Anne Frank to Seamus Heaney. She emotionally acknowledges Rita Dove’s large impact, and she boldly positions herself in the southern literary tradition of Faulkner and Robert Penn Warren. Commenting on “Pastoral,” “South,” and other poems, Trethewey guides readers to deeper perception and empathy.

Louisiana Creole Literature: A Historical Study

University Press of Mississippi
2013-10-17
256 pages
6 x 9 inches, bibliography, index
Hardback ISBN: 9781617039102

Catharine Savage Brosman, Professor Emerita of French
Tulane University, New Orleans, Louisiana

Louisiana Creole Literature is a broad-ranging critical reading of belles lettres—in both French and English—connected to and generally produced by the distinctive Louisiana Creole peoples, chiefly in the southeastern part of the state. The book covers primarily the nineteenth and twentieth centuries, the flourishing period during which the term Creole had broad and contested cultural reference in Louisiana.

The study consists in part of literary history and biography. When available and appropriate, each discussion–arranged chronologically–provides pertinent personal information on authors, as well as publishing facts. Readers will find also summaries and evaluation of key texts, some virtually unknown, others of difficult access. Brosman illuminates the biographies and works of Kate Chopin, Lafcadio Hearn, George Washington Cable, Grace King, and Adolphe Duhart, among others. In addition, she challenges views that appear to be skewed regarding canon formation. The book places emphasis on poetry and fiction, reaching from early nineteenth-century writing through the twentieth century to selected works by poets still writing in the early twenty-first century. A few plays are treated also, especially by Victor Séjour. Louisiana Creole Literature examines at length the writings of important Francophone figures, and certain Anglophone novelists likewise receive extended treatment. Since much of nineteenth-century Louisiana literature was transnational, the book considers Creole-based works which appeared in Paris as well as those published locally.

Catharine Savage Brosman, Houston, Texas, is professor emerita of French at Tulane University. She is the author of numerous books of French literary history and criticism, two volumes of nonfiction prose, and nine collections of poetry.

Contents

• Preface
• Chapter One. Louisiana and Its Population: The Historical Background
• Chapter Two. Features of Early Louisiana Literature and the Cultural Milieu
• Chapter Three. Pere Rouquette and Other Early Francophone Poets
• Chapter Four. Mercier and Other Novelists Born in the Early Nineteenth Century
• Chapter Five. Mid-Nineteenth-Century Immigrant Francophone Authors
• Chapter Six. Fiction and Drama by Mid-Nineteenth-Century Free People of Color
• Chapter Seven. Poetry by Mid-Nineteenth-Century Free People of Color
• Chapter Eight. Cable and Hearn
• Chapter Nine. Late Francophone Figures: de la Houssaye, du Quesnay, Dessommes
• Chapter Ten. Kate Chopin
• Chapter Eleven. King, Stuart, and Others
• Chapter Twelve. Some Twentieth-Century Louisiana Prose Writers
• Chapter Thirteen. Louisiana Creole Poets of the Twentieth and Twenty-First Centuries
• Notes
• Selected Bibliography
• Index

The symbolics of blood: Mestizaje in the Americas

Identities: Global Studies in Culture and Power
Volume 3, Issue 4, 1997 (Special Issue: Race and Place)
pages 495-521
DOI: 10.1080/1070289X.1997.9962576

Carol A. Smith, Professor Emerita of Anthropology
University of California, Davis

Mestizaje, a significant process of identity formation in Latin America based on presumed race mixture, rests on certain sustaining ideologies about race, class, gender, and sexuality that are specific to Latin America. This essay attempts a preliminary discussion of how mestizaje has affected marriage and gender relations in several Latin American regions as the marital/kinship pattern, together with its sustaining ideologies, changed over time. Questions are asked about differences in beliefs held by different kinds of individuals (mestizos and “whites,” lower classes and elites, women and men) about mestizaje and the sexual and/or kinship relations appropriate between different races and classes. Examination of a few well documented historical cases suggests that what lower-class mestizos believe about race, class, gender, and sexuality involves resistance to as well as acceptance of elite beliefs about them. It appears that there are also significant differences in beliefs held by mestizo women and men about appropriate female and male sexuality, though we have less information about this.

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Rejecting Blackness and Claiming Whiteness: Antiblack Whiteness in the Biracial Project

Chapter in: White Out: The Continuing Significance of Racism (pages 81-94)

Routledge
2003-08-14
344 pages
Paperback ISBN: 978-0-415-93583-8
Hardback ISBN: 978-0-415-93582-1

Edited by:

Ashley W. Doane, Associate Dean for Academic Administration; Professor of Sociology
University of Hartford, West Hartford, Connecticut

Eduardo Bonilla-Silva, Professor of Sociology
Duke University

Chapter Author:

Minkah Makalani, Assistant Professor of African and African Diaspora Studies
University of Texas, Austin

Over the past fifteen years in the United States, there has emerged a concerted push to reclassify people with one Black and one white parent as biracial. Advocates of this biracial project seek to have people of mixed parentage (PMP) recognized as a distinct, biracial race. They maintain that a biracial identity is more mentally healthy than a Black one and challenges popular notions of race in the United States, therefore making it the basis for “ultimately disabus[ing] Americans of their false beliefs in the biological reality of race” (Zack 2001:34). This will lead society away from racial classifications, hasten racism’s demise, and bring about a color-blind society (Gilanshah 1993; Spickard 2001; Zack 2001). Still, the progressive qualities of a biracial identity are more apparent than real.

The presence of a biracial race would certainly disrupt popular ideas about race, but to suggest it would precipitate the end of racial classifications is spec ulation (Parker and Song 2001). Changing popular ideas about race can occur without addressing racial oppression (Mosley 1997), and abolishing racial classifications to create a color-blind society is more likely to contribute to the persistence of racism than to its demise (Carr 1997; Neville et al. 2000; Bonilla-Silva 2001). Additionally, most arguments for a biracial race ignore the sociohistorical character of race and roots biracialty in biological notions of race “mixture” (powell 1997). This raises serious doubts about the biracial project’s claim to be a progressive social movement. Rather than seeking to overthrow the racialized social system, it is a reactionary political response to the racialization of people of African descent in the United States as Black. Specifically, it uses whiteness to distinguish PMP from African Americans as a new race that would be positioned between Blacks and whites in a reordered, racialized social system.

Several historians have addressed the historical role of whiteness in ordering racial oppression, giving special attention to how white racial identity develops in different racial formations (Roediger 1991; Allen 1994; on racial formations, see Baron 1985; Cha-Jua 2001). Putting these together with other works on race (C. Harris 1993; Malik 1997; Mills 1997), we can see whiteness as primarily a component part of racism. Cheryl Harris (1993:1735) alludes to this when she argues that whiteness is used by whites to maintain a superordinate position in the racial hierarchy: “the state’s official recognition of a racial identity that subordinated Blacks and of privileged rights in property based on race elevated whiteness from a passive attribute to an object of law and a resource deployable at the social, political, and institutional level to maintain control.” This identifies a link between white racial identity and Black subordination and more importantly conceptualizes whiteness as a material object used to maintain white supremacy rather than as merely an aspect of white identity.

This chapter analyzes the biracial project’s deployment of whiteness to argue that PMP constitute a new race. With the role whiteness plays in racism in mind, this accomplishes two things. First, it builds on Cheryl Harris (1993) to argue that whiteness is a dynamic social property that people of color might use to negotiate the racial hierarchy and it cautions against the tendency to essentialize whiteness as something only whites have. Second, it examines the biracial project as a particular instance of people of color using whiteness, by looking at the assertion that PMP are racially distinct from African Americans because whiteness is an immutable biosocial attribute. Using a materialist theory of race and racism, I argue that a biracial race has no social, historical, or cultural basis and that claims for its existence ignore the sociohistorical character of race and conflate racial identity with racial identification. Focusing in part on congressional testimonies on the census, but primarily on biracial-identity Internet Web sites, I examine the arguments of biracial-identity advocates to show how whiteness is deployed as a tool to distance PMP from African Americans politically, socially, and culturally…

American Sons & Daughters: Mixed Race, Identity in Southern California

KCET Television
Burbank, California
2013-12-04

Susan Straight, Professor of Creative Writing
University of California, Riverside

This is how we began. I looked out at the 300 faces before me and said, “How many of you in this classroom are often asked, in a bar or a store or at a party, What are you?” Maybe a hundred young people raised their hands, and they couldn’t believe that’s what we would spend ten weeks talking about.

“People will guess, all the time, and they’re never right,” one young woman said.

“People think I’m black because of my hair. But I’m Ashkenazi Jewish,” a young man said.

“People think I’m Asian because of my eyes,” someone else said.

“My son is really light, because he’s Mexican-Irish,” said Arely, who is Mexican-American, standing in front of the class and showing her children from a cell phone photo onto the screens. “But my daughter is darker, since she’s Mexican-Colombian, and everyone talks about that. I already know how hard that’s going to be for her.”

The class is “The Mixed Race Novel and the American Experience.” But of course we didn’t talk only about books — we talked about who we are, how America sees us, how our families see us, and most importantly, how we see ourselves. We talked about America’s ongoing obsession with hair and melanin, about what it means to be undocumented, what it means to be a mother, what it means to witness a murder or to lose a dog. But all those discussions began with what it means to be of mixed racial and cultural heritage, and many students in this class at UC Riverside say this was their first time ever talking about these very personal things in an open forum…

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