Mixed Race Studies

Race to be scrapped from Swedish legislation

The Local: Sweden’s News in English
2014-07-31

Solveig Rundquist

The Swedish government announced that it plans to remove all mentions of race from Swedish legislation, saying that race is a social construct which should not be encouraged in law.

“We know that different human races actually do not exist,” Swedish Integration Minister Erik Ullenhag told Sveriges Television (SVT).

“We also know that the fundamental grounds of racism are based on the belief that there are different races, and that belonging to a race makes people behave in a certain way, and that some races are better than others.”

The concept of race is included in around 20 Swedish laws, including criminal code, student financial aid laws, and credit information laws. On Thursday the Swedish government began an investigation into how to remove the concept from all legislation, as has been done in Austria and Finland.

“Legislation should not include the word race, if we argue that there are not actually races,” Ullenhag said. “I have wanted to remove the concept of race for a long time.”

Oscar Pripp, associate professor of ethnology at Uppsala University, welcomed the idea. He said that the concept of race is necessary to understand people’s social behaviour, but that it is not necessary in law…

…The proposal has come under sharp criticism, however, from the National Afro-Swedish Association (Afrosvensarnas Riksförbund, ASR).

“This scientific racism that Ullenhag is focused on, when he says that racism is based on believing in different races, is not true,” Kitimbwa Sabuni, spokesperson for the ASR, told The Local.

“How many people in Sweden really think that way? Maybe 100. That’s not the problem. Racism existed before the concept of race biology. Scientific racism is just one chapter in the story of race and racism.”…

Read the entire article here.

Everything I Never Told You: A Novel

Penguin Press
2014-06-26
304 pages
Hardcover ISBN: 9781594205712

Celeste Ng

Lydia is dead. But they don’t know this yet . . . So begins the story of this exquisite debut novel, about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee; their middle daughter, a girl who inherited her mother’s bright blue eyes and her father’s jet-black hair. Her parents are determined that Lydia will fulfill the dreams they were unable to pursue—in Marilyn’s case that her daughter become a doctor rather than a homemaker, in James’s case that Lydia be popular at school, a girl with a busy social life and the center of every party.

When Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together tumbles into chaos, forcing them to confront the long-kept secrets that have been slowly pulling them apart. James, consumed by guilt, sets out on a reckless path that may destroy his marriage. Marilyn, devastated and vengeful, is determined to find a responsible party, no matter what the cost. Lydia’s older brother, Nathan, is certain that the neighborhood bad boy Jack is somehow involved. But it’s the youngest of the family—Hannah—who observes far more than anyone realizes and who may be the only one who knows the truth about what happened.

A profoundly moving story of family, history, and the meaning of home, Everything I Never Told You is both a gripping page-turner and a sensitive family portrait, exploring the divisions between cultures and the rifts within a family, and uncovering the ways in which mothers and daughters, fathers and sons, and husbands and wives struggle, all their lives, to understand one another.

After the ‘White Lie’ Implodes, a Rich Narrative Unfurls

The New York Times
2014-08-01

Felicia R. Lee

‘Little White Lie,’ Lacey Schwartz’s Film About Self-Discovery

Lacey Schwartz, a 37-year-old Harvard Law School graduate turned filmmaker, moves with ease in circles in which her identity as both black and Jewish seems unremarkable. What makes her biography striking is that Ms. Schwartz, a woman with light brown skin and a cascade of dark curls, grew up believing she was white.

How and why that happened is the subject of her film, “Little White Lie,” which has its premiere on Sunday at the San Francisco Jewish Film Festival, its first stop on the festival circuit before being broadcast on PBS next year. With Ms. Schwartz narrating, the camera travels to a funeral, girlfriend gab sessions and even her therapy appointments. At each stop, in raw conversations with family and friends, Ms. Schwartz asks over and over, how and why did she pass as white?

“I come from a long line of New York Jews,” she says early in the film, as photographs of her white relatives flash across the screen. “My family knew who they were, and they defined who I was.”

Ms. Schwartz was an only child who grew up in the mostly white town of Woodstock, N.Y. Her parents, Peggy and Robert Schwartz, told her that she favored her father’s swarthy Sicilian grandfather. It was not until she went off to college that she learned the truth.

Before starting college, “I was already questioning my whiteness because of what other people said and because I was aware that I looked different from my family,” she said in a recent interview. Then, based on the photograph accompanying her application, Georgetown University passed her name along to the black student association, which contacted her.

The university “gave me permission” to explore a black identity, Ms. Schwartz said…

…Bliss Broyard explored similar territory in a memoir about her father, the book critic Anatole Broyard, a black man who passed as white. She has said she was raised white but learned the truth about her father on his deathbed. But Ms. Broyard, unlike Ms. Schwartz, grew up with her biological father.

Jenifer L. Bratter, director of the Program for the Study of Ethnicity, Race and Culture at Rice University, said the film’s twisting tale was part of “a larger story about race in America.”

“Biological race trumps cultural race,” she added. “Race is something we’re really invested in validating or comprehending. It’s about how we understand race as a marker of difference, something that a story about ancestry can’t resolve.”..

Read the entire review here.

One Drop of a Father’s Love

Biracials Learning About African-American Culture (B.L.A.A.C)
Sunday, 2014-06-15

Zebulon Miletsky, Assistant Professor of Africana Studies
Stony Brook University, State University of New York

This week I had the pleasure of attending a one-woman show by Television and Film actress, Fanshen Cox DiGiovanni, called “One Drop of Love” a multimedia solo performance put on at the Brooklyn Historical Society. It was phenomenal. Not only was it brilliant in its exposition of the social and historical dimensions of race, but it alsobrought a human dimension to the oft-complicated question of mixed race in America.  The context alone was compelling.  In the next room, the critically praised exhibit on Brooklyn Abolitionists entitled “In Pursuit of Freedom”, rich with the documentation and exhibits about slavery and its abolition, much of it the raw material and subtext of the play we were about to witness. The day of the performancealso happened to be “Loving Day”, an annual celebration ofthe anniversary of the 1967 United States Supreme Court decision “Loving v. Virginia” which struck down all anti-miscegenation laws in the U.S. The decision was followed by an increase in interracial marriages, although not necessarily all “black/white” ones, and it is commemorated annually on what is now Loving Day, June the 12th…

Read the entire review here.

Blacks and Blackness in Central America: Between race and place ed. by Lowell Gudmundson and Justin Wolfe, and: Labor and Love in Guatemala: The eve of independence by Catherine Komisaruk (review)

Journal of Colonialism and Colonial History
Volume 15, Number 2, Summer 2014
DOI: 10.1353/cch.2014.0025

Julia A. Gibbings, Assistant Professor of History
University Of Manitoba, Canada

In his classic Spanish Central America, Murdo MacLeod reflected upon the importance of African slaves in the region and queried, “what happened to these black populations?” These two books, Blacks and Blackness in Central America and Labor and Love in Guatemala, seek to answer that question. In doing so, they uncover the silencing of Blackness as free people of color and their descendants disappeared from the sociocultural landscape or were cast into the geographic and cultural margins of the nation. In pointing to the multiple and complex forces that suppress Blackness, the authors call into question the predominant Indigenous/Ladino (non-Indigenous) binary in Central America. Recentering Blackness in the heart of Central American nations, these authors challenge even some of the most innovative scholarly works on the postcolonial period that have elided the existence of Afro-Central Americans and assumed that to be Ladino was equivalent to being Mestizo.

Blacks and Blackness in Central America, edited by Lowell Gudmundson and Justin Wolfe, originated from an international conference on the history of African Americans in Middle America that took place at Tulane University in November 2004. The result is an impressive collection of essays that contributes equally to African diaspora studies and Latin American historiography. This work adds to a new scholarship, such as Ileana Rodríguez-Silva’s Silencing Race: Disentangling Blackness, colonialism, and national identities in Puerto Rico, that seeks to uncover the powerful historical processes at work in societies where African-descended populations do not self-identify as such or have been systematically written out of national histories. The volume also contributes to Latin American historiography more broadly by participating in the rethinking of national mythologies of mestizaje. In addition to a relational approach to racial identity formation, many of the authors emphasize the racialization of space and place, illustrating how, for example, the Nicaraguan Mosquito Coast was racialized as Black and how Afro–Central America deployed the language of place and “rootedness” to make claims upon the nation-state.

Blacks and Blackness is divided into two parts, addressing the colonial and postcolonial periods, respectively. In Part I, “Colonial Worlds of Slavery and Freedom,” chapters on colonial Guatemala by Paul Lokken and colonial Costa Rica by Russell Lohse illustrate how Afro–Central Americans were participants in some of the most dynamic economic sectors—sugar and liquor in Guatemala and cacao and cattle in Costa Rica. Catherine Komisaruk’s work on colonial Guatemala and Rina Cáceres Gómez’s work on the Omoa fort in Honduras illustrate how slaves had a great deal of economic autonomy. Karl Offen’s particularly rich chapter demonstrates how the autonomous Afro-Amerindian and Amerindian populations of Nicaragua’s Mosquito Coast challenged emerging ideologies of race by interacting with the British and Spanish as equals and highlights crucial internal differentiations and hierarchies within Mosquito society. By highlighting the African origins of many Ladinos, Lokken and Komisaruk challenge the idea that modern Ladinos are exclusively of mixed Spanish and Indigenous descent.

In Part II, “Nation Building and Reinscribing Race,” the contributors take up the postcolonial nineteenth century with chapters on British West Indians, Central American banana enclaves, the racialization of Nicaraguan regions and Afro-Nicaraguan participation in liberal politics. In three chapters on Nicaragua, Justin Wolfe, Lowell Gudmundson and Juliet Hooker examine the varied meanings of Blackness and the political engagements of Afro-Nicaraguans. Wolfe illustrates how Afro-Nicaraguans engaged a republican vision that challenged the conservative oligarchy and came to dominate political struggle in the decades after independence. Their demands for equality led them to deny the question of race and thus ultimately participate in the silencing of Blackness. Gudmundson augments Wolfe’s discussion through a fascinating analysis of Nicaragua’s 1883 census and by illustrating how charges of blackness became associated with challenges to honor and masculinity, which led some to abandon the category altogether and helped institutionalize the nonexistence of racial difference and the myth of homogeneity. Hooker illustrates how the conceptualization of the Nicaraguan nation as civilized emerged out of and against the representation of the Mosquito Coast as savage. This spatialization of race, she further argues, legitimated the disenfranchisement of certain racialized peoples. Next, Lara Putnam and Ronald…