Mixed Race Studies

Natasha Trethewey Reactions

The Arc of the Universe Bends Towards Justice
The College of Wooster, Wooster, Ohio
2015-04-02

Caitlin Ziegert Mccombs

Natasha Trethewey, a Pulitzer prize winner and past Poet Laureate of the United States, came to visit and read some of her poetry for an audience much too large for Severance 09. After listening to some of her works read aloud, it seems she seamlessly weaves the topics of history, race, and personal narratives in the style of free verse. Before beginning each poem, Trethewey would provide some background of their origins. The first few poems she read were about her parents, in which she lingers on the issue of anti-miscegenation laws during the 1900’s as her mother and father were an interracial couple (her mother was African American and her father, white). This was a nice precursor to her readings of her new poetry collection, Thrall. Trethewey explained that ‘thrall’ was a name for someone born into servitude, which is quite fitting for a collection investigating the oppression of people of color and racial tensions over the past few hundred years. In her poem, Taxonomy, she deconstructs 18th century Casta paintings from colonial Mexico. She describes how race at this time was seen as an equation. There are whites and Mexicans, but more complexly: a white and an Amerindian mix equals a Mestizo, a Mestizo and an Amerindian mix equals a Cholo, a white and a Spaniard/African mix equals a Mulato, and so forth. These castas, or race/breed/lineage constructions dictated the lives of those so labeled. Trethewey describes the “weight of blood” as getting “heavier every year”, and the paintings of castas as “a last brush stroke [that] fixed him in his place”…

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Asian, American, Woman, Philosopher

The Stone
The New York Times
2015-04-06

George Yancy, Professor of Philosophy
Duquesne University, Pittsburgh, Pennsylvania

Emily S. Lee, Associate Professor of Philosophy
California State University, Fullerton

This is the ninth in a series of interviews with philosophers on race that I am conducting for The Stone. This week’s conversation is with Emily S. Lee, an associate professor of philosophy at the California State University, Fullerton. She is the editor of “Living Alterities: Phenomenology, Embodiment, and Race.” — George Yancy

George Yancy: You work at the intersection of race and phenomenology (the investigation of direct structures of experience). What got you interested in this area?

Emily S. Lee: Well, I’ve always been interested in how people can live in close proximity, share experiences, even within a family and yet draw very different conclusions from the experience. So when I began reading the French philosopher M. Merleau-Ponty’s “Phenomenology of Perception,” I really appreciated his care and attention to how this phenomenon can occur. Because an experience is not directly drawn from the empirical circumstances; it is also structured by the accumulated history and aspirations of each of the subjects undergoing the experience, Merleau-Ponty’s work helps to systematically understand how one can share an experience, and yet still take away different conclusions.

It was with luck that while I was reading Merleau-Ponty’s book, I was also reading the critical race theorist Patricia Williams’s book, “The Alchemy of Race and Rights.” I found some of her descriptions and analysis demonstrating the chasms of understanding among different “races” incredibly enlightening. I thought an explanation for many of the racial phenomena that Williams described in terms of the inexplicable dearth of understanding among various racialized subjects could be facilitated with the phenomenological framework…

Read the entire article here.