Mixed Race Studies

PART 1: Dispatches from Dream City: Zadie Smith and Barack Obama

Electric Lit
2010-10-19

The Editor

Reading and re-reading Zadie Smith’s spookily empathetic essay about Dreams of My Father and the natural linguistic flexibility of the biracial, upwardly mobile figure, the inevitable thought occurred to me: Is Zadie Smith the Barack Obama of literature?

Consider the parallels between the two: both are biracial (Zadie Smith had a white English father and a black Jamaican mother). Both are precocious strivers who came from somewhat déclassé origins and rose to become shining examples of their respective countries’ meritocratic aspirations (Zadie Smith grew up in a council flat, the English equivalent of a housing project, and received a scholarship to Oxford). Both give evidence of having been closer to their white parent. Both seem to promise liberation from the bad faith that has existed on both sides of the color line since the start of the post-civil rights era. Both are figures who because they smoothly speak the language of progressivism (in Smith’s case, the language of progressivism is the language of avant-garde literature and abstruse academic theory) appear–or in the case of Obama, appeared–less cautious and conservative than they really are. Changing My Mind is the title of Zadie Smith’s collection of what she calls ‘occasional essays;’ it might as well be titled ‘Only Connect,’ to use the credo of her beloved E.M.Forster’s Howards End–like Forster and like Obama, Zadie Smith is a builder of bridges and a reconciler of the seemingly irreconcilable.

There is a remarkable essay, “Two Directions for the Novel,” which is a kind of Beer Summit for contemporary fiction: on one side of the table is Joseph O’Neill, author of the Gatsbyesque 9/11 novel Netherland, on the other side is Tom McCarthy, writer of manifestos (still, after a century, a prerequisite for avant-garde credentials) and author of the astringently difficult novel Remainder…

Read the part 1 of the article here. Read part 2 here.

The Quadroon; or, A Lover’s Adventures In Louisiana

Robert M. DeWitt
1856
430 pages

Captain Mayne Reid (1818-1883)

Read the entire book here.

“I’ve got a piece coming out for Buzzfeed about the word mulatto. I think that’s a good word to start using more often. People don’t like the word, but they can’t point to why, or they think it’s a reference to a mule. But the word is actually an Arabic word referencing people of mixed heritage. It predates the word for mule. Historically, it’s the word we used for people of mixed race in this country. And the thing about words like mixed and biracial is that they’re completely vague. They don’t make much sense. Most black and white people who consider themselves biracial, their race is listed legally and socially as black. Plus bi- doesn’t work because there are other races mixed in there, too. Part of the thing that worries me about the biracial movement is that it can be ahistoric. And as I said the vast majority of African-Americans are of mixed racial descent. So by the definitions they’re using, every African-American is pretty much biracial. It would be a miracle if they did a test and there weren’t some European poking in. In my view, mulatto acknowledges that there’s a larger history. And for me, the black and white mixed experience is part of my African-American experience. I still consider myself African-American, just mixed African-American. It’s like, if you have a Dad whose Irish, you’d be Irish, and nobody would debate that just because your Mom was Italian. But for African-Americans, we have these rigid ways of looking at the issue. We’ve inherited these preconceived notions.” —Mat Johnson

Dwyer Murphy, “Pitching Chaos, an interview with Mat Johnson, author of Loving Day,” Electric Lit, May 26, 2015. http://electricliterature.com/pitching-chaos-an-interview-with-mat-johnson-author-of-loving-day/.

Pitching Chaos, an interview with Mat Johnson, author of Loving Day

Electric Lit
2015-05-26

Dwyer Murphy

This week marks the release of Loving Day, the new novel from Mat Johnson, author of Pym, Drop, Hunting in Harlem, Incognegro, and others. Johnson and I spoke last week on Skype. I caught him in his car, heading home from a school tour, and we continued our chat as he walked across the campus of the University of Houston, where he’s a faculty member in the creative writing program. Johnson has an energetic, incisive way of speaking. He works historical analysis, social observation, literary critique and wicked one-liners into the span of a sentence or two, always with the kind of conversational ease that makes you feel like he’s been mulling things over for a while and you were just the person he was hoping to see. We talked about race and culture in Philadelphia, prioritizing entertainment in literature, fatherhood, the book community on Twitter, and “the idea of being a straight male interacting with the feminine” (yes – sex – but other stuff, too…).

Dwyer Murphy: Over the course of your career, you’ve shifted between novels, graphic novels, comics, and non-fiction. With Loving Day, you’re back to the novel. How do you decide which medium to work with? Does the story dictate the format?

Mat Johnson: Usually it starts with the idea. I would say I’m a novelist first, but if the idea doesn’t fit into a novel, then I look for other ways to tell it. The graphic novel is kind of my way of doing a short story. I don’t usually write short stories, but I’ve found that pieces that are about the length of a story and have a strong visual aspect tend to work really well as graphic novels, so that’s how I’ll tell those particular stories…

Read the entire interview here.

My white father and Black mother both encouraged me to be Black, to embrace Black, both as a label and as a way of being part of the world. To claim the Black community as my own. To them this was an act of resistance against a society that would devalue Black people and Blackness as a concept. But it was also an act of love for me, a gift to be part of this incredible community that fuels phenomenal intellectual and artistic culture all over the world.

Chanda Prescod-Weinstein, “Hold Fast to Blackness,” Medium, July 29, 2015. https://medium.com/@chanda/hold-fast-to-blackness-3e4fa529917d.

“Many people portray the history of race in the United States as the rise of the “one drop of blood” rule. We have made too much of this. It was not the one-drop rule that kept the edifice of Jim Crow so strong. Racism could work through many different rules about ancestry, and it did. It could work even with a great deal of racial mixture. Just because more people are marrying across color lines today doesn’t mean race or racism are things of the past.”—Ariela J. Gross

Gilien Silsby, “Renowned Legal Historian Discusses Race in America,” Gould School of Law News (University of Southern California), October 29, 2015. http://gould.usc.edu/press/article.cfm?newsid=4236.