Mixed Race Studies

Special Relationships: mixed-race couples in post-war Britain and the United States

Women’s History Review
Volume 26, 2017 – Issue 1: Revisioning the History of Girls and Women in Britain in the Long 1950s
pages 110-129
DOI: 10.1080/09612025.2015.1123027

Clive Webb, Professor of Modern American History
University of Sussex, Brighton, United Kingdom

This article uses a transatlantic lens to reassess interracial relationships in 1950s Britain. Although mixed-race couples in this country suffered serious discrimination, Britain appeared relatively progressive to African Americans on the other side of the Atlantic engaged in a struggle for recognition of their constitutional rights. In contrast to the United States, there were no laws in Britain that prohibited interracial marriage. The British also appeared more open to public discussion of relationships that crossed the colour line including the production of several films that focused attention on this controversial subject. This apparently more inclusive attitude towards gender and race relations provided an inspirational model to African Americans in their fight for equality.

Read or purchase the article here.

Author Joseph Boyden’s shape-shifting Indigenous identity

APTN National News
Aboriginal Peoples Television Network
Winnipeg, Manitoba, Canada
2016-12-23

Jorge Barrera

Three Day Road author Joseph Boyden’s uncle went by the alias “Injun Joe” and wore a headdress while selling drums made of tin cans wrapped in birch and other “Indian” items to tourists from a shop near Algonquin Park in Ontario.

A Maclean’s article in 1956 titled, The Double Life of Injun Joe, reported Earl [Erl] Boyden “may look like an Indian, think like an Indian and spend most of his year among Indians, but as far as he knows he hasn’t a drop of Indian blood.” The article said Earl Boyden’s father was a “well-to-do Ottawa merchant who traced his family to Thomas O’Boyden in Yorkshire” and that his mother was “Irish.”

Earl Boyden, who died in 1959, appears to have embraced Indigenous culture to the point where the local Ojibway would refer to him as “not a white man,” according to the article.

Over the years, Joseph Boyden has referred to his uncle’s “Ojibway ways” and once told an interviewer that he saw parallels between himself and his “Indian uncle” Earl.

“Just like my Indian uncle, I had a taste for the road and for adventure,” said Boyden, in an interview with Penguin Books for a reading guide accompanying Three Day Road, his breakthrough novel which won the Scotiabank Giller Prize. “At the time, I didn’t recognize the parallels between my uncle and me.”

The nephew eventually discovered something his uncle did not know—Indigenous ancestry hidden somewhere in the Scottish and Irish branches of the family tree.

Boyden has never publicly revealed exactly from which earth his Indigenous heritage grows. It has been an ever shifting, evolving thing. Over the years, Boyden has variously claimed his family’s roots extended to the Metis, Mi’kmaq, Ojibway and Nipmuc peoples.

The nature of Boyden’s ancestry claims caused an undercurrent of concern within some segments of the Indigenous community as the author’s prominence as a spokesperson on Indigenous issues grew…

Read the entire article here.

When the Serendipitously Named Lovings Fell in Love, Their World Fell Apart

Smithsonian.com
2016-12-23

Christopher Wilson, Director of the African American History Program and Experience and Program Design
Smithsonian’s National Museum of American History, Washington, D.C.

The new film captures the quiet essence of the couples’ powerful story, says Smithsonian scholar Christopher Wilson

“My theory is, strong people don’t need strong leaders,” said human rights leader Ella Baker, who worked behind the scenes of the Black Freedom Movement for more than five decades. Her vision of participatory democracy was eloquently summed up in the composition “Ella’s Song,” written by Bernice Johnson Reagon, founding member of the music ensemble “Sweet Honey in the Rock.”

Not needing to clutch for power, not needing the light just to shine on me

I need to be just one in the number as we stand against tyranny.

The song honors Baker’s organic and populist activist philosophy of ordinary people working at the grassroots to create a more humane nation.

The story of Mildred and Richard Loving whose decade-long fight to live their lives, follow their hearts, and stay in their home culminated in the 1967 landmark case Loving v. Virginia that struck down laws against interracial marriage in the United States follows this sentiment.

Richard Loving and Mildred Jeter grew up in a rural community in Caroline County, Virginia. Despite statewide laws, rules and customs designed to keep the races separate, the Lovings’ community, isolated and agricultural, was quite integrated.

In the face of the long-held sexual taboos at the heart of white supremacist violence, the serendipitously named Lovings fell in love, but unlike others who kept such relationships hidden, in 1958 they drove to Washington, D.C., where they could legally get married.

The Lovings kept to themselves, but eventually word got out about their marriage. “Somebody talked,” Richard Loving said. Weeks later, they were arrested for violating Virginia’s 1924 Racial Integrity Act after a late night bedroom raid by the local sheriff, who was hoping to catch them having sex, which was also illegal. The Lovings pled guilty in January 1959 and were sentenced to one year in prison, but their sentence was suspended on the condition that they leave Virginia and not return together for 25 years. They couple moved to the District of Colombia, but longed to go home to the community they knew and loved. Five years later, in 1964, Mildred Loving sought relief by writing Attorney General Robert Kennedy and asking for help. Kennedy referred them to the American Civil Liberties Union, and three years later the Supreme Court unanimously ruled race-based legal restrictions on marriage unconstitutional.

The recently released film Loving, written and directed by Jeff Nichols and based on the wonderful 2011 documentary The Loving Story by Nancy Buirski, powerfully and artfully tells this story and testifies to the ability of feature films to take on historical subjects and add to public understanding of the past without fabricating events and misleading viewers…

Read the entire article here.

My President Is Biracial

Multiracial Media: Voice of the Multiracial Community
2016-12-27

TaRessa Stovall
Atlanta, Georgia

Remember that 2008 post-election rap anthem?

“My President is Black; in fact, he’s half White

So even in a racist mind he’s half right

—Jay-Z and Young Jeezy’s “My President”

That’s what runs through my mind as I read Ta-Nehisi Coates’ dissection of #POTUS44 in The Atlantic magazine. In “My President Was Black,” Coates, a Black thought leader and New York Times-bestselling author of Between the World and Me, riffs on President Obama in a potent, yet lacking, meditation on race, racism, and the identity politics of tightrope dancing as the leader of the free world.

In this and previous essays, Coates examines the kaleidoscopic nature of POTUS44’s racial identity through a strictly Black lens. As a result, he never quite grasps how the nuances and complexities of Obama’s Biraciality intersect with his governance as The First Black President.

The “my President is Biracial” concept not an easy equation to understand unless you are one of the folks whose lineage spills outside the narrow lines of identities limited to the constricting binary that is racial identity in the USA…

Read the entire article here.