Mixed Race Studies

My Mysterious Son: A Life-Changing Passage Between Schizophrenia and Shamanism

Skyhorse Publishing
2014-11-18
432 pages
6.00 x 9.00 in.
Hardback ISBN: 9781629144870
eBook ISBN: 9781629149578

Dick Russell

What a father will do to fight the mental illness that has destroyed his son.

What does a father do when hope is gone that his only son can ever lead anything close to a “normal” life? That’s the question that haunted Dick Russell in the fall of 2011, when his son, Franklin, was thirty-two. At the age of seventeen, Franklin had been diagnosed with schizophrenia. For years he spent time in and out of various hospitals, and even went through periods of adamantly denying that Dick was actually his father.

A mixed-race child, Franklin was handsome, intelligent, and sensitive until his mental illness suddenly took control. After spending the ensuing years trying to build some semblance of a normal father-son relationship, Dick was invited with his son, out of the blue, to witness the annual wildlife migration on Africa’s Serengeti Plain. Seizing this potential opportunity to repair the damage that both had struggled with, after going through two perilous nights together in Tanzania, ultimately the two-week trip changed both of their lives.

Desperately seeking an alternative to the medical model’s medication regimen, the author introduces Franklin to a West African shaman in Jamaica. Dick discovers Franklin’s psychic capabilities behind the seemingly delusional thought patterns, as well as his artistic talents. Theirs becomes an ancestral quest, the journey finally taking them to the sacred lands of New Mexico and an indigenous healer. For those who understand the pain of mental illness as well the bond between a parent and a child, My Mysterious Son shares the intimate and beautiful story of a father who will do everything in his power to repair his relationship with a young man damaged by mental illness.

Investigating identity

Counseling Today: A Publication of the American Counseling Association
2016-11-21

Laurie Meyers, Senior Writer

“What are you?”

That is a question commonly asked of individuals who are multiracial. As a society, we have gotten used to checking off a metaphorical — and often literal — “box” when it comes to questions of race. We seem to expect everyone to “just pick one.”

But the population of the United States is becoming increasingly diverse, not just in terms of our nation’s racial makeup, but also in the growing number of people who identify themselves as belonging to two, three or more racial groups…

…Counselors who study multiracial issues and in some cases are multiracial themselves say that this finding of shifting racial identity is indicative of one of the core issues of being from multiple races — identity and belonging…

…ACA member Derrick Paladino, who is part Puerto Rican and part Italian American, grew up in a predominantly white neighborhood in Connecticut. When kids at school would question him about “what” he was, Paladino would simply say Italian because that seemed easier and perhaps safer.

Paladino, who also helped to develop the Competencies for Counseling the Multiracial Population, says he didn’t have a lot of contact with the Puerto Rican side of his extended family when he grew up, so he didn’t have much opportunity to explore the Latino part of his identity. When he ultimately decided to go to college at the University of Florida, Paladino says he was thrilled at the prospect of meeting other Latino students.

“I got my Latino Students Association card, and I was so excited,” Paladino recalls. “But I discovered that because I was not fluent or hadn’t had [what was considered] the full Latino experience, I didn’t fit in well.”…

Read the entire article here.

Race Beyond Appearance

The Daily Iowan
2017-02-27

Isaac Hamlet

Since 2000, the U.S. Census has allowed people to identify themselves under numerous ethnicities. When this practice was instituted, 6.8 million Americans identified as being of mixed race; in 2010, the number reached 9 million. That was a 32 percent increase, making it one of the fastest growing racial categories in the U.S.

“I was probably 5 years old,” my dad said. “Probably started going out to the cotton field with my grandmother, she would say, ‘Pick some,’ and I’d just put it in her cotton sack.”

My dad, Larry Hamlet, was born on March 22, 1954, in Itta Bena, Mississippi, and raised by grandparents Annie and LeRoy Hamlet. His parents separated when he was about a year old and shortly after, his mother, Joyce, died in childbirth with what would have been her third son.

He was born “Larry Smith” but took his grandparents’ last name because “the world doesn’t need another Smith family in it.”

In 1960, around the time he was 5, mixed-race marriages accounted for roughly 0.04 percent of marriages, according to the U.S. Census…

Read the entire article here.

Definitive Hapa Japan Books To Launch In LA

Kaya Press
Los Angeles, California
2017-02-15

Kaya Press is thrilled to announce the official publication of Hapa Japan: History Vol. 1 and Hapa Japan: History Vol. 2 edited by Duncan Ryūken Williams.

Described by Ruth Ozeki as “essential reading for all citizens of our transcultural, transnational, boundless, borderless, beautifully mixed-up world,” these volumes bring together scholarship on the rich historical and contemporary experiences and representations of global Hapa Japanese…

Read the entire press release here.

Hapa Japan: History (Volume 2)

Kaya Press
2017-02-28
400 pages
Paperback ISBN: 9781885030542

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The film Kiku and Isamu (1959) was one of the first cinematic depictions of mixed-race children in postwar Japan, telling the story of two protagonists facing abandonment by two different Black GI fathers and ostracism from Japanese society. Bringing together studies of the representations of the Hapa Japanese experience in culture, Hapa Japan: Identities & Representations (Volume 2) tackles everything from Japanese and American films like Kiku and Isamu to hybrid graphic novels featuring mixed-race characters. From Muslim Japanese-Pakistani children in a Tokyo public school to “Blasian” youth at the AmerAsian School close to a US military base in Okinawa, the Hapa experience is multiple, and its cultural representations accordingly are equally diverse. This anthology is the first publication to attempt to map this wide range of Hapa representations in film, art and society.

Hapa Japan: History (Volume 1)

Kaya Press
2017-02-28
500 pages
Paperback ISBN: 9781885030535

Edited by:

Duncan Ryūken Williams, Associate Professor of Religion and East Asian Languages and Cultures
University of Southern California

The history and experiences of mixed-race Japan have long remained almost invisible in a country that believes in its own myths of homogeneity, despite a history that extends backwards to the 8th-century emperor Kammu Tenno (who was part Korean) through to Japan’s first female physician (part German) during the 19th century, and forward to the present day, when 1 of every 30 Japanese babies are born to families with one non-Japanese parent. Hapa Japan: History (Volume 1) is the first substantial collection of essays to survey the history of global mixed-race identities of persons of Japanese descent. Edited by Duncan Ryuken Williams, the founder of the Hapa Japan Database Project, this groundbreaking work unsettles binary and simplistic notions of race by making visible the complex lives of individuals often written out of history.

Loving in the War Years: Lo Que Nunca Paso por Sus Labios (South End Press Classics Series) (English and Spanish Edition) 2nd, expanded Edition

South End Press
2000
234 pages
5.3 x 0.5 x 8.3 inches
Paperback ISBN: 978-0896086265

Cherríe L. Moraga, Artist-in-residence
Stanford University

Weaving together poetry and prose, Spanish and English, family history and political theory, Loving in the War Years has been a classic in the feminist and Chicano canon since its 1983 release. This new edition—including a new introduction and three new essays—remains a testament of Moraga’s coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.

Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.

Moraga’s new essays, written with a voice nearly a generation older, continue the project of “loving in the war years,” but Moraga’s posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the “cultural tyranny” of the mainstream art world and a celebration of the strategic use of “cultural memory” in the creation of an art of resistance.

Student reflects on mixed-race background

The Times-Delphic
Des Moines, Iowa
2017-02-22

Jessica Spangler, Opinions Editor

As someone who comes from a blend of different cultures, it can sometimes seem like there isn’t really anywhere I belong. There are no neat boxes that I fit into.

I love that I am able to have a unique perspective and have the opportunity to grow up knowing different cultures. I’m proud of who I am and where my family is from. I am Cuban, Mexican and white and I will always consider myself lucky that I am able to have the experiences I do.

But there is also a lot of frustration that comes along with being mixed race.

People have dismissed my Latina side completely (“Please, you’re just white.”) and people have called me racial slurs or have said racist jokes to me (“Want to mow my lawn?”)…

Read the entire article here.

In Full Color: Finding My Place in a Black and White World

BenBella Books
2017-03-28
256 pages
Hardcover ISBN: 978-1944648169

Rachel Doležal (with Storms Reback)

A lot of people think they know what Rachel Doležal is.

Race faker. Liar. Opportunist. Crazy bitch.

But they don’t get to decide who Rachel Doležal is.

What determines your race? Is it your DNA? The community in which you were raised? The way others see you, or the way you see yourself?

On June 11, 2015, the media “outed” Rachel Doležal as a white woman who had knowingly been “passing” as black. When asked if she were African American during an interview about the hate crimes directed at her and her family, she hesitated before ending the interview and walking away. Some interpreted her reluctance to respond and hasty departure as dishonesty, while others assumed she lacked a reasonable explanation for the almost unprecedented way she identified herself.

With In Full Color, Rachael Doležal describes the path that led her from being a child of white evangelical parents to an NAACP chapter president and respected educator and activist who identified as black. Along the way, she’ll discuss the deep emotional bond she formed with her four adopted black siblings, the sense of belonging she felt while living in black communities in Jackson, Mississippi and Washington, D.C., and the discrimination she’s suffered while living as a black woman.

Her story is nuanced and complex, and in the process of telling it, she forces us to consider race in an entirely new light—not as a biological imperative, but as a function of the experiences we have, the culture we embrace, and, ultimately, the identity we choose.

Rosa Clemente: How I Came to Know and Appreciate My Blackness As An Afro-Latina

Atlanta Black Star
2017-02-23

Rosa Clemente

Rosa Alicia Clemente

In 1993, I was a student at the State University of New York-Albany when Dr. Marta Moreno Vega came to speak on our campus. Until that evening, I had never heard the term Afro-Latina. In fact, I had just learned what it meant when someone said “African descendant.” See, even though I had grown up in NYC and Westchester County, respectively, and completely embraced and understood that I was Puerto Rican, it was not until I went to college that I began to get to know who I truly was.

The year before, I had joined the Albany State University Black Alliance and, through my involvement with peers who were racially and politically conscious, I was exposed to the true history of mi gente (my people). This awakening of my racial consciousness would lead me to become an Africana Studies major and, to this day, I have been a scholar-activist in the field of Black studies. For me, it became clear that I was an African descendant, so I began to devour anything and everything I could, not only to learn the truth of who I was but also to confront the lies I had been told by my teachers, family and TV…

Read the entire article here.