Mixed Race Studies

We got diversity all wrong!!!

Dirty Movies: Your platform for thought-provoking cinema
2017-03-30

Victor Fraga, Writer and Publisher
London, United Kingdom

Brigitte Mira and El Hedi ben Salem in Fear Eats the Soul (1974)

Liberals like myself like to embrace and demand diversity, but we often come up with flawed arguments; Fassbinder has taught me that this can backfire with catastrophic consequences – Victor Fraga reflects on the 1974 classic ‘Fear Eats the Soul‘, as the film reaches UK cinemas

Diversity is not as straight-forward as it seems. We liberals like to think that it is a mandatory requirement for a multicultural, modern and sophisticated society. Yet we often come up with arguments that only serve to perpetuate the most reactionary and short-sighted rhetoric. For example, during the Brexit debate, the discussion around immigrants was almost inevitably linked to their financial and social contribution, something along the lines: “EU citizens have been paying taxes for years, they don’t claim benefits, and so on”. This is a dangerous fallacy.

It’s as if our tolerance of foreigners was entirely contingent on money and, to a lesser extent, social functionality (“they are our nurses, our train drivers, etc”). We have thereby stripped tolerance of its fundamentally altruistic nature. It’s as if we suddenly decided that tolerance has nothing to do with kindness, hospitality or high-mindedness. I have learnt from Rainer Werner Fassbinder’s 1974 classic Fear Eats the Soul (which is out in cinemas this weekend) that this is a very serious mistake with very pernicious ramifications. Tolerance founded upon economic/ vested interests will develop into an ulcer and kill…

Read the entire article here.

Piya on race, identity and ticking boxes

Out in the Open with Piya Chattopadhyay
CBC Radio
2017-03-27

Piya Chattopadhyay, Host

Piya and her daughter

A month after Rachel Dolezal was propelled into the public spotlight in 2015, the American writer Ta-Nehisi Coates’ book Between the World and Me came out.

It’s essentially a letter to his son about the bleak realities of being black in America today.

And like one of those memories that seem so present, so real you can almost touch them, I clearly recall my white husband coming home, after he finished reading Ta-Nehisi’s book.

He was standing on our back porch, and he asked me how I — a woman of Indian heritage, a woman who is undeniably brown — felt about our biological kids, who are biracial, but look outwardly white…

Read the story here. Listen to the story (00:03:42) here.