Mixed Race Studies

Please Select One

City On A Hill Press
Santa Cruz, California
2017-04-12

Savanna Heydon

I was in third grade when I realized I was biracial. “Please Select One,” I was instructed as I stared down at the race identity section of the STAR test, the tip of my pencil hovering back and forth over circles marked “Asian” and “White.”

The divide of my identity had never before been presented to me so blatantly. Deciding to leave both bubbles blank was no solution to the conflict that would become a personal obsession throughout my life. Biologically, I am both. Racially, I am neither. Culturally, I am confused…

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‘Get Out’ Is Now The Highest Grossing Film Domestically By A Black Director (But Not For Long)

Shadow And Act: On Film, Television and Web Content of Africa and Its Diaspora
2017-04-11

Sergio Mims

Jordan Peel – Get Out

It’s official! Jordan Peele’s “Get Out” is now the highest domestic grossing film directed a black filmmaker. With $163.3 million so far domestically ($177 million total worldwide), the film beats the previous highest grossing film by a black director domestically, F. Gary Gray’s “Straight Outta Compton”, which grossed $162.8 million, and another $40.4 million overseas at the end of its theatrical run. But “Get Out” is far from done, as it has yet to open in some of the biggest foreign markets, including European territories like France, Spain and Scandinavia, as well as across South America, so it could eventually do very well and match or even top “Compton’s” overseas numbers…

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‘We’re the geeks, the prostitutes’: Asian American actors on Hollywood’s barriers

The Guardian
2017-04-11

Sam Levin

Clockwise from top left: Scarlett Johansson in Ghost in the Shell; Pun Bandhu; Matt Damon in Great Wall; Atsuko Okatsuka. Composite: Alamy / Universal Pictures / Courtesy of Pun Bandhu / Courtesy of Atsuko Okatsuka

Films like Ghost in the Shell have fueled debate over whitewashing, while roles are few for Asian Americans – and when they are wanted, it’s often to play offensive stereotypes

Pun Bandhu’s training at the prestigious Yale School of Drama didn’t help much with the skill he needed for so many auditions after graduation – the “Asian accent”.

The Thai American actor – who has appeared in a wide range of TV shows and films over the last 15 years – said he was once told that an accent he used for a Thai character, modeled after his parents, was not working for an “American ear”. Instead, the director went with a Chinese accent.

While much of the recent debate around Asian representation in Hollywood has centered on whitewashing – when white actors are cast to tell Asian stories – working actors said a lack of opportunity was only one part of the problem. Asian American actors said they rarely, if ever, got auditions for leading roles, and when they did get parts, they were frequently secondary to the plot or portrayed offensive tropes…

…“We’re so desperate for opportunities,” said Kanoa Goo, a mixed-race actor who is Chinese, Hawaiian and white. “Often it’s pretty one-dimensional. It’s the tech computer analyst who doesn’t have much to say. His role is really just in service of the leads.”…

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Genarao Kỳ Lý Smith’s “Fidèle”and Intrusion

Interminable Rambling
2017-04-13

Matthew Teutsch, Instructor
Department of English
Auburn University, Auburn, Alabama

Recently, I taught Genarao Kỳ Lý Smith’s The Land Baron’s Sun: The Story of LýLoc and His Seven Wives (2014) for the first time, and during this read through, I began to think about the topic of the American Dream even more along with colonization and intrusion. These themes pop up in numerous poems throughout the collection, and I have written about them before. Today, though, I want to focus on “Fidèle,” a poem that appears later in the book and talks about Pham and her family’s new life in North Louisiana.

“Fidèle” begins by outlining the religious landscape of Ruston. The town does not have any synagogues, pagodas, or temples; rather, it has “only churches whose steeples/ are wooden hands formed in prayer” (84). From the very beginning, we are told to question the Boudreaux family in the poem based on the title, ““Fidèle,” French for faithful. The Boudreauxs, with their children and dog, repeatedly ask Pham, as she works in her family’s garden, to come to church with them someday. Pham declines these invitations as her husband instructs her…

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Portsmouth’s Ona Judge is famous at last

The Portsmouth Herald
2017-04-03

J. Dennis Robinson

Recently thrust into celebrity, Ona Judge was enslaved by George and Martha Washington. Ona quietly escaped the President’s House in Philadelphia in 1796 and lived as a seamstress in Greenland, New Hampshire. Washington described the runaway in a newspaper as “a light mulatto girl, much freckled.” This illustration by Emily Arnold McCully appears on the cover of her children’s book, “The Escape of Oney Judge,” published by Scholastic Press. [Courtesy photo]

It’s about time America learned her name. Enslaved by George and Martha Washington, a young Ona Judge fled to Portsmouth in 1796. A skilled seamstress, Ona Judge lived the rest of her long life in the shadows — impoverished, independent and defiant. Her presumed burial site remains obscure and unmarked on private land in nearby Greenland. But the story of a young black woman who resisted a president is finally being told — and told again.

Today you can read about Ona Judge (1773-1848) in The New York Times. You can hear her story on National Public Radio, watch her on a National Geographic special, or find her on popular websites like History.com and CNN. Ona is featured in “Lives Bound Together,” a special exhibit of more than 300 enslaved Africans at Mount Vernon. She is portrayed by re-enactors from New Hampshire to Virginia, and her story is told at the site of the President’s House in Philadelphia, where she made her daring solo escape from the Washingtons at age 20.

The big news for Ona, and for American history, is the success of a runaway bestseller titled “Never Caught, The Washingtons’ Relentless Pursuit of Their Runaway Slave, Ona Judge.” Author Erica Armstrong Dunbar, examines the first president’s use of “human property” from the slave’s point of view…

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