Mixed Race Studies

Separated at birth: Was my mother given away because she looked white?

Stories
BBC News
2019-12-01

Vibeke Venema, Senior Broadcast Journalist

Nathan Romburgh

When a health emergency prompted Nathan Romburgh and his sisters to look into their family history, decades after the end of apartheid, they uncovered a closely guarded secret that made them question their own identity.

Cape Town, 29 September 1969 – at 10pm the city is rocked by a huge earthquake. Margaret Buirski is working as a First Aid nurse in the Alhambra cinema and, for once, her medical skills are really needed. A woman has fallen from the balcony and Margaret is tending to her injuries in the chaos.

A young man walks past, very drunk, and notices the nurse’s shapely legs. Despite his inebriation, he offers to drive the women to hospital. This is the start of the romance between Margaret and Derek Romburgh…

…”Then there was this big question – what would make someone give away only one of her twins? It just didn’t make sense,” says Nathan.

He soon formed a theory – it was based on photographs Alan had shared, which showed that Margaret was fairer than her sister Norma.

“My mother had olive skin, but she passed for white in apartheid South Africa,” says Nathan. “I don’t think Norma could have.”

Although Mary Francis, Nathan’s grandmother, was registered as “European”, she was in fact mixed-race. Mary’s father, James Francis, was British, and her mother, Christina, was of Malaysian origin, from the island of St Helena. Mary was the youngest of their six children…

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All at Sea

4th Estate (an imprint of HarperCollins)
2016-04-07
240 pages
Paperback ISBN: 978-0008142162

Decca Aitkenhead

In May 2014, on a hot still morning on a beautiful beach in Jamaica, Decca Aikenhead’s life changed irrevocably. First her four year old son Jake, pootling by the water’s edge in his pyjamas, was dragged out to sea on a riptide. Then Tony, her partner and Jake’s father, dived in to save him, but drowned in the process.

Tony – a Northern, mixed race former prisoner, drug dealer and crack addict – “Black” and “Decca” – a prize-winning Guardian journalist from the West Country – had always made an improbable couple. For years they tried to find a way to come together from very different starting places. Tony reformed himself, got an education, and then a job. Decca bore him two sons and they bought a medieval farmhouse in Kent and set about transforming it. A decade on, lying in the sand in their favourite place in the world, young, strong, fit and with their children playing at their feet, they were congratulating themselves on their achievements when everything was ripped away.

Bookended by the deaths of her mother in childhood, and Tony this year, All at Sea looks at class, race, privilege and prejudice through the prism of Decca’s life and these deaths. It stares into the dark chasm of our worst nightmare – a random accidental tragedy – and somehow finds the light on the other side.

After Misty Comes Marie: Breaking Barriers in ‘The Nutcracker’

The New York Times
2019-11-28

Gia Kourlas, Dance Critic

Charlotte Nebres is the first black Marie, the young heroine of “George Balanchine’s The Nutcracker,” at New York City Ballet. Heather Sten for The New York Times

This year, for the first time, New York City Ballet’s “Nutcracker” has a black Marie, the young heroine whose life is charged with magic.

She may not remember it, but during the first summer of her life Charlotte Nebres canvassed for Barack Obama with her mother, Danielle, who carried her in a sling. She attended political rallies. And on a frigid day in January 2009, she accompanied her parents and older sister to his inauguration.

When Charlotte was 6, Misty Copeland became the first female African-American principal at American Ballet Theater. That, she remembers.

“I saw her perform and she was just so inspiring and so beautiful,” Charlotte, 11, said. “When I saw someone who looked like me onstage, I thought, that’s amazing. She was representing me and all the people like me.”

Now Charlotte, a student at the School of American Ballet, is breaking a barrier herself: She is the first black Marie, the young heroine of “George Balanchine’s The Nutcracker,” at New York City Ballet. It’s a milestone for the production, which dates to 1954.

It isn’t lost on Charlotte that she “got to grow up in a time when it wasn’t just like, oh yeah I can do this, but not do this,” she said. “There was nothing holding you back.”

But the cultural shift reaches beyond Charlotte, whose mother’s family is from Trinidad (her father’s side is from the Philippines), as her school works to diversify its student body. In addition to Charlotte, the other young leads this season are Tanner Quirk (her Prince), who is half-Chinese; Sophia Thomopoulos (Marie), who is half-Korean, half-Greek; and Kai Misra-Stone (Sophia’s Prince), who is half-South Asian. (The children are always double cast.)…

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Bernardine Evaristo: ‘These are unprecedented times for black female writers’

The Guardian
2019-10-19

Bernardine Evaristo

‘These times really are extraordinary’ … Bernardine Evaristo. Photograph: Karen Robinson/The Observer

The first black woman to win the Booker prize argues that a revolution is sweeping through British publishing. But can it lead to lasting change?

Chidera Eggerue, AKA The Slumflower, is a social media star, south-east London homegirl and feminist. She first came to prominence in 2017 when she created the hashtag #SaggyBoobsMatter on Twitter in order to promote the body-positive message that women’s breasts and bodies are fine just as they are. It’s an important idea and antithetical to a beauty industry that berates us for our imperfections. A year later Eggerue published a self-help motivational book, What a Time to Be Alone: The Slumflower’s Guide to Why You Are Already Enough, which entered the Sunday Times bestseller list the week it was published in 2018, when she was 23. In her very pink, zanily illustrated book, Eggerue, a self-styled “guru, confidante and best friend” to her readers, offers advice on self-worth and self-acceptance. An earlier booklet called Little Black Book: A Toolkit for Working Women, by Otegha Uwagba, became a bestseller in 2016, paving the way for Eggerue. This, in turn, was probably influenced by Chimamanda Ngozi Adichie’s 2014 essay We Should All Be Feminists.

These are unprecedented times for black female writers, in no small part due to the internet. It has reconfigured how we present ourselves to the world at large, as well as bringing previously marginalised social groups and writing to the fore in ways hitherto unimaginable. As a society we are beginning to recognise and take seriously the ills and pitfalls of social media, but it is still the most exciting channel of mass communication since history began…

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Genetic Options: The Impact of Genetic Ancestry Testing on Consumers’ Racial and Ethnic Identities

American Journal of Sociology
Volume 124, Number 1 (July 2018)
pages 150-184
DOI: 10.1086/697487

Wendy D. Roth, Associate Professor of Sociology
University of Pennsylvania

Biorn Ivemark, Postdoctoral Researcher
School of Humanities, Education and Social Sciences
Örebro University, Örebro, Sweden

The rapid growth of genetic ancestry testing has brought concerns that these tests will transform consumers’ racial and ethnic identities, producing “geneticized” identities determined by genetic knowledge. Drawing on 100 qualitative interviews with white, black, Hispanic/Latino, Asian, and Native Americans, the authors develop the genetic options theory to account for how genetic ancestry tests influence consumers’ ethnic and racial identities. The theory maintains that consumers do not accept the tests’ results as given but choose selectively from the estimates according to two mechanisms: their identity aspirations and social appraisals. Yet consumers’ prior racialization also influences their identity aspirations; white respondents aspired to new identities more readily and in substantively different ways. The authors’ findings suggest that genetic ancestry testing can reinforce race privilege among those who already experience it.

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The Rise of Mixed Parentage: A Sociological and Demographic Phenomenon to Be Reckoned With

The ANNALS of the American Academy of Political and Social Science
Volume: 677, Issue: 1, What Census Data Miss about American Diversity, (May 2018)
Pages 26-38
DOI: 10.1177/0002716218757656

Richard Alba, Distinguished Professor of Sociology
City University of New York

Brenden Beck, Assistant Professor of Sociology and Criminology
University of Florida

Duygu Basaran Sahin
City University of New York

Ethno-racially mixed parentage is rising in frequency, creating a strong challenge to both census classification schemes and, indeed, to common conceptions of ethnicity and race. Majority (white) and minority (nonwhite or Hispanic) parentage predominates among individuals with mixed-family backgrounds. Yet in public presentations of census data and population projections, individuals with mixed backgrounds are generally classified as nonwhite. We analyze 2013 American Community Survey data and summarize the results of important studies to argue that individuals from mixed majority-minority backgrounds resemble whites more than they do minorities in terms of some key social characteristics and experiences, such as where they grow up and their social affiliations as adults. Those with a black parent are an important exception. An implication of this analysis is that census classification practices for mixed individuals risk distorting conceptions of the current population, especially its youthful portion, and promoting misunderstandings of ethno-racial change.

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Establishing the Denominator: The Challenges of Measuring Multiracial, Hispanic, and Native American Populations

The ANNALS of the American Academy of Political and Social Science
Volume: 677, Issue: 1, What Census Data Miss about American Diversity, (May 2018)
Pages 48-56
DOI: 10.1177/0002716218756818

Wendy D. Roth, Associate Professor of Sociology
University of Pennsylvania

For multiracial, Hispanic, and Native Americans, norms for racial and ethnic self-identification are less well established than they are for other population groups. There is considerable variation and fluidity in how multiracial, Hispanic, and Native Americans self-identify, as well as how they are classified by others. This presents challenges to researchers and analysts in terms of consistently and accurately estimating the size and population dynamics of these groups. I argue that for analytic purposes, racial/ethnic self-identification should continue to be treated as a statistical numerator, but that the challenge is for researchers to establish the correct denominator—the population that could identify as members of the group based on their ancestry. Examining how many people who could identify with these groups choose to do so sheds light on assimilation and emerging racial classification processes. Analyses of the larger potential populations further avoid bias stemming from nonrandom patterns of self-identification with the groups.

Read or purchase the article here.