Mixed Race Studies

Choosing Racial Identity in the United States, 1880-1940

National Bureau of Economic Research
NBER Working Paper No. 26465
November 2019
76 pages
DOI: 10.3386/w26465

Ricardo Dahis, Ph.D. Candidate in Economics
Northwestern University, Evanston, Illinois

Emily Nix, Assistant Professor of Finance and Business Economics
University of Southern California

Nancy Qian, James J. O’Connor Professor of Managerial Economics & Decision Sciences
Kellogg School of Management, Northwestern University, Evanston, Illinois

This paper documents that many black males experienced a change in racial classification to white in the United States, 1880–1940, while changes in racial classification were negligible for other races. We provide a rich set of descriptive evidence on the lives of black men “passing” for white, such as marriage, children, the passing of spouses and children, migration and income.

Read the entire paper here.

A Painter Resurrects Louisiana’s Vanished Creole Culture

The New York Times
2020-01-16

Elizabeth Pochoda, Editor-in-Chief
The Magazine ANTIQUES

Andrew LaMar Hopkins portrays the significant role Creoles played in the civic life of New Orleans. “Edmond Dédé Piano Recital” (2019) shows the freeborn Creole musician and composer in his elegant salon. Andrew LaMar Hopkins

Andrew LaMar Hopkins celebrates the rich contributions of 19th-Century New Orleans in his folk art style (and drag).

NEW ORLEANS — Dressed as his alter ego, the modish matron Désirée Joséphine Duplantier, the artist Andrew LaMar Hopkins is a familiar presence on this city’s arts scene. His paintings, faux naïf renderings of 19th-century life in the city — particularly the vanished culture of New Orleans’s free Creoles of color — also keep good company. You can see these works in Nadine Blake’s gallery on Royal Street in the French Quarter, on the art-filled walls of Dooky Chase’s Restaurant in Treme, and in the rooms of collectors like the designer Thomas Jayne and the food stylist Rick Ellis.

When a dozen of Mr. Hopkins’s paintings appear at the Winter Show at the Park Avenue Armory on Jan. 24 they will be making their first foray north. Placed alongside 18th- and 19th -century portrait miniatures in the booth of Elle Shushan near the entrance of the show, these small works portraying daily life in New Orleans, circa 1830, will enact their own sly magic, inserting themselves into the stream of art history as if the visual record of people and places in antebellum Creole culture had not been lost. “This is what these lives looked like, and no one else was doing it,” Mr. Hopkins, 42, says of both white Creoles and Creoles of color in his work. “I wanted to do them justice.”

Creole is a long-embattled term, perhaps best defined now as a person whose background and identity is traceable to colonial French Louisiana and/or its Franco-African culture. William Rudolph, the chief curator at the San Antonio Museum of Art and an early enthusiast about the work of Mr. Hopkins, says this artist “has used his work to interrogate Creole history.” He added, “He has deconstructed the past.”…

Read the entire article here.

Why Harry and Meghan’s ‘Megxit’ is a crossroads for the UK on race

PBS NewsHour
2020-01-20

Courtney Vinopal, Digital Reporter

When Prince Harry and Meghan, the duke and duchess of Sussex, first announced that they intended to “step back” from their duties as “senior UK royals,” palace officials were reportedly taken aback by the decision.

But it came as no surprise to close watchers of the young royals — particularly among the United Kingdom’s communities of color — that the couple made the historic decision to renounce their “Royal Highness” titles and spend most of their time in North America.

“Minority communities expected this to some degree,” said Nels Abbey, a London-based media executive and author of the novel “Think Like a White Man.” With “the level of hostility and racism that Meghan has been on the receiving end of, it’s no surprise that she’s chosen to leave,” he added…

Read the entire article here.