Mixed Race Studies

The Black Lives Matter Movement As An Asian American

Bozeman Magazine
Bozeman, Montana
2020-07-01

Cassie Pfannenstiel

The issue of race in America is complex. Many communities of varying cultures exist together often without accepting one another in a meaningful way. Growing up in a multicultural home as a mixed-race child, I often felt as a cultural outsider to either half of me. Around my white friends and family, I was the minority and with other Asians, I was “too white” to really fit in.

I had two different sides of me that were never really brought together. I wasn’t allowed to learn Tagalog from my mother growing up, which caused me to miss out on a lot of Filipino culture and deeper relationships. Even today, my mother and I have a strained relationship because of the language barrier between us. The lack of that half of my culture was filled by the other half of my upbringing: a mostly white-washed experience in which I still wasn’t fully accepted because of my mixed origins. As a child, I was unable to understand where I stood amongst the white kids with “normal” upbringings. When I looked at myself, I couldn’t tell if I even looked Asian or not. I became used to random strangers asking questions like: “What are you?” “What’s your heritage?” “Where are you from? No, originally.” These questions solidified my racial ambiguity. I became used to identifying as white and American first before my more prominent Asian culture. The questioning reminded me that although I had embraced and assimilated into white culture, I was not white…

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“Is There a Self in This Text? Satire, Passing, and Life in Danzy Senna’s Caucasia”

Critique: Studies in Contemporary Fiction
Published online 2020-06-25
DOI: 10.1080/00111619.2020.1784083

Myers Enlow
University of Memphis , Memphis, Tennessee

In this paper, I argue that Danzy Senna’s Caucasia is a satirical passing narrative that exposes the tragedy of traditional passing novels as archaic for relying on racial binaries and perpetuating white desirability. I draw on the existing scholarship surrounding satire and traditional passing narratives and apply it to Senna’s work to analyze the ways this novel differs from traditional, early 20th-century passing narratives to comment on the absurdity of white desirability and the racial binary through the American Dream. Specifically, I look at Caucasia as a location in which the main characters – biracial Birdie and Cole Lee; their white mother, Sandy; and their black father, Deck – must find a way to live. The all-white space the characters are forced to inhabit informs their racial identities and desires and leads to a double consciousness within the narrator, Birdie. Ultimately, Senna’s satire illuminates the tragic passing narrative as complicit in upholding and reinforcing assumptions of a binary world. Additionally, Senna shows the double consciousness African Americans and biracial individuals embody because of America’s fixation on the white, American Dream that manifests itself as life in Caucasia.

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“I’m not saying that everybody, or even most people, who are inspired by [Robin] DiAngelo or want to hear what she’s saying are cynical. But I do think that what people like Barbara and Karen Fields are asking of us in their book Racecraft: The Soul of Inequality in American Life; what Paul Gilroy in Against Race is asking of people; what someone like Albert Murray was asking of people when he told us that we were a “mongrel nation,” and that “[a]ny fool can see that white people are not really white, and that black people are not black”; what, in my own way, I’ve tried to propose in Self-Portrait in Black and White, is that you can’t actually defeat racism by merely opposing racism. You have to actually start opposing the categories of race if you want to transcend the hierarchies and caste systems they impose. I think that’s a much harder task.”—Thomas Chatterton Williams

Otis Houston, “Part of a Larger Battle: A Conversation with Thomas Chatterton Williams,” Los Angeles Review of Books, July 16, 2020. https://lareviewofbooks.org/article/part-of-a-larger-battle-a-conversation-with-thomas-chatterton-williams/.