Mixed Race Studies

The assumption that more racial diversity equals more racial equality is a dangerous myth. Racial diversity can function as a cloaking device, concealing the most powerful forms of White supremacy while giving the appearance of racial progress.

John Blake, “White supremacy, with a tan,” CNN, September 4, 2021. https://www.cnn.com/2021/09/04/us/census-browning-of-america-myth-blake/index.html.

Phil Wang: I wouldn’t be a comic if I weren’t mixed-race

BBC News
2021-09-11

Helen Bushby, Entertainment and arts reporter

Phil Wang says the face of “every Eurasian person I’ve ever seen sings with loneliness”

Phil Wang, the stand-up comic you may recall for his viral video spoofing a Tom Hiddleston advert, has been baring his soul, or at least some of it, in his new book Sidesplitter.

Wang, 31, whose TV duties include Live at the Apollo, 8 Out of 10 Cats Does Countdown and Taskmaster, insists it’s not a memoir, as his life doesn’t merit one.

“I haven’t escaped a gulag or revolutionised an industry,” he explains, adding memoirs are a “saturated market” anyway.

What he really talks about in his book of essays is the impact of being mixed-race, of being “from two worlds at once”.

But although it has its serious moments, Sidesplitter is eloquently laced with laughs and bittersweet observations…

Read the entire article here.

Yellow Wife, A Novel

Simon & Schuster
2021-01-12
288 pages
Hardcover ISBN-13: 9781982149109
Paperback ISBN-13: 9781982149116
Audiobook ISBN-13: 9781797118819 (09:31:00)

Sadeqa Johnson

Called “wholly engrossing” by New York Times bestselling author Kathleen Grissom, this harrowing story follows an enslaved woman forced to barter love and freedom while living in the most infamous slave jail in Virginia.

Born on a plantation in Charles City, Virginia, Pheby Delores Brown has lived a relatively sheltered life. Shielded by her mother’s position as the estate’s medicine woman and cherished by the Master’s sister, she is set apart from the others on the plantation, belonging to neither world.

She’d been promised freedom on her eighteenth birthday, but instead of the idyllic life she imagined with her true love, Essex Henry, Pheby is forced to leave the only home she has ever known. She unexpectedly finds herself thrust into the bowels of slavery at the infamous Devil’s Half Acre, a jail in Richmond, Virginia, where the enslaved are broken, tortured, and sold every day. There, Pheby is exposed not just to her Jailer’s cruelty but also to his contradictions. To survive, Pheby will have to outwit him, and she soon faces the ultimate sacrifice.

She was raped by the owner of a notorious slave jail. Later, she inherited it.

The Washington Post
2020-02-01

Sydney Trent, Local enterprise reporter

An engraving print of the Lumpkin Slave Jail, from Corey’s “A History of the Richmond Theological Seminary.” (City of Richmond)

Robert Lumpkin was one of the South’s most prolific and brutal slave traders, presiding over a slave jail in Richmond so notorious that it was referred to as the “Devil’s Half Acre.”

Mary Lumpkin lived with him — and with the horror of who he was, bearing witness to the extreme punishments he meted out to enslaved people like her.

Under Robert Lumpkin’s ownership from 1844 until the end of the Civil War, the jail held thousands of enslaved men and women in its dim and cramped cells, permeated by the stench of human excrement. Many were destined for the auction block; others were captured runaways. Some had been delivered there by their masters to receive more expert punishment. The names of dead prisoners appeared on Robert Lumpkin’s insurance claims, their bodies buried in unmarked graves scattered about the property.

Described by an abolitionist minister who met her as “large, fair-faced . . . nearly white,” Mary was also Robert’s slave. She was raped and impregnated by him as a child, ultimately bearing at least seven of his children, five of whom survived. She kept house and raised their offspring within the fenced brick compound that included the jail…

Read the entire article here.

Work Of First African American Painter With International Reputation Explored

Art Where You’re At
National Public Radio
2021-09-07

Susan Stamberg, Special Correspondent

Photograph of Henry Ossawa Tanner in 1907. Frederick Gutekunst (1831–1917)/National Portrait Gallery, Smithsonian Institution

I just met Henry Ossawa Tanner. Nice trick, since he died in 1937. Tanner was the first African American artist with an international reputation. His paintings are in many museums, but I’ve walked past them countless times. Now, preparing for this column, I got to know a bit about his life and times (as well as new revelations about his artistic thinking) and thought I’d make the introductions.

Quite the gentleman. Born in Pittsburgh, 1859. Grew up in Philadelphia. Died an expatriate in Paris. “He saw right away that he could do better in France,” says Dallas Museum of Art curator Sue Canterbury.

He was having trouble getting into the art classes he wanted — and finding teachers who’d take him on. In France, skin color didn’t matter as much. He told a magazine writer, “in Paris no one regards me curiously. I am simply M[onsieur] Tanner, an American artist. Nobody knows or cares what was the complexion of my forebears.”

The French liked his work. In 1897, the government bought one of his pieces for the state collections. With that rare honor his reputation soared. Museums started buying Tanners. By 1900, when mass reproductions of Christ’s portrait and books on his life were circulating, curator Canterbury says, “Tanner was considered the leading European painter of religious scenes…

Read the entire article here.

INGRID DINEEN-WIMBERLY. The Allure of Blackness among Mixed-Race Americans, 1862–1916.

The American Historical Review
Volume 126, Issue 2 (June 2021)
pages 797–798
DOI: 10.1093/ahr/rhab307

Elizabeth M. Smith-Pryor, Associate Professor of History
Kent State University, Kent, Ohio

Ingrid Dineen-Wimberly. The Allure of Blackness among Mixed-Race Americans, 1862–1916. (Borderlands and Transcultural Studies.) Lincoln: University of Nebraska Press, 2019. Pp. xxxi, 267.

Why were so many African American leaders in the Reconstruction era from mixed-race backgrounds? This is the question Ingrid Dineen-Wimberly’s The Allure of Blackness among Mixed-Race Americans, 1862–1916 sets out to answer. Dineen-Wimberly’s argument is encapsulated in her title, reflecting her contention that although many post–Civil War Black leaders could have chosen to pass as white they instead identified deliberately as Black. This choice, Dineen-Wimberly argues, rested on their ability as Black people to achieve political power or economic success. This ability to succeed because they were Black thus constituted the “allure” of Blackness. Dineen-Wimberly contends that her study pushes against a body of scholarship…

Read or purchase the article here.