Mixed Race Studies

Running a Thousand Miles for Freedom or The Escape of William and Ellen Craft from Slavery

Louisiana State University Press
Originally Published: 1860
Published by LSU Press: 1999
120 pages
Trim: 6 x 9
Illustrations: 5 halftones
ISBN-13: 978-0-8071-2320-1 Paper

William Craft

With a Foreword and Biographical Essay by

Richard J. M. Blackett,  Andrew Jackson Professor of History
Vanderbilt University

Husband and wife William and Ellen Craft’s [her mother was a slave and her father was her mother’s owner.] break from slavery in 1848 was perhaps the most extraordinary in American history. Numerous newspaper reports in the United States and abroad told of how the two—fair-skinned Ellen disguised as a white slave master and William posing as her servant—negotiated heart-pounding brushes with discovery while fleeing Macon, Georgia, for Philadelphia and eventually Boston. No account, though, conveyed the ingenuity, daring, good fortune, and love that characterized their flight for freedom better than the couple’s own version, published in 1860, a remarkable authorial accomplishment only twelve years beyond illiteracy. Now their stirring first-person narrative and Richard Blackett’s excellent interpretive pieces are brought together in one volume to tell the complete story of the Crafts.

Ellen Craft

Summary by Monique Pierce of Documenting The South:

Published in 1860, shortly before the start of the Civil War, Running a Thousand Miles for Freedom is the narrative of William and Ellen Craft‘s escape from slavery. Both were born and grew up in Georgia, and they lived in Macon prior to their escape. In December 1848 they devised a plan in which Ellen Craft, who was very light- skinned, would dress as a man and pretend to be a rheumatic seeking better treatment in Philadelphia. William was to accompany her and act as her slave. Relying exclusively on means of public transportation, including trains and steamers, they made their way to Savannah, then to Charleston, Wilmington, North Carolina, Washington, D.C., Baltimore, and Philadelphia, where they arrived on Christmas Day. They then relocated to Boston and sailed for England after the Fugitive Slave Law enabled slave hunters to pursue them even in free states. At the time this work was published, they were living in England with their sons. The narrative includes many anecdotes about slavery and freedom for Blacks and discusses how they were treated in both the South and the North.

Read the entire book in HTML format here.  You may also obtain it here.

Bleeding Borders: Race, Gender, and Violence in Pre-Civil War Kansas

Louisiana State University Press
April 2009
224 pages
Series: Conflicting Worlds: New Dimensions of the American Civil War
Illustrations: 5 halftones, 1 map
Cloth ISBN-13: 978-0-8071-3390-3

Kristen Tegtmeier Oertel, Associate Professor of History
Millsaps College

In Bleeding Borders, Kristen Tegtmeier Oertel offers a fresh, multifaceted interpretation of the quintessential sectional conflict in pre-Civil War Kansas. Instead of focusing on the white, male politicians and settlers who vied for control of the Kansas territorial legislature, Oertel explores the crucial roles Native Americans, African Americans, and white women played in the literal and rhetorical battle between proslavery and antislavery settlers in the region. She brings attention to the local debates and the diverse peoples who participated in them during that contentious period.

Oertel begins by detailing the settlement of eastern Kansas by emigrant Indian tribes and explores their interaction with the growing number of white settlers in the region. She analyzes the attempts by southerners to plant slavery in Kansas and the ultimately successful resistance of slaves and abolitionists. Oertel then considers how crude frontier living conditions, Indian conflict, political upheaval, and sectional violence reshaped traditional Victorian gender roles in Kansas and explores women’s participation in the political and physical conflicts between proslavery and antislavery settlers.

Oertel goes on to examine northern and southern definitions of “true manhood” and how competing ideas of masculinity infused political and sectional tensions. She concludes with an analysis of miscegenation–not only how racial mixing between Indians, slaves, and whites influenced events in territorial Kansas, but more importantly, how the fear of miscegenation fueled both proslavery and antislavery arguments about the need for civil war.

As Oertel demonstrates, the players in Bleeding Kansas used weapons other than their Sharpes rifles and Bowie knives to wage war over the extension of slavery: they attacked each other’s cultural values and struggled to assert their political wills. They jealously guarded ideals of manhood, womanhood, and whiteness even as the presence of Indians and blacks and the debate over slavery raised serious questions about the efficacy of these principles. Oertel argues that ultimately, many Native Americans, blacks, and women shaped the political and cultural terrain in ways that ensured the destruction of slavery, but they, along with their white male counterparts, failed to defeat the resilient power of white supremacy.

Moving beyond a conventional political history of Kansas, Bleeding Borders breaks new ground by revealing how the struggles of this highly-diverse region contributed to the national move toward disunion and how the ideologies that governed race and gender relations were challenged as North, South, and West converged on the border between slavery and freedom.

The Literary Career of Charles W. Chesnutt

Louisiana State University Press
March 1999
312 pages
Trim: 6 x 9
Paper ISBN-13: 9780807124529

William L. Andrews, E. Maynard Adams Professor of English
University of North Carolina, Chapel Hill

The career of any black writer in nineteenth-century American was fraught with difficulties, and William Andrews undertakes to explain how and why Charles Waddell Chesnutt (1858-1932) became the first Negro novelist of importance: “Steering a difficult course between becoming co-opted by his white literary supporters and becoming alienated from then and their access to the publishing medium, Chesnutt became the first Afro-American writer to use the white-controlled mass media in the service of serious fiction on behalf of the black community.”

Awarded the Spingarn Medal in 1928 by the National Association for the Advancement of Colored People [NAACP], Chesnutt admitted without apologies that because of his own experiences, most of his writings concentrated on issue about racial identity. Only one-eighth Negro and able to pass for Caucasian, Chesnutt dramatized the dilemma of others like him. The House Behind the Cedars (1900), Chesnutt’s most autobiographical novel, evokes the world of “bright mulatto” caste in post-Civil War North Carolina and pictures the punitive consequences of being of mixed heritage.

Chesnutt not only made a crucial break with many literary conventions regarding Afro-American life, crafting his authentic material with artistic distinction, he also broached the moral issue of the racial caste system and dared to suggest that a gradual blending of the races would alleviate a pernicious blight on the nation’s moral progress. Andrews argues that “along with [George Washington] Cable in The Grandissimes and Mark Twain in Pudd’nhead Wilson, Chesnutt anticipated [William] Faulkner in focusing on miscegenation, even more than slavery, as the repressed myth of the American past and a powerful metaphor of southern post-Civil War history.” Although Chesnutt’s career suffered setback and though he was faced with compromises he consistently saw America’s race problem as intrinsically moral rather than social or political. In his fiction he pictures the strengths of Afro-Americans and affirms their human dignity and heroic will.

William L. Andrews provides an account of essentially all that Chesnutt wrote, covering the unpublished manuscripts as well as the more successful efforts and viewing these materials in the context of the author’s times and of his total career. Though the scope of this book extends beyond textual criticism, the thoughtful discussions of Chesnutt’s works afford us a vivid and gratifying acquaintance with the fiction and also account for an important episode in American letters and history.

New People: Miscegenation and Mulattoes in the United States

Louisiana State University Press
1980
240 pages
6 x 9
Paper ISBN-13: 978-0-8071-2035-4

Joel Williamson, Lineberger Professor in the Humanities
University of North Carolina, Chapel Hill

New People is an insightful historical analysis of the miscegenation of American whites and blacks from colonial times to the present, of the “new people” produced by these interracial relationships, and of the myriad ways in which miscegenation has affected our national culture. Because the majority of American blacks are in fact of mixed ancestry, and because mulattoes and pure blacks ultimately combined their cultural heritages, what begins in the colonial period as mulatto history and culture ends in the twentieth century as black history and culture. Thus, understanding the history of the mulatto becomes one way of understanding something of the experience of the African American.

Williamson traces the fragile lines of color and caste that have separated mulattoes, blacks, and whites throughout history and speculates on the effect that the increasing ambiguity of those lines will have on the future of American society.

Impurity of Blood: Defining Race in Spain, 1870-1930

Louisiana State University Press
Published: December 2009
288 pages
Trim: 6 x 9
Illustrations: 1 map
Cloth ISBN: 13: 978-0-8071-3516-7

Joshua Goode, Professor of History and Cultural Studies
Claremont Graduate University, California

Although Francisco Franco courted the Nazis as allies during the Spanish Civil War in the late 1930s, the Spanish dictator’s racial ideals had little to do with the kind of pure lineage that obsessed the Nazis. Indeed, Franco’s idea of race—that of a National Catholic state as the happy meeting grounds of many different peoples willingly blended together—differed from most European conceptions of race in this period and had its roots in earlier views of Spanish racial identity from the late nineteenth and early twentieth centuries. In Impurity of Blood, Joshua Goode traces the development of racial theories in Spain from 1870 to 1930 in the burgeoning human science of anthropology and in political and social debates, exploring the counterintuitive Spanish proposition that racial mixture rather than racial purity was the bulwark of national strength.

Goode begins with a history of ethnic thought in Spain in the medieval and early modern era, and then details the formation of racial thought in Spain’s nascent human sciences. He goes on to explore the political, social, and cultural manifestations of racial thought at the dawn of the Franco regime and, finally, discusses its ramifications in Francoist Spain and post–World War II Europe. In the process, he brings together normally segregated historiographies of race in Europe.

Goode analyzes the findings of Spanish racial theorists working to forge a Spanish racial identity in the late nineteenth and early twentieth centuries, when race and racial sciences were most in vogue across Europe. Spaniards devised their own racial identities using scientifically substantiated racial ideas and confronted head-on the apparent limitations of Spain’s history by considering them as the defining characteristics of la raza española. The task of the Spanish social sciences was to trace the history of racial fusion: to study both the separate elements of the Spanish composition and the factors that had nurtured them. Ultimately, by exploring the development of Spanish racial thought between 1875 and 1930, Goode demonstrates that national identity based on mixture—the inclusion rather than the exclusion of different peoples—did not preclude the establishment of finely wrought and politically charged racial hierarchies.

Providing a new comprehensive view of racial thought in Spain and its connections to the larger twentieth-century formation of racial thought in the West, Impurity of Blood will enlighten and inform scholars of Spanish and European history, racial theory, historical anthropology, and the history of science.

George Henry White: An Even Chance in the Race of Life

Louisiana State University Press
2001
471
Trim: 6 x 9
cloth ISBN: 978-0-8071-2586-1

Benjamin R. Justesen

Although he was one of the most important African American political leaders during the last decade of the nineteenth century, George Henry White has been one of the least remembered. A North Carolina representative from 1897 to 1901, White was the last man of his race to serve in the Congress during the post-Reconstruction period, and his departure left a void that would go unfilled for nearly thirty years. At once the most acclaimed and reviled symbol of the freed slaves whose cause he heralded, White remains today largely a footnote to history. In this exhaustively researched biography, Benjamin R. Justesen rescues from obscurity the fascinating story of this compelling figure’s life and accomplishments.

The mixed-race son of a free turpentine farmer, White became a teacher, lawyer, and prosecutor in rural North Carolina. From these modest beginnings he rose in 1896 to become the only black member of the House of Representatives and perhaps the most nationally visible African American politician of his time. White was outspoken in his challenge to racial injustice, but, as Justesen shows, he was no militant racial extremist as antagonistic white democrats charged. His plea was always for simple justice in a nation whose democratic principles he passionately loved. A conservative by philosophy, he was a dedicated Republican to the end. After he retired from Congress, he remained active in the fight against racial discrimination, working with national leaders of both races, from Booker T. Washington to the founders of the NAACP.

Through judicious use of public documents, White’s speeches, newspapers, letters, and secondary sources, Justesen creates an authoritative and balanced portrait of this complex man and proves him to be a much more effective leader than previously believed.