Scholarly perspectives on the mixed race experience.
“I’m not black,” Joyce said. “I’m multiracial.” Then she started telling me about her father, who happened to be Italian and was the sweetest man in the world; and her mother who happened to be part African and part French and part Native American and part something else. “Why should I have to choose between them?” she asked me. Her voice cracked, and I thought she was going to cry. “It’s not white people who are making me choose. Maybe it used to be that way, but now they’re willing to treat me like a person. No—it’s black people who always have to make everything racial. They’re the ones making me choose. They’re the ones who are telling me I can’t be who I am…”
“They, they, they. That was the problem with people like Joyce. They talked about the richness of their multicultural heritage and it sounded real good, until you noticed that they avoided black people. It wasn’t a matter of conscious choice, necessarily, just a matter of gravitational pull, the way integration always worked, a one-way street. The minority assimilated into the dominant culture, not the other way around. Only white culture could be neutral and objective. Only white culture could be nonracial, willing to adopt the occasion exotic into its ranks. Only white culture had individuals. And, we the half-breeds and college-degreed, take a survey of the situation and think to ourselves, Why should we get lumped in with the losers if we don’t have to? We become only so grateful to lose ourselves in the crowd, America’s happy, faceless marketplace; and we’re never so outraged as when a cabbie drives past us or the woman in the elevator clutches her purse, not so much because we’re bothered by the fact that such indignities are what less fortunate coloreds have to put up with every single day of their lives—although that’s what we tell ourselves—but because we’re wearing a Brooks Brothers suite and speak impeccable English and yet somehow have somehow been mistaken for an ordinary nigger.”
Passing can be a gray area that some biracial or multiracial Americans face when navigating questions of identity and social acceptance, while defining the story we tell about ourselves. “CBS Saturday Morning” co-host Michelle Miller talks with Rebecca Hall, Tessa Thompson and Ruth Negga, the director and stars of the new film “Passing,” and with writers Lise Funderburg and Allyson Hobbs, about the social history of passing, and its impact upon perception and power.
“The world perceives me as White, at least visually,” said Chicago lawyer Martina Hone, who has lived her whole life balancing her Black mother’s identity with her European father’s privilege.
“CBS Saturday Morning” co-host Michelle Miller asked, “Have you ever passed at any point in your life?”…