Ambiguity and the Ethics of Reading Race and Lynching in James W. Johnson’s The Autobiography of an Ex-Colored Man (1912)Posted in Articles, Literary/Artistic Criticism, New Media, Passing, United States on 2010-04-12 03:11Z by Steven |
Current Objectives of Postgraduate American Studies (COPAS)
Volume 10 (2009)
ISSN: 1861-6127
Carmen Dexl
University of Erlangen
James Weldon Johnson’s novel The Autobiography of an Ex-Colored Man (1912) discusses the causes, conditions, and implications of passing in a segregated society. The essay argues that the novel’s aesthetics of ambiguity conveys and reflects an ambivalence towards the concept of race. Using theories of Geoffrey Galt Harpham and John Guillory, it elaborates an ethics of reading race and lynching in The Autobiography of an Ex-Colored Man.
…Being of mixed-race heritage and blurring the black/white binary, the Ex-Colored Man as a passing figure personifies this “category crisis.” As the living proof of the instability—and hence unreliability—of the category race, the Ex-Colored Man is necessarily ambivalent towards the ontology of racial categories. Apart from his intention to remain anonymous, his and all the other characters’ namelessness throughout the novel further denote a “sense of rootlessness” (Andrews xix) in a constantly changing modern society that is paradoxically firmly rooted in exactly these unreliable conceptions of race. His moral dilemma and contradictory attitudes towards himself and society result from being at once an insider and beneficiary as well as an outsider and critical observer of that very social system…
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