Mixed Race Studies

Greek, black and proud: the village in Greece with African roots: The African origins of a rural community in Thrace

EnetEnglish: Greek Independent Press
2014-02-19

Alexandra Tzavella

Ogun Sabri and Merve Sabri, two residents of the Thracian village of Avato (Photos: Ilhan Efendi; Montage: Eleftherotypia)

The village of Avato, in the northeastern prefecture of Xanthi, is home to a unique community whose ancestors are believed to have come to Greece from Sudan during Ottoman rule

“What are you looking for, young woman? the village shepherd asks. He’s got African looks but speaks in the local accent, a combination that would surprise anyone who accidentally wandered into Avato, a village 26km south of Xanthi, a city in northeastern Greece.

There, away from the eyes of the world, live the black Greeks of Thrace, whose ancestors came to the country during Ottoman rule as slaves of local beys (or governors).

Now Greek citizens, they are confused about their origins. Some believe that their ancestors came to the country as British mercenaries during the first world war. The roots of an entire village is a small detail in the sum of world history…

…‘Only in Avato’

“Wherever else you go, you won’t find black people. No where else in Thrace will you find us; only in Avato. In the past, there were some in the surrounding villages. Now there are four families left. The village was was the seat of the bey, so that’s why the blacks are here. I heard from the old people, from my late father, that our village was once a marsh. So that’s why it’s called Avato [meaning “inviolate” or “untrodden”]. My dad was black. Very black!” says the owner of the cafe, Rasim Raim (55), whose countenance and blue eyes suggests he’s of a mixed background.

“My mother was from the Caucasus, my grandfather from Sudan. That’s all I know,” he says. “I asked my father – he said that during the first world war, they brought in mercenaries to fight. And some stayed. I should have recorded it on tape, so I’d have the story. Because all that will be forgotten soon.”…

Read the entire article here.

Identity Formation in Biracial Female Authors’ Narratives of Passing: Transgressing Racial and Sexual Boundaries in Nella Larsen’s Passing and Danzy Senna’s Caucasia

Aristotle University of Thessaloniki
September 2008
150 pages

Stamatia Koutsimani

A Dissertation submitted to the Department of American Literature and Culture, School of English, Faculty of Philosophy of Aristotle University of Thessaloniki, in partial fulfilment of the requirements for the degree of Master of Arts.

The complex presence of the mulatta figure in American cultural history is mostly reflected in twentieth-century narratives of passing where the light-skinned enough to pass Negress becomes a vehicle for challenging both the color line and the very notions of blackness and whiteness. Contrary to nineteenth-century whites’ stereotypical representations of the “tragic mulatta” as a victim of her divided racial heritage, the use of the passing mulatta by twentieth-century biracial female authors has served to criticize racial as well as gender essentialisms. In this respect, this thesis will focus on Nella Larsen’s Passing, published in 1929 and Danzy Senna’s Caucasia, published in 1998, trying to show how the changing representation of the passing mulatta characters reflects the gradual reversal of the tragic mulatta myth and reveals the interconnections among race, gender, class and sexuality in different sociopolitical contexts. By examining the authors’ use of the passing mulatta as a trope through which to question the dominant political and racial ideology of their time, the thesis will attempt to explain how the biracial female characters’ transgression of racial and gender boundaries contributes to the understanding of identity as constructed and performed. More specifically, the reading of Passing and Caucasia will be based on Judith Butler’s concept of gender performativity and Catherine Rottenberg’s theoretical discussion of race performativity. In addition, Kimberlé Crenshaw’s theory of intersectionality, which is central to Valerie Smith’s notion of black feminism, will play a major role in the analysis of the two works.

Based on a comparative analysis of the novels, the thesis will draw attention to the central mulatta characters’ search for racial and gender identities, with a view to tracing potential changes in the authors’ employment of the passing theme in the increasingly multicultural US racial context. Moreover, by highlighting the passing novels’ difference from stereotypical depictions of mulatta figures, the thesis aims at responding to questions regarding racial dualism and ongoing debates over mixed race identity. On the whole, it will reveal that the biracial female authors’ representations of the permeable borders between identity categories serve to challenge dominant cultural understandings of racial and gender differences which have long contributed to the mulatta figure’s liminal status in American society.

Read the entire thesis here.