Tag: Melissa Blanco Borelli

  • “She is Cuba: A Genealogy of the Mulata Body” traces the history of the Cuban mulata and her association with hips, sensuality and popular dance. It examines how the mulata choreographs her racialised identity through her hips and enacts an embodied theory called hip(g)nosis

  • “¿Y ahora qué vas a hacer, mulata?”: Hip choreographies in the Mexican cabaretera film Mulata (1954) Women and Performance: a journal of feminist theory Volume 18, Issue 3, November 2008 Special Issue: Sensualidades: Sounds and Movement in Latina/o Culture pages 215-233 DOI: 10.1080/07407700802495951 Melissa Blanco Borelli, Lecturer of Dance Studies University of Surrey This essay…

  • This article examines the filmic representations of the mulatta body in the films “Sparkle” (1976), “Flashdance” (1983) and “Honey” (2003). More specifically, this article seeks to unravel how the Hollywood filmic apparatus engages with signifiers of raced sexuality and hierarchies of dance styles to enforce and reify mythic narratives about dance, dancing raced bodies and…

  • Vogue Italia and Hoop Earrings Havana Barbie’s thought on the arts 2011-08-23 Melissa Blanco Borelli, Lecturer of Dance Studies University of Surrey I have always loved to wear hoop earrings. In fact, they are my earrings of choice. Big and silver, that’s how I like them. Imagine my surprise and shock when I saw earrings…