Mixed Race Studies

White House photographer’s book a powerful portrait of Obama’s presidency

The New Orleans Times-Picayune
2017-12-24

Sheila Stroup, The Times-Picayune

When 5-year-old Jacob Philadelphia wonders if his hair is like Barack Obama’s, the president offers him an opportunity to judge for himself. (Photo by Pete Souza, The White House)

I didn’t mean to read “Obama: An Intimate Portrait.” I was only going to look at a few of the pictures before I wrapped it up for Christmas. I’ve always felt it was cheating to read a book you’re giving as a gift.

I knew I wanted to give the book of photographs to our daughter Shannon and our grandchildren, Cilie and Devery, as soon as I heard Terry Gross interview Pete Souza, President Barack Obama’s Chief Official White House Photographer, on NPR’s “Fresh Air.” It sounded fascinating, and I wanted them to see that a person with skin the color of theirs could be president of our country.

Shannon adopted Cilie and Devery when they were babies. There was never any doubt they were hers, and nobody could love them more than she does.

Cilie is 8 now, and Devery is almost 6, and I know they must have questions about why their skin is a different color from their mom’s and their grandparents and their other relatives. I know they must get questions from other children.

I’ve never forgotten what happened one day when I took Devery to his swimming lesson a few years ago. There was a young dad there whose skin was the same beautiful tone as his, and he looked at Devery and said, “Oh, he’s going to get questions.”…

Read the entire review here.

Essence Fest: How Prince helped Misty Copeland discover artistic freedom

The New Orleans Times-Picayune
2016-07-02

Chelsea Brasted, Lifestyle and Culture Reporter

Misty Copeland recounted her own Prince tribute Saturday (July 2) during an Essence Fest weekend full of them. But for the first African American woman to be named principal dancer at the American Ballet Theater, the music star was a friend before she’d ever even seen him in concert.

“I’d never seen him perform live,” Copeland said during an interview with Soledad O’Brien on the festival’s Empowerment Experience stage. Copeland was emotional as she continued her story, adding, “I approached this relationship as this really hilarious quiet guy that became my friend, then I stepped onstage with him for the first time and I was like, OK, I get it now. Like, wow.”…

Read the entire article here.

‘Free State of Jones’ leader Newt Knight in his own words

The New Orleans Times-Picayune
2016-06-24

James Karst, Senior Editor

A photograph of Newton Knight from the New Orleans Item on March 20, 1921.

This interview with Newton Knight of Mississippi was originally published in the March 20, 1921, edition of the New Orleans Item. It was believed at the time to have been the only time Knight spoke to the press about the “Free State of Jones,” the subject of a new movie starring Matthew McConaughey as Knight and filmed in Louisiana.

The Knight interview is reprinted here in its entirety.

By Meigs O. Frost

The New Orleans Item

Far up in the heart of Jasper County, Mississippi, amidst a forest of pine and oak, where winding woodland paths lead through a tangle of thick underbrush, lives a man now nearing his ninety-second year.

Volumes have been written around him. Testimony of men now living, of men long dead, has been taken for and against him. Frugal of speech, he has gone his way through the years, careless of what men said of him in the outside world into which he ventures rarely. In simplicity primeval he has lived, as in primeval simplicity he will die.

That man is Newton Knight, captain throughout the Civil War of the famous Knight’s Company that ranged Jasper County and “The Free State of Jones,” as the neighboring Jones County is christened in some histories.

“Uncle Newt” Knight here for the first time in all the years breaks his silence to tell his story to The Item. As he recounts the tale, it is an epic of the Civil War. About him, he says, were banded men who, owning no slaves, believing in the Union of Abraham Lincoln, hoped either to fight through the Confederate cordon and join the Union forces or hoped that the Yankee ranks would fight through to them.

As others in Jones and Jasper County, staunch Confederates throughout the war, tell the tale, Newt Knight’s Company was composed of “bushwhacking deserters” from the armies of the Confederate States.

More than half a century has passed since men in this part of Mississippi bore arms for the Lost Cause. Their sons and their sons’ sons since then have fought overseas for the United States of America.

Yet beneath the surface in Jones and Jasper Counties still rankles the feeling that Uncle Newt Knight’s Company engendered when from 1862 to the end of the Civil War it defied the armed forces of the Confederacy and remained unconquered, though surrounded by Confederate armies from start to finish.

Whether Knight’s Company was a band of men whose loyalty to the Union was beyond their loyalty to the South; whether it was a band of Confederate deserters who simply “hid out” in the brush to avoid army service — those are questions that will be debated in Jones and Jasper Counties of Mississippi when the headstone of the last combatant has been long overgrown with moss.

But here and now enters Newton Knight into the Court of Public Opinion with his tale — a story that he told to me in the ninety-first year of his age, speaking with a mind apparently as unclouded and keen as that of one five decades younger than he…

Read the entire article here.

Lawrence Powell delivers a gripping history of New Orleans in ‘Accidental City’

New Orleans Times-Picayune
2012-04-02

Chris Waddington

At first, I was disappointed to hear that Lawrence Powell’s history of the Crescent City ended with the Battle of New Orleans. I wanted the Tulane University scholar to bring me a little closer to the present.

My opinion changed a few pages into “The Accidental City: Improvising New Orleans.”
 
Powell’s splendid time machine of a book swept me into a detailed account of the city’s rise from swampy colonial outpost to strategic linchpin during the War of 1812. Populated with vividly sketched characters, Powell’s history fits individual actors into a coherent, geopolitical narrative that spans centuries and continents — no easy task when your cast includes Enlightenment scientists, loud-mouthed market women, French-Canadian voyageurs, Ursuline nuns, slave artisans and Gen. Andrew Jackson hoisted on the shoulders of cheering Baratarians…

…The birth of a distinctive Creole society wasn’t fast or tidy. Powell writes about free people of color who owned slaves. He writes about back-of-town bars where people of all races mixed. He describes how Ursuline nuns recruited the wives of slaveholders to serve as godparents for their baptized chattels — in opposition to prevailing law. He writes about brutally suppressed slave revolts — and the free manumission of black concubines and their mixed-race offspring. He catches all the high and low notes as New Orleanians improvised an American future — and he makes it clear that America would be a very different place without the city’s contributions.

Read the entire review here.

Catholic records of slave baptisms in colonial New Orleans go online

New Orleans Times-Picayune
2011-02-01

Bruce Nolan, Beat Reporter

On Sunday, the 6th of May, 1798, an enslaved New Orleans woman named only Manon, owned by Mr. LeBlanc, presented her 2-year-old child, Antoine Joseph, at St. Louis Cathedral on the Plaza de Armas to be baptized at the hands of Father Luis Quintanilla, a Capuchin friar there.

Manon was probably accompanied by her owner, as was the custom of the day, according to Emilie Leumas, an expert on the era and the keeper of the Archdiocese of New Orleans’ sacramental records.

In racially complex, laissez-faire New Orleans, where categories of race were faithfully noted then sometimes dismissed, Quintanilla noted the pertinent details. Manon was a mulatto, or mixed-race woman, and the baby’s father was officially unrecognized but apparently white, as the baby is described with the Spanish term “quarteroon,” which means three-fourths white.

The record of that event has always been preserved in the rich archives of the Archdiocese of New Orleans. But it has never been easily accessible.

But Tuesday, the 1798 baptism of Antoine Joseph, with thousands of similar baptismal records from colonial New Orleans, were posted on the Internet as a new tool for genealogists everywhere.

“Now people can sit in their slippers at 11 o’clock at night and read away,” said Leumas, the archdiocese’s archivist…

..In Antoine Joseph’s case, the godparents were there: Marie Joseph and Antonio, neither with a family name. Still attentive to the complex categories of race and color, Quintanilla noted that the baby’s godfather was “metis”—another mixed-race classification, perhaps suggesting American Indian blood, according to Leumas.

By the end of 2012, the archdiocese hopes to go both forward and backward in time, posting all of its sacramental records—baptisms, marriages, funerals and other life cycle events—from the founding of the city in 1718 to the date of Louisiana’s admittance to the union in 1812, Leumas said…

Read the entire article here.

Plessy and Ferguson unveil plaque today marking their ancestors’ actions

New Orleans Times-Picayune
2009-02-11

Katy Reckdahl

Today, Plessy versus Ferguson becomes Plessy and Ferguson, when descendants of opposing parties in the landmark U.S. Supreme Court segregation case stand together to unveil a plaque at the former site of the Press Street Railroad Yards.

Standing behind Keith Plessy and Phoebe Ferguson will be a large group of students, scholars, officials and activists who worked for years to honor the site where in 1892, Tremé shoemaker Homer Plessy, a light-skinned black man, was arrested for sitting in a railway car reserved for white people.

People often think that his ancestor held some responsibility for the legalized segregation known as “separate but equal, ” said Keith Plessy, 52, a longtime New Orleans hotel bellman whose great-grandfather was Homer Plessy’s first cousin. In actuality, Homer Plessy boarded that train as part of a carefully orchestrated effort to create a civil-rights test case, to fight the proliferation of segregationist laws in the South…

…Plessy, born in 1863 on St. Patrick’s Day, grew up at a time when black people in New Orleans could marry whomever they chose, sit in any streetcar seat, and attend integrated schools, Medley said. But as an adult, those gains from the Reconstruction era eroded.
 
On any other day in 1892, Plessy could have ridden in the car restricted to white passengers without notice. According to the parlance of the time, he was classified “7/8 white.”
 
In order to pose a clear test to the state’s 1890 separate-car law, the Citizens’ Committee in advance notified the railroad—which had opposed the law because it required adding more cars to its trains.
 
On June 7, 1892, Plessy bought a first-class ticket for the commuter train that ran to Covington, sat down in the car for white riders only and the conductor asked whether he was a colored man, Medley said. The committee also hired a private detective with arrest powers to take Plessy off the train at Press and Royal streets, to ensure that he was charged with violating the state’s separate-car law.
 
Everything the committee plotted went as planned—except for the final court decision, in 1896. By then the composition of the U.S. Supreme Court had gained a more segregationist tilt, and the committee knew it would likely lose. But it chose to press the cause anyway, Medley said. “It was a matter of honor for them, that they fight this to the very end.”…

…”You don’t know American history until you know Louisiana history, ” Plessy said…

Read the entire article here.