Mixed Race Studies

Scholarly perspectives on the mixed race experience.

It was against this backdrop that the three races met and mingled along the western shore of Narragansett Bay. Long before the end of the eighteenth century, miscegenation had become a problem for New England settlers, who, if they had no clear idea of the nature of Africans, had even less understanding of the nature of the growing number of mulattos. Unlike blacks, who might be of African, Caribbean, or American birth, mulattos were usually born in the New World and were, therefore, not only racially distinct from Africans and Europeans but culturally distinct as well. The New England colonies recognized them as a separate group. Massachusetts made the first distinction between blacks and mulattos in 1693, Connecticut did so in 1704, and Rhode Island and New Hampshire followed in 1714. In addition to sexual relations between blacks and whites, Native Americans and blacks also came together and produced children. Greene believes the lowly status assigned both groups in white dominated New England served to erase any distinction between them, and, as they were common victims of oppression, they naturally drew together. In any event, along the eastern seaboard there was a mixing of Native Americans, whites, and blacks during the colonial era.

Rhett S. Jones, “Miscegenation and Acculturation in the Narragansett Country of Rhode Island, 1710-1790,” Trotter Review, Volume 3, Issue 1 (1989), 10. http://scholarworks.umb.edu/trotter_review/vol3/iss1/4/.

Subjecting Pleasure: Claude McKay’s Narratives of Transracial Desire

Posted in Articles, Caribbean/Latin America, Literary/Artistic Criticism, Media Archive on 2013-11-01 00:54Z by Steven

Subjecting Pleasure: Claude McKay’s Narratives of Transracial Desire

Journal of Black Studies
Volume 44, Number 7 (October 2013)
pages 706-724
DOI: 10.1177/0021934713507579

Smita Das, 2012-2013 Dissertation Fellow
University of Illinois, Chicago

This article explores the threat posed by the Afro-Asian body in Claude McKay’s novels, Banjo (1929) and Banana Bottom (1933). Banjo’s narrative of transracial alliances converges onto the body of the Afro-Asian prostitute, whose positioning as a “conjunction” exposes contradictions surrounding immigration within French liberalism. Banana Bottom also maps a conflictual relationship between a licentious Afro-Asian coolie woman, and a Black subject who both wrestle with attaining national belonging within an idyllic Jamaica. While Banjo reveals McKay’s yearnings for transnational Black affiliations without the Afro-Asian woman, Banana Bottom reconciles the wrought relations between Black middle-class Jamaicans and the bastardized “coolie gal.”

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Tags: Claude McKay, Journal of Black Studies, Smita Das

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Mixed Race Studies

Subjecting Pleasure: Claude McKay’s Narratives of Transracial Desire

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