Mixed Race Studies

Scholarly perspectives on the mixed race experience.

The few old schoolmates who ran into him had to pretend they’d never met. He was often seen around town with one of his best friends. the Indian-born actor Sabu, an alliance that brings to mind the “arranged” Hollywood marriage of a closeted gay actor.

Black novelist Charles Chesnutt’s The House Behind the Cedars, about a man who passes for white, has a sentence that could apply to Korla: “Our customs grip us in bands of steel. We become the creatures of our creations.”

From slavery right down to this morning, countless African Americans have passed as white because they were evading the lynch mob or wishing for an equal opportunity. The subject has been taboo: Crossing over means denying who you are, means banishing friends and family from your life. You live in a gray zone, and it is the loneliest of places.

Passing for Asian was a little different, because you did not blend into white society. The practice went on long before Korla Pandit ﬁrst appeared. In the late 1930s, Harlem’s Amsterdam News reported that a Syracuse University football star named Wilmeth Sidat-Singh was, as a columnist put it, “about as much Hindu as flatfoot floogie.” In 1947, around the time that Juan Rolondo was turning into Korla Pandit, the Los Angeles Tribune, a lively black newspaper, heralded a stunt pulled by a brown-skinned New York minister. He prepared for a visit through the Deep South by donning a purple turban, affecting “a slightly Swedish accent,” and concocting a tale about being a visiting Eastern dignitary. He was doted on and able to eat at white-only restaurants. In Mobile, Alabama, he impishly asked a waiter what would happen if a Negro came to eat. The Negro wouldn’t be served, he was told. “I just stroked my chin and ordered my dessert.” said the pastor.

When John Redd crossed over, he didn’t sever all ties with the world he had known. “It was not top secret,” says Ernest. “Among the family we knew what he was doing and very little was said about it. There was times when he would come by, and it was kind of like a sneak visit. He might come at night sometime and be gone before we got up. He had to separate himself from the family to a certain extent. They would go to see him play, but they wouldnt speak to him. They would go to his show and then they would leave, and the family would greet him at a later time.”

The situation became even more complicated once Korla’s Father, Ernest Sr., moved to Los Angeles, by the early ’50s. Reverend Redd became the pastor of Trinity Baptist Church, a prominent institution in the community. Any night he wanted to, Reverend Redd could come home from the church, switch on the television, and watch his son play the organ, with that strange look in his eyes and that turban on his head. Korla kept in touch with his family, and on occasion he and Beryl scheduled a covert mission to the parents’ West Adams home. But even then, detection could not be discounted. Even then, Korla wore the turban. He didn’t bring Shari or Koram, his and Beryl’s sons.

RJ Smith, “The Many Faces of Korla Pandit,” Los Angeles Magazine, June 2001, 148-149. https://books.google.com/books?id=aF8EAAAAMBAJ&pg=PA73#v=onepage&q&f=false.

Alien Citizen: An Earth Odyssey, the Movie

Posted in Africa, Asian Diaspora, Caribbean/Latin America, Identity Development/Psychology, Media Archive, United States, Videos on 2018-08-28 02:19Z by Steven

Alien Citizen: An Earth Odyssey, the Movie

HapaLis Productions
2017

Written by: Elizabeth Liang
Directed by: Sofie Calderon

Winner: 2018 Calcutta International Cult Film Festival

Who are you when you’re from everywhere and nowhere?

ALIEN CITIZEN: An Earth Odyssey is a funny and poignant one-woman show about growing up as a dual citizen of mixed heritage in Central America, North Africa, the Middle East, and New England. Elizabeth Liang is a Global Nomad or Third Culture Kid (TCK). Third Culture Kids are the children of educators, international business people, diplomats, missionaries, the military–anyone whose family has relocated overseas, usually because of a job placement.

Liang weaves humorous stories about growing up as an Alien Citizen abroad with American commercial jingles providing her soundtrack through language confusion, first love, “racial ambiguity,” culture shock, Clark Gable, bullying, and sandstorms. Our protagonist deals with the decisions every global nomad has to make repeatedly: to adapt or to simply cope; to build a bridge or to just tolerate. From being a Guatemalan-American teen in North Africa to attending a women’s college in the USA, Alien Citizen reflects her experience that neither one was necessarily easier than the other. Where is the line between respecting others and betraying yourself? Humor is a great survival mechanism – and friends make all the difference.

Tags: Elizabeth Liang, HapaLis Productions, Sofie Calderon, TCK, Third Culture Kid

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Alien Citizen, The Play

Posted in Arts, Asian Diaspora, Media Archive, United States on 2013-08-13 23:07Z by Steven

Alien Citizen, The Play

World Premier at the Asylum Lab
1078 Lillian Way
Hollywood, California 90038
Fridays & Saturdays @ 20:00 PDT (Local Time)
Preview May 3, 2013, Opens May 4 – June 1

Written and performed by Elizabeth Liang
Directed by Sofie Calderon
Associate Produced by Richard Lee, Karen Smith, and Wendy Belcher
Co-produced by Leila Ciszewski
Stage Managed by Michelle Hilyard
House Managed by Charls Sedgwick Hall and Kate Huffman
Lighting & Projection Design by Matt Richter
Sound Design by Dennis Yen
Graphic and Program Design by Gene Michael Barrera

Presented by HapaLis Productions in association with Multiracial Americans of Southern California (MASC)

Who are you when you’re from everywhere and nowhere? Alien Citizen is a funny and poignant one-woman show about growing up as a dual citizen of mixed heritage in Central America, North Africa, the Middle East, and New England.

Elizabeth Liang, like President Obama, is a Third Culture Kid or a TCK. Third Culture Kids are the children of international business people, global educators, diplomats, missionaries, and the military — anyone whose family has relocated overseas because of a job placement. Liang weaves humorous stories about growing up as an Alien Citizen abroad with American commercial jingles providing her soundtrack through language confusion, first love, culture shock, Clark Gable, and sandstorms…

Our protagonist deals with the decisions every global nomad has to make repeatedly: to adapt or to simply cope; to build a bridge or to just tolerate. From being a Guatemalan-American teen in North Africa to attending a women’s college in the USA, Alien Citizen reflects her experience that neither one was necessarily easier than the other. She realizes that girls across the world are growing into womanhood in environments that can be hostile to females (including the USA). How does a young girl cope as a border/culture/language/religion straddler in country after country that feels “other” to her when she is the “other?” Where is the line between respecting others and betraying yourself?

Humor is a great survival mechanism! And friends make all the difference.

TRAILER

EXCERPT: On losing language

EXCERPT: On (re)gaining language(s)

For more information, click here.

Tags: Charls Sedgwick Hall, Dennis Yen, Elizabeth Liang, Gene Michael Barrera, Karen Smith, Kate Huffman, Leila Ciszewski, Matt Richter, Michelle Hilyard, Richard Lee, Sofie Calderon, Wendy Belcher

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Mixed Race Studies

Alien Citizen: An Earth Odyssey, the Movie

Alien Citizen, The Play

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