Scholarly perspectives on the mixed race experience.
Using black and white [media] also allowed [Rebecca] Hall to cast Black actresses in the roles. She’s not trying to “fool” anyone into thinking that Negga or Thompson is white, she’s simply trying to turn the film’s deeply metaphorical ideas into a practical experience. The audience will have “very fixed ideas about Tessa Thompson and Ruth Negga’s racial identity,” Hall said, “which gives me a position from which to destabilize those ideas and point out the limits of just reducing them to that one definition.”
“That fascinates me that there was a black person [Samuel Codes Watson] who had white privilege and was cognizant of his ethnicity,” he said. “When you really think about it, he kinda wasn’t a black person when he was there. That’s such a juxtaposition for me.” —Tylonn J. Sawyer
Comments Off on “That fascinates me that there was a black person who had white privilege and was cognizant of his ethnicity,” he said. “When you really think about it, he kinda wasn’t a black person when he was there. That’s such a juxtaposition for me.”
Straight from her grandmother’s garden. That knack for telling stories that pull at your heartstrings.
“I’m one of those people who had a storytelling grandma,” says Miles. “We’d be in the garden or snapping peas on the porch and my grandma would be telling stories, about life in Mississippi, about how the family lost their farm to a white man, about how they came up North on a train. Those stories riveted me and they shaped me.
“If my grandmother had had my life, she would have won three MacArthur Fellowships,” Miles says of her grandmother, the late Alice King.
But it was Miles, 45, who was granted a prestigious MacArthur Fellowship in 2011, and it was that award that gave her the shot of confidence she needed to up her game and write her first novel, which will be released next month.
Friends and coworkers at the University of Michigan are hosting a book launch party for “the Cherokee Rose” (John F. Blair, $26.95) Tuesday…
…Not that she doesn’t greatly appreciate the fellowship that annually doles out a ton of money to selected people in a variety of areas so that they can pursue their areas of interest, unencumbered by money woes.
Without it, she doubts she would have completed “the Cherokee Rose,” a novel that uses three modern day women to take readers on a haunting, sometimes horrific, but redemptive journey to a little-known past on a Southern plantation where Native-American and African-American lives were intertwined. In the process, the women make unexpected connections to one another and others…