Pondering My Black, Biracial and Multiracial Identity Post Hurricane Maria

Posted in Articles, Autobiography, Latino Studies, Media Archive, United States on 2018-05-30 23:29Z by Steven

Pondering My Black, Biracial and Multiracial Identity Post Hurricane Maria

Multiracial Media: Voice of the Multiracial Community
2018-05-27

Sarah Ratliff

Biracial and Multiracial

I have been writing from the Biracial and Multiracial perspective since I co-authored the book, Being Biracial: Where Our Secret Worlds Collide in 2015. Being Biracial is an anthology of essays from either Multiracial people or parents of mixed race kids.

In my essay I wrote about being the product of a Black and Japanese mother and a White (German, Dutch and Irish) father who were married in New York City in 1960.

I wrote about my experiences being “light, bright and clearly half White” while being raised to self-identify as Black, and of course, having to explain for the elevendy millionth time why I self-identified this way. I shared moments of complete vulnerability and isolation because I grew so frustrated trying to explain that being Black isn’t just about complexion but lived experiences as well…

Read the entire article here.

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“The law recognizes racial instinct”: Tucker v. Blease and the Black–White Paradigm in the Jim Crow South

Posted in Articles, History, Law, Media Archive, United States on 2018-05-29 00:26Z by Steven

“The law recognizes racial instinct”: Tucker v. Blease and the Black–White Paradigm in the Jim Crow South

Law and History Review
Volume 29, Issue 2 (May 2011)
pages 471-495
DOI: 10.1017/S0738248011000058

John W. Wertheimer, Jessica Bradshaw, Allyson Cobb, Harper Addison, E. Dudley Colhoun, Samuel Diamant, Andrew Gilbert, Jeffrey Higgs, Nicholas Skipper

On January 24, 1913, the trustees of the Dalcho School, a segregated, all-white public school in Dillon County, South Carolina, summarily dismissed Dudley, Eugene, and Herbert Kirby, ages ten, twelve, and fourteen, respectively. According to testimony offered in a subsequent hearing, the boys had “always properly behaved,” were “good pupils,” and “never …exercise[d] any bad influence in school.” Moreover, the boys’ overwhelmingly white ancestry, in the words of the South Carolina Supreme Court, technically “entitled [them] to be classified as white,” according to state law. Nevertheless, because local whites believed that the Kirbys were “not of pure Caucasian blood,” and that therefore their removal was in the segregated school’s best interest, the court, in Tucker v. Blease (1914), upheld their expulsion.

Read or purchase the article here.

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How I Finally Learned To Accept Both My Chinese And Jewish Identities

Posted in Asian Diaspora, Autobiography, Judaism, Media Archive, Religion, United States on 2018-05-28 23:07Z by Steven

How I Finally Learned To Accept Both My Chinese And Jewish Identities

The Huffington Post
2018-05-22

Gen Slosberg
Guest Writer

To be mixed and a woman meant my appearance was of the foremost importance to everyone around me.
Gen Slosberg
To be mixed and a woman meant my appearance was of the foremost importance to everyone around me.

Growing up in China, I never quite understood why I didn’t fit in.

I ate Chinese food, went to Chinese school, had Chinese friends and did Chinese things. I memorized poems and Confucius passages at school and learned how to play the zither. At night, my grandma would sit next to my bed, fan away mosquitoes with her bamboo fan and sing nursery rhymes about the summer rain in Cantonese. On weekends, I would wake up early to watch my neighbor roll dumpling dough and my mom cut green onions into small pieces for the filling.

What little exposure I had to American culture was when my Jewish-American father would come home after monthslong business trips and read me Dr. Seuss. Until I was 15, my understanding of America consisted of vague memories of The Boy and The Apple Tree, summer trips to my dad’s hometown Portland, Maine, where his white relatives would look at me in wonder and express concern for my broken English.

I was, as far as I understood, Chinese. But as far as everyone else in China was concerned, I was only white, Jewish and American because of my father. For reasons incomprehensible to me at the time, I was “different” in the eyes of those in a society so emphatic about its homogeneity…

Read the entire article here.

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Portrait Of: ‘The Latinos Of Asia’

Posted in Asian Diaspora, Audio, History, Interviews, Latino Studies, Media Archive, Social Science, United States on 2018-05-28 22:52Z by Steven

Portrait Of: ‘The Latinos Of Asia’

Latino USA
2018-05-22

Janice Llamoca, Digital Media Editor
Futuro Media Group

When you hear of last names like Torres, Rodriguez or Santos, you might automatically think of Latin America—and you’re not completely wrong. Those surnames are common throughout Latin America, but they’re also common in the Philippines.

Because of Spanish colonization, Filipinos and Latinos also share —aside from last names— religion, food and even similarities in language. These lines become even clearer here in the United States, as Filipino-Americans grow up in a cities with large Latino populations, like Los Angeles.

Anthony Ocampo, associate professor of sociology at California State Polytechnic University, Pomona, breaks down these similarities in his book, The Latinos of Asia: How Filipino Americans Break the Rules of Race.

Maria Hinojosa talks to Ocampo about the book, his experience growing up in Los Angeles as a Filipino-American and what his research tells us about the link between Filipinos and Latinos…

Listen to the interview (00:19:30) here.

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Steve William’s Column: Invisible blackness, can you see it?

Posted in Articles, History, Media Archive, Passing, United States on 2018-05-28 02:33Z by Steven

Steve William’s Column: Invisible blackness, can you see it?

South Strand News
Georgetown, South Carolina
2015-05-25

Steve Williams

Steve Williams (copy)
Steve Williams

Last weekend’s royal wedding in England was a beautiful thing to behold. Many have likened it to Barack Obama’s inauguration in 2009.

Social media is abuzz with millions who witnessed it; perhaps because Meghan Markle, who is of mixed racial heritage, didn’t diminish her African heritage rather, she celebrated it. When talking about her mixed heritage, race isn’t something she leads with, but she’s clearly comfortable talking about it. She tells a story of growing up and having her mother pick her up from school; how her friends would often ask — “who’s that black lady? Is she your maid?”

A self-described feminist and egalitarian Meghan has proudly supported many causes for those who are marginalized. Her wedding ceremony spoke volumes for her character. Likewise, kudos must be given to Prince Harry and the royal family for allowing her to express it. Maybe they’re more progressive than I thought…

While more and more celebrities like Halle Berry, Mariah Carey, Alicia Keys, Sade, Drake, Vin Diesel, and Dwayne “The Rock” Johnson are celebrating their multicultural heritage today, this was not always the case — particularly those black celebrities who could “pass” for white

…Yet, the question of race for many blacks in America was determined by the so-called “One Drop Rule.” The law adopted by most Southern states originated during slavery and reinforced under Jim Crow, said if an individual has one single drop of “black blood” in their ancestry, then that individual is black regardless of his or her appearance.

In the early 1900s, being “black” or “colored” had drastic practical consequences even for whites.

The story is told of John Kirby who was the son of Big John Godbolt. Godbolt was one-eighth African and seven-eighths European. That meant Big John was legally classified as “colored” under South Carolina law. But John Kirby’s mother was white which meant John Kirby and his siblings had less than one-eighth African blood and were legally not “colored.” Instead, having only one-thirty-second African blood they were legally coded as “white.”…

Read the entire article here.

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We Are the Original Southerners

Posted in Articles, History, Media Archive, Native Americans/First Nation, Social Justice, United States on 2018-05-28 01:09Z by Steven

We Are the Original Southerners

The New York Times
2018-05-22

Malinda Maynor Lowery, Associate Professor; Director, Center for the Study of the American South (and Lumbee Indian)
University of North Carolina


An Indian delegation visited the White House Conservatory in 1863 during the Civil War. The story of American Indians during that period is largely overlooked in the contemporary struggle over statues of Confederate soldiers and politicians.
Mathew Brady/Buyenlarge, via Getty Images

CHAPEL HILL, N.C. — The people clamoring over whether to keep or remove Confederate monuments agree on one thing: This is a black-white issue. Last month, a graduate student doused the University of North Carolina’s Confederate monument in a mixture of her own blood and red ink. The monument, she said, “is the genocide of black people.”

I recognize my blood on these statues, too.

When people see Southern history in black and white, where are American Indians? Most people believe that the American Indian genocide took place long ago. But it wasn’t completely successful. There are over six and a half million American Indians, and many of them live in the South. North Carolina is home to the Lumbee Tribe, the largest tribe of American Indians east of the Mississippi (55,000 strong), of which I am a member. We are the original Southerners, and we shaped and continue to shape Southern history.

And yet even the most progressive Americans don’t seem to realize this. The coalition organized to oppose the Unite the Right rally in Charlottesville, Va., last August did not invite any representatives of Virginia’s seven American Indian tribes to participate…

…Indian communities defied the logic of racial segregation; their very existence belied whites’ insistence that there were two races, never to be mixed. In 1924, the Virginia legislature passed the Racial Integrity Act, which outlawed interracial marriage, in part by reclassifying American Indians as “colored.” The act erased the distinct identity that people like Chief Branham are still today trying to protect…

Read the entire article here.

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Declared Defective: Native Americans, Eugenics, and the Myth of Nam Hollow

Posted in Anthropology, Books, History, Media Archive, Monographs, Tri-Racial Isolates, United States on 2018-05-27 23:50Z by Steven

Declared Defective: Native Americans, Eugenics, and the Myth of Nam Hollow

University of Nebraska Press
May 2018
246 pages
9 photographs, 1 illustration, 3 maps, 2 tables, 8 charts, index
Hardcover ISBN: 978-1-4962-0200-0

Robert Jarvenpa, Professor Emeritus of Anthropology
State University of New York, Albany

Declared Defective is the anthropological history of an outcast community and a critical reevaluation of The Nam Family, written in 1912 by Arthur Estabrook and Charles Davenport, leaders of the early twentieth-century eugenics movement. Based on their investigations of an obscure rural enclave in upstate New York, the biologists were repulsed by the poverty and behavior of the people in Nam Hollow. They claimed that their alleged indolence, feeble-mindedness, licentiousness, alcoholism, and criminality were biologically inherited.

Declared Defective reveals that Nam Hollow was actually a community of marginalized, mixed-race Native Americans, the Van Guilders, adapting to scarce resources during an era of tumultuous political and economic change. Their Mohican ancestors had lost lands and been displaced from the frontiers of colonial expansion in western Massachusetts in the late eighteenth century. Estabrook and Davenport’s portrait of innate degeneracy was a grotesque mischaracterization based on class prejudice and ignorance of the history and hybridic subculture of the people of Guilder Hollow. By bringing historical experience, agency, and cultural process to the forefront of analysis, Declared Defective illuminates the real lives and struggles of the Mohican Van Guilders. It also exposes the pseudoscientific zealotry and fearmongering of Progressive Era eugenics while exploring the contradictions of race and class in America.

Table of Contents

  • List of Illustrations
  • List of Tables
  • Series Editors’ Introduction
  • Acknowledgments
  • Introduction: The Menace in the Hollow
  • 1. Native Americans and Eugenics
  • 2. Border Wars and the Origins of the Van Guilders
  • 3. A “New” Homeland and the Cradle of Guilder Hollow
  • 4. From Pioneers to Outcastes
  • 5. The Eugenicists Arrive
  • 6. Deconstructing the Nam and the Hidden Native Americans
  • 7. Demonizing the Marginalized Poor
  • Conclusion: The Myth Unravels
  • Notes
  • Bibliography
  • Index
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The Life-Giving Art of Adrian Piper

Posted in Articles, Arts, Autobiography, Media Archive, United States, Women on 2018-05-25 02:44Z by Steven

The Life-Giving Art of Adrian Piper

Shondaland
2018-04-20

Rebecca Carroll, Editor of Special Projects
WNYC New York Public Radio, New York, New York


GETTY IMAGES/PHOTO BY SUZANNE KREITER/THE BOSTON GLOBE

I went to college at a small, private liberal arts school in rural Massachusetts on a full financial scholarship. There I navigated two sets of friends: my black friends, and my white friends. The school was, of course, predominantly white, but the students of color created a strong and robust community. For the first couple of years, though, still legit messed up by being adopted by a white family and raised in an all-white town, I placed an inordinate amount of value on proximity to white folks. So I went ahead and kept up with them Saab-driving, co-op shift-having, jazz-loving white friends, who largely performed their wokeness and ignored or exotified my blackness. Enter: the conceptual artist Adrian Piper, who pretty much gave me my life…

Read the entire article here.

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Meghan Markle and the Bicultural Blackness of the Royal Wedding

Posted in Anthropology, Articles, Media Archive, United Kingdom, United States on 2018-05-21 14:33Z by Steven

Meghan Markle and the Bicultural Blackness of the Royal Wedding

The New York Times
2018-05-20

Salamishah Tillet, Associate Professor of English and Africana Studies
University of Pennsylvania


Prince Harry and Meghan Markle during their wedding ceremony in St George’s Chapel at Windsor Castle on May 19, 2018 in Windsor, England.
Pool photo by WPA

“Who are your people?” is the question that repeatedly came to me as I watched Doria Ragland, Meghan Markle’s mother, sitting a few feet away from her daughter at Saturday’s royal wedding. A common expression among southern African-Americans when greeting a stranger, it is never simply a matter of bloodline or individual biography. Rather, responses like “I’m the daughter of so and so” or “My family comes from here by way of there” serves the greater purpose of attesting to one’s place in history and potential bonds of kinship.

Despite Ms. Ragland’s being the sole member of Ms. Markle’s family at the wedding, we still know so little about her. In contrast to the media obsession with Ms. Markle’s father and his children from his first marriage, Ms. Ragland is a bit of a mystery who rarely gives interviews. As a result of her silence, we are left to deduce meaning from her physical image. As she sat across from the British monarchy in her pale green Oscar de la Renta dress and coat, it was the symbolism of her long dreadlocks, quietly tucked underneath her hat, that spoke volumes as it reminded us that black women’s natural hair is regal too.

Among the group of black women with whom I watched the ceremony early Saturday morning in New Jersey, she was a source of pride. Yet out of a sense of sisterly protection, we were also worried about her as she sat there alone, without siblings or friends. The wedding itself helped alleviate our fears, for even if none were not physically present at St. George’s Chapel, the ceremony was filled with gestures, big and small, that explicitly celebrated her “people” and the various black worlds in which she raised Ms. Markle.

But it was “what are you?” — a substantially more alienating question than “who are your people?” — that Meghan Markle recalls hearing almost every day of her life. In a 2015 essay for Elle magazine, she wrote, “I’m an actress, a writer, the Editor-in-Chief of my lifestyle brand The Tig, a pretty good cook and a firm believer in handwritten notes. A mouthful, yes, but one that I feel paints a pretty solid picture of who I am.” But such an answer is insufficient. Ms. Markle went on, “But here’s what happens: they smile and nod politely, maybe even chuckle, before getting to their point, ‘Right, but what are you? Where are your parents from?’ I knew it was coming, I always do.”…

Read the entire article here.

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In the Wake of His Damage

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, United States, Women on 2018-05-19 23:46Z by Steven

In the Wake of His Damage

The Rumpus
2018-05-12

Shreerekha
New York, New York


Rumpus original art by Aubrey Nolan

All the sleeping women
Are now awake and moving.
Yosano Akiko (1911)

For all women who already know this narrative;
For all women touched by the Great Writers, named, unnamed, and some listed as letters;
For all who commune in the trauma and healing promised herein;
For all who believe in the power of radical transgressive border-crossing love;
For my Happiness, and my son and my daughter, so that you may walk differently;
For the ex with whom love remains the last transgression —

The Autobiographical

The year after I started teaching in Texas, his novel came out. Ten years after the event of our relationship, ten tortured years where we continued to communicate, a sort of communication that involved him reaching out, letting me know I made all the wrong decisions in my life, and then, asking for forgiveness and another chance, I thought I should teach his novel in my classes. The novel itself was important, won the Pulitzer, and by teaching it enough times, I thought it would do the trick. The classroom is sacral: all that goes through it turns magical and I would emerge whole. I would finally be rid of my ghost-love and I could sanitize our past through the distance offered by teaching and making a monument of his work for my students. Somehow, that plan failed.

What I do is teach, write, and think on, most often, feminist texts and theories. Such a pedagogy has not just carried me through the classrooms over the decades, but become a mooring post in life. It offers me a vision and a strategy, a way to love radically, think fearlessly, and keep renewing, as I can, the bridges between projects of feminism and social justice. Gloria Anzaldua’s vision, a vision that has carried many a woman through a dark day, has been valuable in thinking through the rubble of this event in my life. In Borderlands, Anzaldua offers a prophetic amalgam that helps women identify the productive potential of the mestiza way, the middle spaces she calls the nepantla. For women of the many elsewheres, women who continually travel and cross borders, Anzaldua’s psychic restlessness gives a fist bump of legitimacy, an anchor in the cultural collisions many of us remain mired in. Rather than a counter stance, she speaks of developing a position that is inclusive, inaugurating for us the amasamiento, a creature of both light and darkness.

I identify in a category not formalized or accepted in colonial census charts or western ways of understanding the other, as a black South Asian. I am an Indian who lays claim to the global community of black consciousness, and I reside between so many worlds of belonging and unbelonging. In racializing colorism and politicizing my own experience of antipathy witnessed toward the color of my skin, I crafted my own passport into marooned and shapeshifting black communities that gave credence to ontologies and a posteriori narratives over normative constructions of race, ethnicities, and nationalities…

Read the entire article here.

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